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The Collected Works of Billy the Kid Paperback – March 19, 1996

4.2 out of 5 stars 32 customer reviews

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Product Details

  • Paperback: 128 pages
  • Publisher: Vintage; Reprint edition (March 19, 1996)
  • Language: English
  • ISBN-10: 067976786X
  • ISBN-13: 978-0679767862
  • Product Dimensions: 5.2 x 0.4 x 8 inches
  • Shipping Weight: 4.8 ounces (View shipping rates and policies)
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (32 customer reviews)
  • Amazon Best Sellers Rank: #100,844 in Books (See Top 100 in Books)

Customer Reviews

Top Customer Reviews

Format: Paperback
Michael Ondaatje's sprawling sequence of verse interspersed with poetic prose exposes the persona poem as one of poetry's surest paths to honesty. Through unsettlingly precise detail and unsentimental empathy, the character of Billy the Kid is recreated-and revisited-in all its brutality and splendor. Ondaatje's unflinching commitment to honesty yields a persona that is as vibrant and realized as possible, resulting in a series of confessions that range from disturbing to revelatory.

The image, consistently startling, graphic and discomforting, carries the speaker through the entire sequence. Whereas most imagery depends on the eye for effect, Ondaatje utilizes all five senses throughout the book. We taste wine "so fine/it was like drinking ether," we feel Pat Garret's "oiled rifle" against Maxwell's cheek and hear it fire beside his ear, "leaving a powder scar on Maxwell's face that stayed with him all his life." We smell the smoke in Garret's shirt and taste the nicotine in his mouth. At times, the stunned silence of Ondaatje's unremitting narrative conjures a hush so palpable that we can "listen to deep buried veins in our palms." It doesn't take long for The Collected Works of Billy the Kid to immerse the reader in its own unique world, accessible now only through words and photographs.
Most memorable, though, are the intensely graphic images that sprout from the page throughout the book. The chicken digging for a vein in the dying Gregory's neck, the warts in Billy the Kid's throat "breaking through veins like pieces of long glass tubing," the blood caked in Tom O'Folliard's "hair, arms, shoulders, everywhere.
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Format: Paperback
Michael Ondaatje begins The Collected Works of Billy the Kid with a caption to a blank space; the picture of Billy the Kid described in the caption is not included. This notion of rewriting the Old West, one character at a time, is an important theme in the book. Billy is cast in a new revisionist light, as a poet, lover, and observer, while still maintaining the traditional exterior of a western gunslinger.
Perhaps the most telling piece of the "reinvented" Billy stems from his relationship with Angie, his prostitute-turned-girlfriend that adds a different dimension to the traditional story. Through their relationship, Billy shows a side of himself missing from the history books-a man once seen as the quintessential cowboy is dependent and vulnerable to Angie, in his words, "caught like a butterfly...in her Tuscon room."

It cannot be said, however, that the Billy the Kid in Ondaatje's work is immune to cold-blooded violence. Billy openly writes of graphic and grotesque images, but they are dealt with in such a delicate and poetic manner that Billy's detachment is forgiven. He sees a separation between business and pleasure, and killing is strictly a profession. At the same time, though, he finds a beauty in violence-even violence against himself or Angie-that reinforces his position as a true poet. Even as he removes bullets from Angie's hand after she has been shot-by bullets meant for him-Billy calls the shots "rolled pellet tongues of pigeons," a subtle metaphor for a grizzly situation. Billy is a true warrior, but he has a clear set of priorities and can put his violent world into prospective.
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Format: Paperback
This early (1970) "novel" by Michael Ondaatje is a collage of poetry, narrative, memoir, photography, journalism, and fiction surrounding Billy the Kid. Ondaatje poeticizes Billy's thoughts, giving us "insight" into the inner man, while, at the same time, creating a kind of suspense about the inevitable outcome. By constantly shifting the narrative focus and point of view from Billy to some of his cohorts, the women who loved them, and the "lawmen" who sought them, Ondaatje avoids the need for transitions which would normally challenge the biographer of a legend. And by allowing time to be circuitous, rather than linear, Ondaatje is able to give flesh and bone to the impressions he creates by enlisting the reader's help in "organizing" his material. In short, this is an impressionistic word-painting which gives freshness and vibrancy to an old saga of the Wild West.
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Format: Paperback Verified Purchase
There are slivers of the truth in Ondaatje's Billy the Kid, all the surrounding players and characters. The settings, the New Mexican snows and sands. The poetry of it all, at least now, in our modern world, looking back and reflecting on what it was, or what it wasn't.

Essentially this is historical fiction as poetry. Even the prose is poetry. He can't help it. It flows naturally and gives a voice, a sorrow, a reality to the antihero Billy the Kid.

I love the many vignettes, the intertwined poetic ruminations by Billy, then the story told a little more clearly, via multiple perspective and experimental forms (photographs, notes, newspaper articles, interviews, other characters' voices, chiasma, etc.). The backstories of Tom O'Folliard and Livingstone the mad-dog man are some of my favorites. Ondaatje paints Pat Garrett as cold and logical, driven, the perfect assassin.

Billy is romantic:

--- ---
she is crossing the sun
sits on her legs here
sweeping off the peels

traces the thin bones of me
turns toppling slow back to the pillow
Bonney Bonney (21)
--- ---

And he is characterized with a shrewd, watchful eye. Ever observant and capable. Not quite man, but not boy (just Kid, maybe):

--- ---
A river you could get lost in
and the sun a flashy hawk
on the edge of it

a mile away you see the white path
of an animal moving through water

you can turn a hundred yard circle
and the horse bends dribbles his face
you step off and lie in it propping your head

till dusk and cold and the horse shift you
and you look up and moon a frozen bird's eye

(26 -- this is one of my favorites)
--- ---

Brilliant book.
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