From Publishers Weekly
Novelist and memoirist See (The Handyman; Dreaming: Hard Luck and Good Times in America) offers a how-to guide for the wannabe writer who can take the time to "write 1,000 words" per day. Viewing writing as a lifestyle as well as a vocation plays to See's strengths as a storyteller: her advice is salted with anecdotes she's picked up in years as the head of a literary household (her daughters are also writers) and as a teacher of university creative-writing classes. Starting at the beginning, she advises neophytes not to tell anyone about their aspirations, as "that bores people to death." Later she suggests sending a handwritten note of praise ("charming notes," she calls them) to someone admired in the literary world each day, five days a week for the rest of your life. Her advice is practical and folksy, and much of it wouldn't be out of place in an upscale women's magazine. The approach is comprehensive: aspirants are encouraged to "pretend" to be a writer, "make rejection a process," set up a travel account for that first trip to New York and deduct part of the cost of their clothing from their taxes as a "costume" expense. Practical chapters on "Character," "Plot," "Geography, Time, and Space" and "Building a Scene" are a little thin, but generally sound. Though not for the experienced writer, this is an easy-to-read beginner's guide, long on chat but somewhat short on technique.
Copyright 2002 Cahners Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From Library Journal
This wonderful book manages to integrate perfectly advice to writers and would-be writers with delightful snippets from See's literary and teaching career she has authored nine books, teaches English at UCLA, and reviews regularly for the Washington Post. Mostly, this is a collection of anecdotes and name dropping (from her family and inner circle to well-known authors), and at times you'll feel as if you were listening in on one of her classes. See offers advice on how to write those "thousand words a day," behave like a writer, and get published after dealing first with myriad rejection letters. There are also sections on character, plot, and point of view, but don't think See approaches any of these topics in a formulaic way. She uses her wealth of experience to offer valuable, and sometimes hilarious insights into the writing process and the importance of revision. Whether you're a writer, a would-be writer, or just a reader who enjoys good writing, this book is a pleasure to read. Highly recommended. Herbert E. Shapiro, Empire State Coll., Rochester, NY
Copyright 2002 Cahners Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
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