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Third Class Superhero 1st Edition

3.7 out of 5 stars 23 customer reviews
ISBN-13: 978-0156030816
ISBN-10: 0156030810
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Beasts and Children by Amy Parker
"Beasts and Children" by Amy Parker
Explore this featured new release in Short Stories. Learn more | See related books

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Product Details

  • Paperback: 192 pages
  • Publisher: Harvest Books; 1 edition (September 5, 2006)
  • Language: English
  • ISBN-10: 0156030810
  • ISBN-13: 978-0156030816
  • Product Dimensions: 5.2 x 0.4 x 8 inches
  • Shipping Weight: 8.8 ounces
  • Average Customer Review: 3.7 out of 5 stars  See all reviews (23 customer reviews)
  • Amazon Best Sellers Rank: #1,094,496 in Books (See Top 100 in Books)

Customer Reviews

Top Customer Reviews

By A. Ross HALL OF FAMETOP 1000 REVIEWERVINE VOICE on February 28, 2007
Format: Paperback
I'll fully admit that I picked up this book based on the nifty pop art cover, and then after flipping through it and seeing somewhat unusual typography and story structure, I took it home. The title story leads things off and is a very engaging Jonathan Lethem-style tale about "Moisture Man." He's a cut-rate superhero whose power is, as he puts it, very handy in a water-balloon fight, but that's about all. Already past his prime, to "make it", Moisture Man has to be able to fly, and there's only one way for him to do that: the dark side. It's an amusing framework for examining the compromises we all have to make in our daily lives, and easily the most enjoyable story in the book.

The other ten stories are rather precise, almost cold exercises in the craft of short story writing. While some take on imaginative frameworks, such as "Problems for Self-Study", which unfurls as a quasi-math/logic test, or the series of rules in "Two-Player Infinitely Iterated Simultaneous Semi-Cooperative Game with Spite and Reputation", they don't deviate from the central theme of identity and the quest for a meaningful existence that runs throughout the stories. In one story a couple tries to derive meaning and identity via packaged consumer goods and services, in another a man's identity literally splits in two, in another, an actor becomes overly immersed in his role, and so forth. In many of the stories, the characters aren't even given names, just "man" or "woman" or "A" or "B"... Another running theme is the idea of connection (in the E.M. Forester sense), in that many of the characters want to connect with others (family, lovers, friends), but are unable to move themselves to action. Personally, these failed to strike any kind of chord, and the navel-gazing aspect grew somewhat repetitive. Still, fans of the short form should check this out, as Yu's approach is certainly different from most of what's out there.
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Format: Paperback
Based on the marketing and a short reading I heard, I picked this up expecting to follow the fate of a hapless superhero. I wasn't disappointed, and Moisture Man reminded me of what comics promised me as a kid. Further into the book, I was surprised to find that the rest of the stories dissected mundane characters with mathematical precision. It was as though I bought a Superman comic and found myself immersed in Clark Kent's relationship with his mother, Lois Lane, and his job. In this, Yu approaches the level of George Saunders at his best.
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Format: Paperback Verified Purchase
The first story was somewhat normal; all the others were like coming into the middle of a conversation and trying to figure out what the heck they were talking about. That could have been cool, but it got old really quick and became repetitive. What seemed like a neat idea at first just became the same old thing. I kept hoping for something new and interesting, but never really got it.

The only story I even remember is the Third Class Superhero.
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Format: Paperback
The title story leads off fairly strongly. However, the following stories seem to be more focused on execution of particular writing exercises than they do on execution of telling an interesting tale.

He seems a capable writer. I would probably buy a future collection of his short *stories*, but found myself underwhelmed here by the excessive experimentalism.
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Format: Paperback
Inventive, smart and funny immediately come to mind with regards to "Third Class Superhero", the debut short story collection from Charles Yu, which playfully mixes genres as diverse as scientific technical writing, mainstream fiction, plays, comic books, and fantasy. The title story itself is well worth the price of admission for this short story collection; a melancholy saga about a would be superhero's struggle to gain respect among his peers leads to a bizarre Faustian bargain with someone who could be described as being in league with Satan; an intense, emotionally gripping tale told from the protagonist's perspective. "My Last Days of Me" is a compelling tale about the star of the hit television series "Family" hitting rock bottom after interacting with a new member of the series cast, told effectively as a television script. There are eleven stories in all, exploring familiar terrain like relationships with loved ones, work, and the desire to describe one's current psychological outlook on life. Yu's prose is noteworthy for its sparse, terse sentences, which are still effective in their depiction of characters as memorable as that actor from "Family" or the protagonist of "Third Class Superhero". Yu is a courageous writer willing to break literary conventions if they stand in the way of letting him tell a good story. Without question, this debut short story collection marks the arrival of a fine young American writer of fiction, whose literary talent has been celebrated as a recipient of the Sherwood Anderson Fiction award, noted by The New Yorker and compared favorably with the likes of Jonathan Lethem and Philip K. Dick.
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Format: Kindle Edition Verified Purchase
I like these stories a lot. They stay with you and are different than the average short story collection. The best one, "The Man Who Became Himself" is a must read; it deals with identity and has an obsessive and unique look at life and the question of who we are -- it made me go and find other Charles Yu stuff.

The only issue is with the Kindle version. It is not formatted very well; paragraphing is a bit messed up, weird line breaks, and the Table of Contents is practically useless since it is not clickable, making it almost impossible to navigate and jump quickly to a certain story. Inexcusable for a ten dollar e-book. That's why I'm docking one star.
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