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57 of 69 people found the following review helpful:
1.0 out of 5 stars
Thank god?, October 11, 2004
If Anne Rice herself is glad that the series is finished, it only goes to prove how tired the whole lot of books has become.
She claims she doesn't need editing. Even Hemingway had an editor. If she weren't such an egomaniac, which is obvious from her rant, Rice would have established an ongoing relationship with an editor that she trusted.
She says that she doesn't want to hear someone else's voice blended in with Pavarotti's or Horne's. But if she were at all educated about the opera world, she would know that even the greatest opera singers continue to have teachers help them to hone their craft. Rice believes that she is such a genius that she doesn't need instruction or editing. Well, the continued decline in the literary quality of her books speaks otherwise.
This book is truly awful. If she hadn't already had so many books published, no reputable publishing house would have touched it.
And no, I have nothing personal against Ms. Rice. I wish her the best. (And I wish she would get an editor rather than rail against the people who actually read her books and see the desperate need for one.)
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27 of 31 people found the following review helpful:
1.0 out of 5 stars
Calling this maturing? You should be ashamed!, November 12, 2003
The vampires were a metaphor for human struggle, emotion and questioning. It wasn't literally about vampirism. And now we have to deal with a religious tangent from a undead rock star who is certain that the catholic church is absolutely right and infallible and the world is full of sin? Where's all the talk of goodness from The Vampire Lestat? Where's the questioning? Where's the searching and angst? Tell me the angst is still there and I'll be forced to ask you to define angst because then I'd think you wouldn't know the meaning of the word. Don't you see, you make Lestat absolutely sure, and you make sexism okay, he says religion and state should not be separated (can we say Taliban?) yet in the old books Lestat had repeatedly said that it would be great if no one has to die in the name of God and then tell people that maturing means you stop questioning the world around them, now THAT is a bad example. That is not maturing, it's giving up. It takes away some of the humanness of the character that now he's certain what the fabric of the universe is made of. It makes the books superficial if there's nothing left to doubt or question. Because being human is to struggle and question, it's no certainty, it's not blind faith. It's life, it's questions, it's facing contradictions and corruption. But now Lestat has lost faith in the goodness of humanity, that secular innocence that he went on about in The Vampire Lestat novel that drew me in. To stop rebelling isn't maturing, it's surrendering. To be mature does not mean to give up. You can be very mature and still question the world around you and not denounce others for being provocative when you're A WALKING CORPSE THAT FEED'S ON BLOOD!!!!! This book makes me sick to my stomach when pitted against ANY other vampire chronicle because it's simply not Lestat. If you recall that Blackwood Farm takes place a night before it, he's literally changed this drastically over night. You can call this change but Anne Rice should be ashamed of herself in calling it maturing. Don't spit in my face and call it rain. I didn't love the blond hair or the fangs. I loved the personality and now it's not there. There's no trace of him. Yes, people change over time but fundamentally who you are deep down inside, the person you're meant to be, that never goes way. To quote Lestat himself, "We never change, we just become more of who we're meant to be." And this creature in Blood Canticle is not apparent in any novel before it. Lestat was a part of Anne Rice, a reflection of Stan Rice. And if that part wasn't there anymore she simply should not have used the name. If that part of herself has been changed or replaced she should have used a new character to express these views instead of going 180 on a James Dean type of character and turn him into George W. Bush. I never felt this passionately about disliking a book in my life. And I THOUGHT I disliked Memnoch the Devil. I could not hate this book so much if I did not love The Vampire Lestat with all of my heart and still do. If I had nothing to pit it against I would say it's just a Catholic right wing propaganda book and think nothing of it because there are dozens upon dozens of books like that. But if you stand it against The Vampire Lestat and then say this is the same character but he's 'maturing' that concept of maturity scares the Hell out of me. And I'm an adult. If I ever mature like that I want someone to put a gun to my head and pull the trigger, please...
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63 of 77 people found the following review helpful:
1.0 out of 5 stars
The characters deserved better, May 30, 2004
What can I say about this book that hasn't already been said by other reviewers? This has to be the worst book Rice has written, and it took an act of will for me to finish it. Rice has said that this is the last of her Vampire Chronicles. I only hope she keeps her word.
So why is this book so bad? First of all, the story is thin. Newly made vamp Mona Mayfair (who spends most of the book acting out) wants to find out what happened to her Taltos child. Ok, interestng premise. Could have made for a good story. Mayfair family dynamics come into play--Mona's daughter was fathered by Rowan's husband Michael and Mona's mad at Rowan. Could have been interesting. Oncle Julien haunts Lestat because he's mad that Mona has been vamped. Interesting idea. There are other glimmers of a plot that could work, but mostly they get a superficial, breakneck treatment that reads more like the outline of a longer, more developed novel.
However, my major complaint about "Blood Canticle" (and much of Rice's recent work) is her treatment of her characters. In her earlier works, they were better fleshed out and more complex. In other words, they were believable, and from book to book Rice maintained their integrity. In recent books, however, she's turned them into one dimensional cartoon characters that bear only a superficial resemblance to what they used to be. She manipulates them like puppets to suit her whims--disposing of them off-handedly when it suits her fancy (poor Ash, poor Morrigan, poor Merrick--oops, wrong book). Her characters have lost any psychological reality they originally had. For instance, Mona's just an spoiled, immature brat; Rowan's a controlling Mad Scientist who wants to leave her husband for Lestat; and Quinn (Rice's best developed recent character) is so bland he fades into the woodwork. Even Oncle Julien becomes a incompetent ghostly meddler who can't get anything right. As for Lestat, now he's a do-gooder who wants to become a saint. You know the book is in trouble when it begins with Rice using Lestat's voice to whine about how "Memnoch the Devil" was misunderstood. Much of the Vampire Chronicles has been about Lestat's moral evolution, but please, give the vamp his fangs back!
Part of the problem here is that Rice has written some very good books that conveyed a real sense of the uneartly. "Blackwood Farm," Rice's most recent book before this one, was downright creepy and spooky in spots. Even "Merrick" had an eerie atmosphere to it. "Blood Canticle" suffers in comparison and does justice to neither of her major series. Both deserved a better sendoff.
Vampires & Mayfairs alike, may you rest in peace and be subjected to no further indignities.
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