J W Waterhouse (Paperback)

~ Anthony Hobson (Author)

Editorial Reviews

Product Description

J.W. Waterhouse was one of the most successful painters of the Victorian age, with many of his paintings becoming archetypal Victorian images. In this book the author, a practising painter and teacher, gives an artist's appreciation of Waterhouse as a master of Romantic Classicism.

Product Details

• Paperback: 128 pages
• Publisher: Phaidon Press (January 1, 1994)
• Language: English
• ISBN-10: 0714828645
• ISBN-13: 978-0714828640
• Product Dimensions: 10.9 x 9.4 x 0.6 inches
• Shipping Weight: 1.5 pounds (View shipping rates and policies)
• Average Customer Review: 4.6 out of 5 stars  See all reviews (12 customer reviews)
• Amazon.com Sales Rank: #328,148 in Books (See Bestsellers in Books)

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Customer Reviews

Most Helpful Customer Reviews

45 of 46 people found the following review helpful:

3.0 out of 5 stars Don't get this one for the reproductions, March 11, 2004

By A Customer

I think I made a mistake when ordering and accidentally got this book instead of Trippi's hardcover. The narrative is interesting and insightful, but the reproductions are an outrage. Black and white for Circe Ividiosa and for (gasp) THE MAGIC CIRCLE??? Come on! Black and white should only be used to make a point about light and shade or for lesser works and studies. But there are several masterworks reproduced in B/W in this book. Also, the color reproductions are lousy as well. 3 stars overall out of respect for the author, but 1 star for the plates.

16 of 16 people found the following review helpful:

4.0 out of 5 stars A brief introduction to the artist, May 28, 2006

By	Rosamede (Minnesota) - See all my reviews

If you're looking for a brief intro into who Waterhouse was and his paintings, then this book is for you. If however, you want to see his paintings in color and larger sizes, then do not get this book. This book is an overview of Waterhouse's life and paintings, not the complete story. For the complete story and paintings, buy Trippi's book instead.

The text is laid out well and in sequence of Waterhouse's life. I found myself compelled to read the entire book in a short time.

There are some color pictures, but they are not as vibrant as the Trippi book. Many of the pictures are black and white and some are quite small, fitting into the margins. It was frustrating to see the b&W pictures and to try to imagine what they were really supposed to look like. But if all you want is an overview and a sampling of Waterhouse's art, then this book may be more manageable than Trippi's.

15 of 15 people found the following review helpful:

5.0 out of 5 stars But then I am Biased, June 30, 2006

By	S. Hobson (Warwickshire, England) - See all my reviews (REAL NAME)

Anthony Hobson was my father and I watched as he researched, visited, photographed, wrote and re-wrote the text for this book. It was a labour of love, bringing to the fore an artist who had been deeply unfashionable for many years - out of step with the tastes of the intervening times.
His writing style was characterised by a passionionate, often wryly humourous but always very readable style.
His research discovered and brought to the public eye, paintings that hadn't been seen for a generation, paintings found in lofts and attics, and in private family collections. He met an elderly lady who had sat for Waterhouse when she was a child and recorded her memories of this event in her young life.
Along side the personal aspect of the work runs the academic thread of rigorous research into the literary themes that underpin so much of Waterhouses paintings, and the placing of all of this in context with other artists of the period and before.
My father fell in love with the sumptuous beauty and incredible technical skill of Waterhouses work. He was very aware of the power of images and spent a great deal of time working on the reproductions included in the book. What you have to realise is that this was the best that could be done at the time. Colour printing has moved on enormously since this book was published. The costs and quality are at vastly different levels to those available to authors today. He would be the first one to say that ANY black and white reproduction of this artists work could never remotely do them justice, but he worked with what was do-able and in giving a glimpse of long unappreciated paintings, he was able to start an army of fans on their way to a well-deserved re-assessment of Waterhouse.