Amazon.com Review
The question one inevitably asks when considering the life of composer Amy Beach is this: How much greater might she have been if she'd had the same opportunities given male prodigies such as Mozart or Beethoven? As it was, Beach's talent was prodigious and widely recognized in her own time. Born in 1867 to a musical family, the young Amy was playing the piano by ear by the time she was four. Had she been a boy, no doubt a brilliant career as a concert pianist would have followed; instead, Amy married a much older man and mostly confined her musical genius to once-yearly concerts and to composing. Beach was prolific and eclectic, writing a Mass, a symphony (her "Gaelic" Symphony was the first work by an American woman composer to be performed by an American orchestra) and chamber music. In later years, after her husband's death, Beach toured the world as a performer.
In her extensive biography of Amy Beach, Adrienne Fried Block examines both the composer's life and work. Excerpts from various pieces are included in the book, giving readers an opportunity to study her music. Block does an admirable job of explaining to those less musically knowledgeable just what Beach was attempting to accomplish in each piece. Amy Beach, Passionate Victorian is an excellent biography for anyone interested in the life of a remarkable woman; for those who are also interested in music and composition, it's a real treat.
From Library Journal
Beach (1867-1944), who published her works under the name Mrs. H.H.A. Beach, was the most widely performed composer of her generation and the first major American woman composer. A musicologist and codirector of the Project for the Study of Women in Music, Block has done a great service by providing the first full-length critical biography of this talented, underappreciated composer. Beach's unwillingness to embrace the techniques of the European avant-garde endeared her to her fellow Boston Brahmins but, regrettably, guaranteed her only peripheral status in textbooks on 20th-century music. Block's thorough and clear-eyed account nicely places Beach's life and work in the context of turn-of-the-century New England arts and society. Pitched to the lay reader, her book includes 22 music examples accompanied by simple, illuminating analyses. An important work not only for general collections and music libraries but also for women's studies collections; highly recommended.?Larry A. Lipkis, Moravian Coll., Bethlehem, PA
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