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Will in the World: How Shakespeare Became Shakespeare Hardcover – September 17, 2004

4.2 out of 5 stars 232 customer reviews

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Product Details

  • Hardcover: 386 pages
  • Publisher: W. W. Norton & Company; First Edition edition (September 17, 2004)
  • Language: English
  • ISBN-10: 0393050572
  • ISBN-13: 978-0393050578
  • Product Dimensions: 6.5 x 1.4 x 9.5 inches
  • Shipping Weight: 1.7 pounds (View shipping rates and policies)
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (232 customer reviews)
  • Amazon Best Sellers Rank: #197,788 in Books (See Top 100 in Books)

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Format: Paperback
Shakespeare's life is frustratingly beyond our sight. Aside from the plays (which, in many cases, come down to us in different versions), we have a slim scattering of legal documents, marriage and birth records, and vague secondary accounts.

As the world's preeminent Shakespeare scholar, Greenblatt has managed to assemble all these sources and, with a healthy dose of conjecture, arrive at something resembling a biography of the world's greatest dramatist. More than that, though, this work is a biography of the age in which Shakespeare lived and wrote---Elizabethan and Jacobian London---and how the major events of this time affected Shakespeare's plays. For example, the writing of King Lear may have been encouraged by a trial in 1603 in which two sisters tried to have their father declared insane so they could take control of his wealth and estate, while the youngest daughter (named Cordell) tried to stop them---a story uncannily similar to what is considered to be the Bard's greatest tragedy.

What impressed me the most about this biography is how ORDINARY Shakespeare seemingly was. He didn't seem pretentious or snobbish, as some people envision him. He was born to a humble family and lived frugally, despite dying a rather wealthy man.

Although Greenblatt's writing is clear and accessible, he makes the assumption that you have already read Shakespeare's plays, or at least are VERY familiar with them. I have read about two thirds of them and felt a little behind when he discussed plays I hadn't read, so if you haven't read more than, say, ten of his plays, the major ones, you need to crack open the Norton Shakespeare (of which Greenblatt is the editor-in-chief) before you approach Will in the World.
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Format: Hardcover
Stephen Greenblatt's Will in the World is a marvelous "biography" of sorts. Greenblatt's world relies as much on what is known about Shakespeare and the world that he lived in. Is it possible that a man without a university education and without serious political connections and wealth could have written the plays and sonnets of Shakespeare? Yes and to assume otherwise would be the same as assuming that Paris Hilton could become the greatest actress of our generation by virtue of the fact that she's wealthy and hangs out a crowd that includes talented artists. Just because you've got social advantages (or disadvantages)doesn't necessarily mean you'll change the world. Greenblatt indirectly creates a compelling argument for Shakespeare as the author of the plays under his name.Great art can appear out of anyone with the talent, desire and opportunity to present it. Greenblatt's biography shows through his cross connections and supposition just how Shakespeare might have evolved into the great playwrite that we, the audience, know and love. By looking at the world that shaped Shakespeare, Greenblatt proposes a world that shaped Shakespeare's writing and helped shape the theatrical world around him as well.

Although Greenblatt bases a lot of his observations and conclusions on deduction and supposition, he makes a lot of intelligent and accurate observations about the world that shaped William Shakespeare. He also, in turn, speculates (sometimes hitting his target and sometimes not)how Shakespeare used the world that formed him to, in turn, form his great works. Are all the conclusions perfect and ironclad?
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Format: Hardcover Verified Purchase
For any actor playing Shakespeare, the identity of who wrote the plays is really a moot point. You simply can't approach any of his roles with a headful of scholarship & dramaturgy. As for the Bard's true identity---some will say it's Marlowe, some furiously maintain it is the Earl of Oxford. Greenblatt seems content with the glove-maker's son theory. Which is fine by me.

What makes this book a cut above any "biographies" is the fact that Greenblatt is more intent on raising questions than passing any of his well informed suppositions off as fact. And interesting questions they are. For instance, why is Shakespeare's wife virtually left out of his last will & testament? Bequeathing her only a "2nd best bed" after 30+ years of marriage & nothing else? What Greenblatt does here is take what little historical records we have, coupled with the politics of the age & tie them into Shakespeare's work. What emerges is an ever so faint pencil sketch of a shrewd, practically minded opportunist who despite his phenomenal success, sought to call as little attention to his personal affairs as possible. In other words, a deliberate cipher. Someone who took in the the sundry world around him & put it all on display in the conveniently ironic guise of Fiction. But someone who seems to have consciously left little or no record of himself beyond his work. So what little we know may actually reveal more than we think. Greenblatt reminds us what a dangerous time Shakespeare was living in. One had to be extremely cautious lest the celebrity of one's words wind up on the end of a pike on London Bridge. Thoughout it all, Greenblatt wisely never leaves the realm of speculation but does a masterful job of aligning current events alongside Shakespeare's words.
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