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W. C. Handy: The Life and Times of the Man Who Made the Blues Paperback – September 8, 2011

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Product Details

  • Paperback: 312 pages
  • Publisher: University Alabama Press; 1st Edition edition (September 8, 2011)
  • Language: English
  • ISBN-10: 0817356967
  • ISBN-13: 978-0817356965
  • Product Dimensions: 5.8 x 0.9 x 9 inches
  • Shipping Weight: 15.5 ounces (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #2,874,399 in Books (See Top 100 in Books)

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Popular music has hundreds if not thousands of genres, i.e. jazz, blues, rock, soul, hip hop, etc. to name just a few of the biggest musical headings. But just about every kind of pop music today can trace its style back to the music of W. C. Handy, the subject of this excellent biography.

Handy's life is a fascinating story of an African-American entertainer struggling to make a living as a professional musician and composer in segregated America at the turn of the 20th century. Music was no longer something only produced in grand opera houses and concert halls. Increasingly in the 1890s and 1900s, vaudeville revues and Broadway shows were adding tunes to America's popular music. But possibly the strongest influence came from the traveling minstrel show. Though the idea of white entertainers pretending to be black is seen now as a symbol of oppression, some minstrel shows employed black musicians and promoted them as the "genuine" negro minstrels. W.C. Handy was a solo cornet player and then a band leader in one of these minstrel bands, and David Robertson has written a sensitive and detailed history of a gifted musician working during this difficult period of American culture. It was very strange to read description of black musicians putting on blackface makeup to pretend to be white musicians pretending to be black.

Handy is commonly credited with "inventing" the blues, but Robertson correctly portrays Handy as developing his "blues" from the influence of other black musicians and creating a melodic style that became very popular with the general public, which of course was white.
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