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The World in Six Songs: How the Musical Brain Created Human Nature Paperback – July 28, 2009

3.4 out of 5 stars 50 customer reviews

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Product Details

  • Paperback: 368 pages
  • Publisher: Dutton (July 28, 2009)
  • Language: English
  • ISBN-10: 0452295483
  • ISBN-13: 978-0452295483
  • Product Dimensions: 5.3 x 0.7 x 8 inches
  • Shipping Weight: 9.9 ounces (View shipping rates and policies)
  • Average Customer Review: 3.4 out of 5 stars  See all reviews (50 customer reviews)
  • Amazon Best Sellers Rank: #321,294 in Books (See Top 100 in Books)

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By Robert Carlberg on January 19, 2009
Format: Hardcover
Like many other reviewers here I was entranced by Levitin's first book, and eagerly dug into this new one expecting more of the same. What a disappointment! One is immediately put off by the constant name-dropping like "my good friend Joni Mitchell," "Sting confided to me..." and "when I was on-stage at the Santa Monica Civic Auditorium with Mel Tormé...."

Add to this the fact that Levitin makes a lot of non-obvious broad statements without offering any supporting evidence; for examples snapping fingers to music uses up cortisol (pg. 101), cavemen used songs to remember geography (pg. 108), it is more difficult to fake sincerity in music than in spoken language (pg. 141) and of course the "there are only six types of songs in the world" assertion of the title.

Finally, Levitin keeps derailing the book with long rambling personal stories, most of which have little if anything to do with his subject matter. Though amusing and humanizing they are a distraction and ultimately become another irritant.

There *is* a lot of good information in the book, and the reader learns a lot of interesting facts and ponderable hypotheses. Too bad the presentation is so obnoxious.
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Format: Paperback
2.0 out of 5 stars Seriously unreadable, July 2, 2010
By Shannon Thornton-Walsh (Dallas, TX USA) - See all my reviews
This review is from: The World in Six Songs: How the Musical Brain Created Human Nature (Paperback)
I'm giving two stars, because I didn't feel fully justified in giving one star, seeing as I've only read one quarter of the way through Levitin's book. I ordered it as a free sample from the publisher, who was promoting it as a possible secondary or optional classroom text. I was intrigued. My doctoral research was in ethnomusicology.

I started to read soon after I received the book last year but was immediately put off by one of Levitin's opening statements: "Anthropologists, archaeologists, biologists, and psychologists all study human origins, but relatively little attention has been paid to the origins of music." Huh? OK. Probably true and for good reason. Evidence for music in early human culture is overwhelming, but determining the "why" is an enterprise fraught with complexity and ambiguity. But Anthropology has two entire subfields devoted to evolution on the one hand and the study of music in culture, on the other, which seems to me to be two of the best places to start. Levitin acknowledges and draws on the first, mostly not very confidently, and ignores the second.

I lent the book to a friend and recently received it back and thought I'd push past my initial resistance. Levitin draws on cross-cultural examples to begin supporting his thesis, but not once in the entire book can I find a single reference to any of the pioneering work done by ethnomusicologists. Perhaps this is because Levitin only sourced the work of anthropologists, not music/culture specialists within that field. Why the obvious elision of the entire field of study?
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Format: Paperback
I thought the first and last third of Levitin's first book, "This is your brain on music" were excellent. The middle third was a bit slow. Unfortunately, all of "The World in Six Songs" is slow. The book is full of preposterous statements unsupported by anything other than wild speculation. The best parts are where he repeats information he shared in in his first book. The worst parts are the rambling personal anecdotes which have nothing whatsoever to do with the purported objective of the book.

Read "This is your brain on music" - avoid "The World in Six Songs."
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By Peregrino on October 19, 2008
Format: Hardcover
I thoroughly enjoyed "This is Your Brain on Music" and anticipated a similar combination of witty, widely observed (pop, jazz, classical), and helpfully presented (science-for-non-specialists) material. All those qualities are present but distractingly encumbered by puffery (yes, yes, you lunch with rock stars and academic luminaries) and organization-by-digression. The dangers of first success? A timid editor? I'd wait for a revised edition.
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Format: Hardcover Verified Purchase
This fascinating book explores the powerful force music has played in shaping our common humanity. It's evolution, with a backbeat. Author Levitin makes the case that six basic types of songs have existed throughout the course of human history, all over the world. Mankind, apparently, shares a soundtrack.

The six broad categories of music are songs about friendship, joy, comfort, knowledge, religion and love. Each has a different function, but all serve to bind us together. They make us stronger as a species.

Levitin, a musician and scientist, cites anthropologists, evolutionary biologists, neurosurgeons, psychologists, and many famous musicians in this book. He includes lyrics from a great range of songs, including "At Seventeen," "The Hokey Pokey," "I Walk the Line," "Twist and Shout," and "Log Blues" from Ren & Stimpy.

Music can be so evocative. A snippet of song can take you back to the exact moment you heard it in childhood or high school or whenever. It's like there is a direct link that exists in the human brain between music and memory.

This books tells us that Americans spend more money on music than they do on prescription drugs or sex, and the average American hears more than five hours of music per day. It's obviously important to us. After reading The World in Six Songs, you'll have a much better idea why.

Here's the chapter list:

1. Taking It from the Top or "The Hills Are Alive..."
2. Friendship or "War (What Is It Good For)?"
3. Joy or "Sometimes You Feel Like a Nut"
4. Comfort or "Before There Was Prozac, There Was You"
5. Knowledge or "I Need to Know"
6. Religion or "People Get Ready"
7. Love or "Bring `Em All In"
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