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The Grandissimes: A Story of Creole Life (Penguin Classics) Paperback – December 1, 1988

4 out of 5 stars 9 customer reviews

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Product Details

  • Series: Penguin Classics
  • Paperback: 368 pages
  • Publisher: Penguin Classics; Reprint edition (December 1, 1988)
  • Language: English
  • ISBN-10: 0140433228
  • ISBN-13: 978-0140433227
  • Product Dimensions: 5.1 x 0.8 x 7.7 inches
  • Shipping Weight: 8.8 ounces (View shipping rates and policies)
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (9 customer reviews)
  • Amazon Best Sellers Rank: #322,739 in Books (See Top 100 in Books)

Customer Reviews

Top Customer Reviews

Format: Paperback
A native Louisianian, I didn't read this book for a long time, but was well rewarded when I finally got around to it. Cable caught a lot of hell for this book (along with OLD CREOLE DAYS) and it's easy to see why. Taking potshots at popular historical myths (and making arguments for racial equality) was never popular, especially in Louisiana right after Reconstruction when this book was written. While the writing and some of the melodrama are considerably dated (if exquisitely lush and beautiful), Cable makes excellent (if occasionally strident and jarring) points of his own while giving us a beautifully entertaining story of forbidden love and the clash of cultures, (themes more than resonant in Southern literature), and his characters, particularly the strong-willed Aurore, the family black sheep Honore de Grandissime, and the idealistic young Anglo (well, German, really) immigrant, Joseph Frowenfeld, stay in the soul's memory long after the book's finish. As an afterthought, the way Cable goes after Creole society has relevance today, as there is probably no other part of Louisiana history and culture as misunderstood and yet sentimentally applauded as its Cajun and Creole components. A great novel not only on its own terms, but also for the impact its had on perceptions of the South and especially Louisiana.
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By A Customer on January 26, 2000
Format: Paperback
Critic Rebecca West compared Cable to Balzac and the comparison is apt; this is possibly the closest an american novelist came to the french author. Set in exotic New Orleans during the time when Louisiana was being admitted to the Union, the novel is atmospheric and rich in description. The plot is complex but never enervating. The Grandissimes will be a real surprise to readers who have only read the society novels of Henry James and Edith Wharton.
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Format: Paperback
Cable's epic masterpiece details the adventures of a young protagonist stranded in New Orleans after his family succumbs to yellow fever. Through an acquaintance with a well-connected Doctor, he is able to enter a society that few people get to experience -- upper class New Orleans.
Mark Twain said that if you read the Grandissimes, you wouldn't have to go to New Orleans, because by reading it, you have already visited. Cable, with extensive detail, humor and intricate commentary on the Old South, has written a novel that stands the test of time, even though some of the characters (Agricola Fullister) do not.
Although the book is at points tenuous, the characters are vibrant and interesting enough to keep the plot moving along.
Of course, the most controversial aspect of The Grandissimes is the ending, which many feel is a let down after pages and pages of emotional build-up. Without giving anything away, the finals pages are somewhat of a disappointment. But the ending in its entirety is a well done.
Overall, the Grandissimes is a fascinating look at class and culture of the Creoles. It is recommended to anybody who enjoys reading New Orleans literature or literature in general.
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Format: Paperback
To tell you the truth, I had to read this book for a class I took this year, which focused on literature from New Orleans. I don't mind reading books for classes; however, once I read the first couple of chapters of The Grandissimes, I thought that this would be one of those books that I would fall asleep reading. It seemed confusing and dealt with issues that did not really pertain to me, but I was pleasantly surprised at how interesting and complex the novel became.
Once the plot started to unfold, the novel grabbed my interest and I grew to respect and be amazed by it. I think that Cable did a great job tying major themes into this piece of literature, such as family pride, Creole lifestyle, Iron Virgins and Southern Belles, and the rigorous expectations of society. The Grandissimes takes place right after the Louisiana Purchase (1803), which allowed Cable to encompass ideas that many people are familiar with, such as a fear of change. The characters in the book where well developed and each seemed to carry their own message to the audience. For example, it is easy for everyone to relate to Joseph Frowenfeld, an American who finds himself wrapped up in the Creole society. This character was forced to be an outsider and the novel depicts how he dealt with the divisions of class and status.
The Grandissimes is titled after the Creole family from New Orleans who held most of the power and influence in society at the time. Throughout the book, the family must struggle through twists and turns of deceit and unexpected events, while still holding up their Old South charm. This book does a great job portraying how the family struggled to keep their position and power in society, in order to stay true to their roots.
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Format: Paperback
Subtitled "A Story of Creole Life" and set in New Orleans during the early 1800s, the main thread of this novel revolves around a family feud between the Grandissimes and De Grapions. Various members of each family love and hate members of the other, which is eventually worked out to the satisfaction of some (Honore and Aurora) and the disappointment (even death) of others (Agricola and Palmyre). Cable's goal was to portray as realistic a picture of New Orleans and Creole society at the time when the city was still mainly French and Spanish (proud old Agricola hates the newly arriving Americans) as he could, and in that he mainly succeeds (even with many of the romantic elements that creep into the story, such as the developing love interest between Joseph Frowenfeld and Clotilde Nancanou). Beyond the feud, though, Cable depicts a society drenched in violence and racial hatred, and this is about as realistic as it could get. In one scene a black woman is lynched, then cut down just before she suffocates and told to run for her life; when she does she's shot dead. Bras Coupe, a one-time African prince who is now a slave, is an imposing character and worthy of respect. The book has a great deal of Creole and French dialect throughout, which may be problematic for some. A product of the deep South, Cable writes with vitriol against the slave system and the cruelty of white masters, but also reveals sympathy for a dying culture in New Orleans. Probably Cable's best work.
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