The Mosaic Crimes (Paperback)

~ (Author), Anne Milano Appel (Translator) "HE HAD filled several sheets of paper with his fine script, and now the candle on the table burned low..." (more)
Key Phrases: master dyer, Messer Alighieri, Messer Durante, Third Heaven (more...)

Editorial Reviews

From Publishers Weekly

Set in Florence in 1300, Leoni's absorbing historical features Italy's premier poet, Dante Alighieri as sleuth. Master mosaicist Ambrogio, who was at work in a ruined church, is found suffocated and disfigured—his head encased in a layer of caustic quicklime. Dante, plagued with migraines, resentful of Boniface VIII's attempts to consolidate papal power and generally irascible throughout, embarks on a solo investigation. At a seedy tavern, Dante encounters a group of intellectuals known as the Third Heaven, who meet secretly to discuss art and be entertained by an exotic dancer, Antilia. Despite the distraction of the alluring Antilia, Dante conceives intriguing theories of how victims attract killers and how illness serves as punishment for sin. Leoni's first publication in English is a well-researched labyrinth of medieval Italian history and politics. (Feb.)
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Review

"Leoni''s first publication in English is a well-researched labyrinth of medieval Italian history and politics."

(Publishers Weekly )

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Product Details

• Paperback: 336 pages
• Publisher: Harvest Books (February 4, 2008)
• Language: English
• ISBN-10: 0156032686
• ISBN-13: 978-0156032681
• Product Dimensions: 7.9 x 5.2 x 1 inches
• Shipping Weight: 8.8 ounces (View shipping rates and policies)
• Average Customer Review: 3.0 out of 5 stars  See all reviews (8 customer reviews)
• Amazon.com Sales Rank: #1,103,234 in Books (See Bestsellers in Books)

Customer Reviews

Most Helpful Customer Reviews

15 of 19 people found the following review helpful:

2.0 out of 5 stars not a very engaging read, January 30, 2007

By	tregatt (Portland, Oregon) - See all my reviews (TOP 500 REVIEWER)

This review is from: The Mosaic Crimes (A Dante Alighieri Mystery) (Hardcover)

I don't know if it was because I read the translated edition of this novel, or if the author and his publishers have a very different idea of what a mystery novel entails, but this was, probably one of the most painful reads I've ever had to do. And no one forced me to read on either! Sheer stubbornness made me read on the bitter end -- I just had to discover if things got any better. Unfortunately, it never did.

In the summer of 1300, the city of Florence is tense with fear that the Guelphs and the Ghibellines are about to clash again in another titanic struggle for power. In the midst of this, Dante Aligieri, poet, scholar and newly appointed prior of Florence, finds himself in the middle of a murder investigation. The body of a master mosaicist is found, his head covered in quicklime, next to a mosaic he was working on in a church that is being restored. And when Dante discovers that the dead mosaicist, Ambrogio, was part of a secret group of scholars who had all come to Florence to set up a university, and that their funding seemed to be coming from Rome, a suspicious Dante wonders if this group of scholars are in actuality secret spies for Pope Boniface, and if the Pope has sinister plans to control Florence through this college. Why then was Ambrogio murdered? Was there a falling out amongst the scholars that led to this murder? And does this murder affect the future of Florence at all? Determined to solve this murder, Dante begins the business of prying and probing into the affairs of these foreign scholars, in spite of the many apparent dangers that lie before him...

Personally, I didn't find "Mosaic Crimes" to be a very engaging book. Perhaps this was because I was reading a translated edition, and things were not as they would have been in the original. The version I read seemed a bit flaccid and sterile -- the plot meandered all over the place between subplots that dealt with the horrific murders and the threat of fresh hostilities between the Guelphs and the Ghibbetines. Also, for a
novel where so much was going on, and where there was a plethora of suspects and action, "Mosaic Crimes" was just not very suspenseful. Again, this may have had something to do with the prose style. And there was the subplot involving the heirs to the Swabian throne-- a little more background as to how the throne was lost and why the Vatican was hunting down the remaining heir would have been nice. As it was, I spent a lot of time trying to infer things before I brokedown and consulted my bookshelf. However, the biggest problem I had with the book was the author's decision to choose Dante of all people as his chief protagonist. Especially since he'd decided to portray Dante as realistically as possible, warts and all. Dante, in this novel, is an arrogant, small minded, peevish, short tempered and paranoid character, with few redeeming traits and who was just plain unlikable. It is truly difficult to loose yourself in a book when you find the main protagonist to be so annoying that you start rooting for the murderer(s) to get the better of Dante!! However, for me, the most disturbing thing of all was the language used to characterise and deride practically the only female character in the novel, Antilia. A tavern dancer of bewitching beauty and mystery, Antilia both tantalises and repels Dante. So much so that he keeps referring to her in very derogatory terms. Whether or not you decide that this character deserves the "accolades" Dante heaps on her, I can tell you that as a woman, I was quite discomforted by the savagery of language used here.

The history bits are good, as is the period detail and the vividly colourful descriptions of scenes. But the storyline took too long to unfold and the sudden dipping into philosophy was too distracting at times. All in all, "Mosaic Crimes" was a very disappointing 2 star read.

2 of 2 people found the following review helpful:

4.0 out of 5 stars So far, so good . . ., September 25, 2007

By	Dancing Ganesha "Dancing Ganesha" (Northern Hemisphere) - See all my reviews (TOP 1000 REVIEWER)

This review is from: The Mosaic Crimes (A Dante Alighieri Mystery) (Hardcover)

I'd say I'm about 3/4 through, and while this may not be the appropriate time to write a review, I read through books so fast that I can't keep up with my own reviews. So here is a premature but honest review. The author has a certain style that is just right. He doesn't care to impress you the way some writers have to in order to create an artifical ambience that can often be embarrassing. The writer doesn't care about artifice, like Dante, he is going to find out the truth -- he is telling you the tale in such a real and genuine manner that you become immersed in the story while still being able to analyse analytically. The best type of mystery or detective story has this quality. I am impressed with the quality of this story so far, and applaud any modern-day writer who can write such tales with seeming ease. I would recommend this to anyone who enjoys mysteries set in the past, or else anyone who is a fan of Dante Alighieri.

8 of 11 people found the following review helpful:

5.0 out of 5 stars a terrific historical mystery novel, February 7, 2007

By	Historical Mystery fan (Alamo, CA USA) - See all my reviews

This review is from: The Mosaic Crimes (A Dante Alighieri Mystery) (Hardcover)

I totally agree with the mystery book reviewer for the Baltimore Sun who wrote "Historical thrillers don't come more high-concept than this: Dante Alighieri, detective. But Leoni, whose novel reached immediate best-seller status in his native Italy when first published there in 2004, opts for a more low-key approach that keeps intrigue perpetually bubbling under the surface instead of broadcasting it in the reader's face every chapter ending or so.....Leoni's narrative style is equal parts crisp and wry, bolstered by his thorough knowledge of medieval Italy and the Commedia. But it's the human portrait of Dante that makes this brand of mystery memorable." Library Journal wrote in their review "Elegantly written and beautifully translated, the language is descriptive without being flowery, smart without being pedantic."