The Films of Akira Kurosawa, Third Edition, Expanded and Updated (Paperback)

~ (Author) "Akira Kurosawa was born in Tokyo in 1910..." (more)
Key Phrases: jujitsu men, long distance lenses, bad sleep, Red Beard, Dersu Uzala, Drunken Angel (more...)

Editorial Reviews

Amazon.com Review

Here is a chance to read a terrific study of Kurosawa's films by the foremost critic of Japanese cinema and a man who had a personal acquaintance with the filmmaker. Newly revised and updated, this classic study now covers all of Kurosawa's films, surveying an extraordinary 50 year career. If you have any interest in Japanese cinema or in the art of movies in general, you can't go wrong viewing Kurosawa's films. Ritchie's book will guide you through them, teaching you about the man and his genius. --This text refers to an out of print or unavailable edition of this title.

From Library Journal

This third edition of a work first published in 1965 covers the four films made since the second edition was released, including Ran, arguably Kurosawa's biggest hit in America. Kurosawa is acknowledged as one of the greatest artists of the sound era, and he is easily the best-known Japanese director to Western audiences. This book concentrates solely on the films themselves; other than a brief biographical section that ends when Kurosawa began directing and a closing analysis of his style and methods, no additional topic is covered. Each film is analyzed separately along the lines of characterization, story, camera, production, music, treatment, and so forth. Greater space is given to the masterpieces: Rashomon, Seven Samurai, Ikiru, and The Throne of Blood. Richie's expertise is hard to miss; surely he overlooks no aspect of these films. Given Kurosawa's age (he's 86) and the difficulties of financing in Japanese cinema, it is unlikely he will produce any more movies. Highly recommended for academic and film collections; public libraries should buy according to demand.?Marianne Cawley, Enoch Pratt Free Lib., Baltimore
Copyright 1996 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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Product Details

• Paperback: 280 pages
• Publisher: University of California Press; 3 Exp Upd edition (January 20, 1999)
• Language: English
• ISBN-10: 0520220374
• ISBN-13: 978-0520220379
• Product Dimensions: 9.8 x 9.8 x 0.6 inches
• Shipping Weight: 2 pounds (View shipping rates and policies)
• Average Customer Review: 4.4 out of 5 stars  See all reviews (17 customer reviews)
• Amazon.com Sales Rank: #139,688 in Books (See Bestsellers in Books)

Customer Reviews

Most Helpful Customer Reviews

20 of 20 people found the following review helpful:

5.0 out of 5 stars Coffeetable Kurosawa, April 17, 2002

By	Zack Davisson "All Good Things" (Seattle, WA, USA) - See all my reviews (TOP 100 REVIEWER)    (REAL NAME)

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"The Films of Akira Kurosawa" is a great introduction to Kurosawa. In both physical size and length, it is an unintimidating invitation to those seeking to learn more about a director whose films they enjoy. It is the most visual of Kurosawa studies, which is nice considering that films are a visual medium. There are both candid on-set shots as well as film stills.

The book is designed for browsing, and does not need to be read front to back. A reader can easily skip around to the films that they are interested in. The writing is casual, and reads easy. Too many Kurosawa books read like college texts, and Donald Richie fills a niche by supplying a book for the casual reader.

The only drawback to "The Films of Akira Kurosawa" is that your interest will be sparked for many films that are not readily available. You will embark on a treasure hunt, seeking out rare gems such as "Drunken Angel," "The Bad Sleep Well" and "Throne of Blood."

To add to the author's credentials, Donald Richie supplies the commentary track on the Criterion Collection DVD of "Roshomon."

23 of 26 people found the following review helpful:

5.0 out of 5 stars Does a genius justice, January 21, 2000

By	David J. Loftus (Portland, OR USA) - See all my reviews (REAL NAME)

My mother took me to the first Kurosawa film I can remember ("Ikiru") when I was probably about five. I was not in a position to appreciate it then, of course, but a couple of images stuck with me forever. I saw a few more Kurosawas in high school, fortunately -- the earlier, butchered "Seven Samurai," "Yojimbo," possibly one or two more -- and many others when I got to college in Boston.

Kurosawa was one of the true artistic geniuses of the twentieth century. His career as a screenwriter began during the Second World War and as a director shortly after it. Despite the strange culture and often historic settings of his stories, Kurosawa is perhaps the most "Western" of Japanese film directors up to the 1970s. The plots have a clarity, and the action (Samurai sword battles, for instance) a vibrancy, that grip a viewer in a way lesser filmmakers on both sides of the Pacific cannot hope to match.

His work has probably influenced more other filmmakers than any director in or out of the US. Other reviewers have named names; as to specific works, "Rashomon" was remade as "The Outrage," "Seven Samurai" turned into "The Magnificent Seven," "Yojimbo" became "A Fistful of Dollars," and "The Hidden Fortress" inspired "Star Wars." In turn, Kurosawa made films based on the plots of "Macbeth," "King Lear," Dostoevsky's "The Idiot," and Gorky's "The Lower Depths."

Richie's book does this incredible writer and director's work full justice. His discussion of plotting, acting, editing technique, and all the other aspects of this great artist's work only deepen one's appreciation for what already loves on screen. I have an original hardcover copy as well as the third revised edition in paperback.

11 of 11 people found the following review helpful:

5.0 out of 5 stars Comprehensive, fascinating and lucid analysis, July 3, 2001

By	Mike Peters (Cardiff, Cardiff Wales) - See all my reviews

I was most impressed with this book - the neat layout, the methodical approach of dealing with each film, the lavish screenshots and the impressive knowledge the author has of his subject. Most of all however, i really appreciated the way in which Richie makes absolutely clear all his ideas - even to a reader who had very little knowledge of cinematography or film criticism like myself. This is not to say the content of this book is simple, moreover it is presented in a way which anyone can understand. Richie's style is refreshingly fluid and jargon-free which makes the book very easy to read, unlike many critical volumes which are verbose and long-winded. There are many films in this book which i have still not seen, but it has really sparked my interest in Kurowasawa and his films. If you wish to obtain a concise but thorough grounding in the critical ideas relating to this brilliant directors work, then this book is ideal for you.