The Da Vinci Code [ABRIDGED] [AUDIOBOOK] (Audio CD)

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Editorial Reviews

Amazon.com Review

With The Da Vinci Code, Dan Brown masterfully concocts an intelligent and lucid thriller that marries the gusto of an international murder mystery with a collection of fascinating esoteria culled from 2,000 years of Western history.

A murder in the silent after-hour halls of the Louvre museum reveals a sinister plot to uncover a secret that has been protected by a clandestine society since the days of Christ. The victim is a high-ranking agent of this ancient society who, in the moments before his death, manages to leave gruesome clues at the scene that only his granddaughter, noted cryptographer Sophie Neveu, and Robert Langdon, a famed symbologist, can untangle. The duo become both suspects and detectives searching for not only Neveu's grandfather's murderer but also the stunning secret of the ages he was charged to protect. Mere steps ahead of the authorities and the deadly competition, the mystery leads Neveu and Langdon on a breathless flight through France, England, and history itself. Brown (Angels and Demons) has created a page-turning thriller that also provides an amazing interpretation of Western history. Brown's hero and heroine embark on a lofty and intriguing exploration of some of Western culture's greatest mysteries--from the nature of the Mona Lisa's smile to the secret of the Holy Grail. Though some will quibble with the veracity of Brown's conjectures, therein lies the fun. The Da Vinci Code is an enthralling read that provides rich food for thought. --Jeremy Pugh --This text refers to the Hardcover edition.

From Publishers Weekly

Brown's latest thriller (after Angels and Demons)is an exhaustively researched page-turner about secret religious societies, ancient coverups and savage vengeance. The action kicks off in modern-day Paris with the murder of the Louvre's chief curator, whose body is found laid out in symbolic repose at the foot of the Mona Lisa. Seizing control of the case are Sophie Neveu, a lovely French police cryptologist, and Harvard symbol expert Robert Langdon, reprising his role from Brown's last book. The two find several puzzling codes at the murder scene, all of which form a treasure map to the fabled Holy Grail. As their search moves from France to England, Neveu and Langdon are confounded by two mysterious groups-the legendary Priory of Sion, a nearly 1,000-year-old secret society whose members have included Botticelli and Isaac Newton, and the conservative Catholic organization Opus Dei. Both have their own reasons for wanting to ensure that the Grail isn't found. Brown sometimes ladles out too much religious history at the expense of pacing, and Langdon is a hero in desperate need of more chutzpah. Still, Brown has assembled a whopper of a plot that will please both conspiracy buffs and thriller addicts. --This text refers to the Hardcover edition.

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Product Details

• Audio CD
• Publisher: RH Audio; Abridged edition (March 28, 2006)
• Language: English
• ISBN-10: 0739339788
• ISBN-13: 978-0739339787
• Product Dimensions: 6.2 x 5.6 x 1.1 inches
• Shipping Weight: 6.4 ounces (View shipping rates and policies)
• Average Customer Review: 3.5 out of 5 stars  See all reviews (3,975 customer reviews)
• Amazon.com Sales Rank: #103,703 in Books (See Bestsellers in Books)

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Customer Reviews

Most Helpful Customer Reviews

265 of 292 people found the following review helpful:

4.0 out of 5 stars Just Read It, DON'T Base Your Life On It!, October 18, 2003

By	Janet (outside Portland) - See all my reviews

This review is from: The Da Vinci Code (Hardcover)

An excellent read, but it's truly SAD to think that some readers assume that Dan Brown's contrived history is factual and would even base their spiritual beliefs on a book of fiction. Just read some of the other reviews to see what I'm talking about. It reminds of the guy who watched too many episodes of Highlander and decided he was an immortal! (I'm not making this up.)

One reader compared Da Vinci Code to James BeauSeigneur's Christ Clone Trilogy and suggested that like BeauSeigneur, Brown should footnote all the factual material. While BeauSeigneur and Brown have a similar style and both deal with controversial religious topics, BeauSeigneur can footnote the facts in his fiction BECAUSE THEY ARE FACTS. Brown's "facts" cannot be footnoted because they are a fictitious as the rest of the book.

306 of 341 people found the following review helpful:

5.0 out of 5 stars LOVELY!!! No More Read & Internet Search for Pictures, November 23, 2004

By	Otto Yuen (Toronto, ON Canada) - See all my reviews

This review is from: The Da Vinci Code, Special Illustrated Edition (Hardcover)

I've never been in Paris. I wasn't a DaVinci's fan and didn't know much about his works & paintings except Mona Lisa. When I picked up Dan Brown's Da Vinci Code to read, I did have a hard time to follow the Da Vinci's works and some sightseeings in Paris described in the book. Thus, I had my computer connected to Internet besides me to dig out different paintings and photos of what the book mentioned like Louvre, Pentacle, The Last Supper, Opus Dei Headquarters, etc. Luckily, The Da Vinci Code Special Illustrated Edition is just out.

I couldn't wait and purchased immediately regardless I have the regular hardcover edition of Da Vinci Code, which I plan to give it to one of my friends. This Special Illustrated Edition is not a cartoon or comic edition of Dan Brown's Da Vinci Code, nor it is an abridged version. It's a full original version embedded with over 126 colorful pictures & photos besides the text. It saves you lots of time & effort to search from Internet if you don't know how Château de Villette looks like, the overview map of the Louvre, and many other scenes, buildings, paintings mentioned in Dan Brown's Da Vinci Code. Overall, it's LOVELY!

Undoubtfully Dan Brown has done amazing jobs to his book "The Da Vinci Code". The story is powerful and magnificent. Mixing with a lot of traceable truth and facts, he made his novel sound extremely convincing and inevitably deluded you from what's real and what's fictional. However, please don't take it too serious, it's just a novel, not a research paper trying to make a breakthrough statement. Overall, the book has quite a lot of twists shocking you. Even the ending has double meanings. Make sure you read the Epilogue chapter, or you won't know where the Holy Grail rests that Dan Brown suggested as the poem below:

"The Holy Grail 'neath ancient Roslin waits.
The blade and chalice guarding o'er Her gates.
Adorned in masters' loving art, She lies.
She rests at last beneath the starry skies."

For people who love deciphering codes, Dan Brown wisely placed some codings on the regular hardcover edition's paper cover. If you pay attention you may find some bold fonts seemed appearing randomly. Link them up and you should see a hint to read.

(Reviewed by Otto Yuen, 21-Nov-2004)

305 of 366 people found the following review helpful:

5.0 out of 5 stars Factual, Fast, and Fun, April 28, 2003

By	Alex (New York) - See all my reviews

This review is from: The Da Vinci Code (Hardcover)

I was introduced to the books of author Dan Brown only three weeks ago, but have quickly absorbed all four of his published works. It is easy to see why some are comparing the work of Dan Brown and James BeauSeigneur (THE CHRIST CLONE TRILOGY). Both Brown and BeauSeigneur deal masterfully with the more mysterious features of religion, politics, and science. Both bring to light amazing bits of information, which they weave into the intricate patterns of their stories. Both are highly imaginative and write with a ring of authenticity that makes for a compelling read. While Brown compresses labyrinthine plots into brief time periods to provide page-turning suspense, BeauSeigneur trilogy is of epic proportion, covering several decades. While Brown applies the mysteries of history to the drama of "today," BeauSeigneur uses both history and prophecy (from perhaps a dozen major world religions) to transport the reader from the world of today, to the very dawning of a new age in a story reminiscent of the scope of Asimov's classic, FOUNDATION.

One other difference is that BeauSeigneur has taken the novel (pun intended and forgiveness is asked) approach of including footnotes in his books of fiction. By doing so, he all but eliminates the necessity of suspending disbelief. Few authors employ such strong factual grounding as to make footnotes useful, but I believe Brown's work (and his readers) would benefit from BeauSeigneur's innovation.