Jane Eyre (Dover Thrift Editions) (Paperback)

~ Charlotte Brontë (Author) "There was no possibility of taking a walk that day..." (more)
Key Phrases: poor orphan child, Miss Temple, Miss Ingram, Jane Eyre (more...)

Editorial Reviews

Review

Early responses to Jane Eyre, first published in 1847, were mixed. Some held the book to be anti-Christian, others were disturbed by a heroine so proud, self-willed, and essentially unfeminine. The modern reader may well have trouble understanding what all the fuss was about. On the surface a fairly conventional Gothic romance (poor orphan governess is hired by rich, brooding Byronic hero-type), Jane Eyre hardly seems the stuff from which revolutions are made. But the story is very much about the nature of human freedom and equality, and if Jane was seen as something of a renegade in nineteenth-century England, it is because her story is that of a woman who struggles for self-definition and determination in a society that too often denies her that right. But self-determination does not mean untrammeled freedom for men or women. Rochester, that thorny masculine beast whom Jane eventually falls for, is a man who sets his own laws and manipulates the lives of those around him; before he can enter into a marriage of equals with Jane he must undergo a spiritual transformation. Should the lesson sound dry, it's not. Jane Eyre is full of drama: fires, storms, attempted murder, and a mad wife conveniently stashed away in the attic. This is very sexy stuff - another reason Victorian critics weren't quite sure what to make of it. -- For great reviews of books for girls, check out Let's Hear It for the Girls: 375 Great Books for Readers 2-14. -- From 500 Great Books by Women; review by Chris Kellett --This text refers to an alternate Paperback edition.

Review

I go back to [Jane Eyre] so often and it was one of the first books that made me think, ‘This is me, in some deep way.’ (Suzanne Vega) --This text refers to an alternate Paperback edition.

See all Editorial Reviews

Product Details

• Paperback: 448 pages
• Publisher: Dover Publications (January 16, 2003)
• Language: English
• ISBN-10: 0486424499
• ISBN-13: 978-0486424491
• Product Dimensions: 8.2 x 5.2 x 1.1 inches
• Shipping Weight: 11.2 ounces (View shipping rates and policies)
• Average Customer Review: 4.4 out of 5 stars  See all reviews (819 customer reviews)
• Amazon.com Sales Rank: #23,615 in Books (See Bestsellers in Books)

  Popular in this category: (What's this?)

  #6 in

  Books > Literature & Fiction > Authors, A-Z > ( B ) > Bronte, Charlotte

Customer Reviews

Most Helpful Customer Reviews

70 of 75 people found the following review helpful:

5.0 out of 5 stars Do not miss out on this book..., February 28, 2000

By	Anne-Kari "annekari" (Virginia) - See all my reviews

This review is from: Jane Eyre (Modern Library) (Hardcover)

You know all those 'classic' novels you read in high school? How many of them do you actually remember? Well, if Jane Eyre was one of those long-forgotten books, pick up a copy. To read it as an adult is a joy: it's a sweeping, disturbing, intense, thrilling, very romantic gothic love story, written in the voice of a very intense, almost claustrophobically self-aware young heroine. Jane is no Ophelia - she's a complicated, remarkable character, and a very strong female character in a genre that usually draws women as beautiful victims at best.

There's something for everyone in this book: Windswept castles, difficult and neurotic family members, dark secrets about tragic former lovers, good triumphing over evil, all that good juicy stuff that makes a great romantic story. What elevates Jane Eyre is Bronte's remarkable style & skill and her sharp and complex characterizations.

Trust me on this: If you don't remember it from your teens, you should give it a try now. Here is one novel that more than lives up to it's 'classic' status.

65 of 70 people found the following review helpful:

5.0 out of 5 stars A Masterpiece For The Ages - Superb!!, January 6, 2005

By	Jana L. Perskie "ceruleana" (New York, NY USA) - See all my reviews (TOP 100 REVIEWER)    (REAL NAME)

I first read "Jane Eyre" in eighth grade and have read it every few years since. It is one of my favorite novels, and so much more than a gothic romance to me, although that's how I probably would have defined it at age 13. I have always been struck, haunted in a way, by the characters - Jane and Mr. Rochester. They take on new depth every time I meet them...and their's is a love story for the ages.

Charlotte Bronte's first published novel, and her most noted work, is a semi-autobiographical coming-of-age story. Jane is plain, poor, alone and unprotected, but due to her fierce independence and strong will she grows and is able to defy society's expectations of her. This is definitely feminist literature, published in 1847, way before the beginning of any feminist movement. Perhaps this is one of the reasons why the novel has had such a wide following since it first came on the market. It is also one of the first gothic romances published and defines the genre.

Jane Eyre, who is our narrator, was born into a poor family. Her parents died when she was a small child and the little girl was sent to live with her Uncle and Aunt Reed at Gateshead. Jane's Uncle truly cared for her and showed his affection openly, but Mrs. Reed seemed to hate the orphan, and neglected her while she pampered and spoiled her own children. This unfair treatment emphasized Jane's status as an unwanted outsider. She was often punished harshly. On one occasion her nasty cousin Jack picked a fight with her. Jane tried to defend herself and was locked in the terrifying "Red Room" as a result. Jane's Uncle Reed had died in this room a little while before, and Mrs. Reed knew how frightened she was of the chamber. Since Jane is the narrator, the reader is given a first-hand impression of the child's feelings, her heightened emotional state at being imprisoned. Indeed, she seems almost like an hysterical child, filled with terror and rage. She repeatedly calls her condition in life "unjust" and is filled with bitterness. Looking into the mirror Jane sees a distorted image of herself. She views her reflection and sees a "strange little figure," or "tiny phantom." Jane has not learned yet to subordinate her passions to her reason. Her passions still erupt unchecked. Her isolation in the Red Room is a presentiment of her later isolation from almost every society and community. This powerful, beautifully written scene never fails to move me.

Mrs. Reed decided to send Jane away to the Lowood School, a poor institution run by Mr. Brocklehurst, who believed that suffering made grand people. All the children there were neglected, except to receive harsh punishment when any mistake was made. At Lowood, Jane met Helen Burns, a young woman a little older than Jane, who guided her with vision, light and love for the rest of her life. Jane's need for love was so great. It really becomes obvious in this first friendship. Helen later died from fever, in Jane's arms. Her illness and death could have been avoided if more attention had been paid to the youths. Jane stayed at Lowood for ten years, eight as a student and two as a teacher. Tired and depressed by her surroundings, Jane applied for the position of governess and found employment at Thornfield. The mansion is owned by a gentleman named Edward Fairfax Rochester. Her job there was to teach his ward, an adorable little French girl, Adele. Over a long period the moody, inscrutable Rochester confides in Jane and she in him. The two form an unlikely friendship and eventually fall in love. Again, Jane's need for love comes to the fore, as does her passionate nature. She blooms. A dark, gothic figure, Rochester also has a heart filled with the hope of true love and future happiness with Jane. Ironically, he has brought all his misery, past and future, on himself.

All is not as it seems at Thornfield. There is a strange, ominous woman servant, Grace Poole, who lives and works in an attic room. She keeps to herself and is rarely seen. From the first, however, Jane has sensed bizarre happenings at night, when everyone is asleep .There are wild cries along with violent attempts on Rochester's life by a seemingly unknown person. Jane wonders why no one investigates Mrs. Poole. Then a strange man visits Thornfield and mysteriously disappears with Mr. Rochester. Late that night Jane is asked to sit with the man while the lord of the house seeks a doctor's help. The man has been seriously wounded and is weak from loss of blood. He leaves by coach, in a sorry state, first thing in the morning. Jane's questions are not answered directly. This visit will have dire consequences on all involved. An explosive secret revealed will destroy all the joyful plans that Jane and Rochester have made. Jane, once more will face poverty and isolation.

Charlotte Bronte's heroine Jane Eyre, may not have been graced with beauty or money, but she had a spirit of fire and was filled with integrity and a sense of independence - character traits that never waned in spite of all the oppression she encountered in life. Ms. Bronte brings to the fore in "Jane Eyre" such issues as: the relations between men and women in the mid-19 century, women's equality, the treatment of children and of women, religious faith and hypocrisy (and the difference between the two), the realization of selfhood, and the nature of love and passion. This is a powerhouse of a novel filled with romance, mystery and passions. It is at once startlingly fresh and a portrait of the times. Ms. Bronte will make your heart beat faster, your pulse race and your eyes fill with tears. The Best!!
JANA

37 of 38 people found the following review helpful:

5.0 out of 5 stars The only edition to buy, August 28, 2006

By	joerobguy (San Antonio, Texas United States) - See all my reviews

This review is from: Jane Eyre (Norton Critical Editions) (Paperback)

This review is aimed more toward the Norton edition than to JANE EYRE. We all know this is a classic. Bronte was simply a genius and a harbinger of romantic, dramatic, gothic, and horror writing. (However, it still irks me that she couldn't end a simple sentence with a period. Every declarative statement, it seems, must be qualified with a colon or semi-colon. Oh well. Sign of the times.)

As for the Norton edition, it's the only one to buy. Bronte makes the assumption that you have read the Bible cover-to-cover a zillion times, and for those of us who have not read it through once, Norton's annotations are more than helpful---they're essential to understanding the novel's Christian allusions. This edition also provides the reader with critical essays, contexts of Bronte's life, Bronte's reactions to critics of her day, etc.

Bottom line: you can get the Dover Thrift edition for a couple bucks, but, if you are interested in giving this classic more than a cursory read, this edition is worth the extra money.