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Bright Balkan Morning: Romani Lives and the Power of Music in Greek Macedonia Paperback – December 9, 2002

by Dick Blau (Author),
Charles Keil (Author)
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Charles Keil (Author), Angeliki Vellou Keil (Author),
5 out of 5 stars 5 customer reviews
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Product Details

  • Series: Music/Culture
  • Paperback: 352 pages
  • Publisher: Wesleyan; 1st edition (December 9, 2002)
  • Language: English
  • ISBN-10: 0819564885
  • ISBN-13: 978-0819564887
  • Product Dimensions: 0.8 x 11 x 10.2 inches
  • Shipping Weight: 4.4 pounds (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Best Sellers Rank: #1,809,980 in Books (See Top 100 in Books)

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5.0 out of 5 starsEvocative, Engrossing, Encompassing
By William Benzon on January 16, 2003
Format: Paperback Verified Purchase
When you get Bright Balkan Morning you are likely to open it up and then leaf through it, looking at the photographs. After a few minutes of this you'll remove the CD from the inside back cover and put it on. Then you continue looking at the photos while listening to the sounds.
That in itself is a rich and satisfying experience. But don't stop there. Read the text!
It tells of Roma (aka Gypsy) musicians who have cornered the market on live music in polyglot Greek Macedonia. While they are at the bottom of the social order, anyone who wishes a proper wedding, festival, or party of any kind hires these musicians. The musicians generally perform in trios, one playing a bass drum while the other two play the zurna - a double-reed woodwind found throughout Eurasia and Africa. Their repertoire is drawn from the peoples who live in the area, or passed through at one time, and is sometimes more Oriental, sometimes more European - whatever the customer wants.
Keil and Keil give detailed accounts of several performances - a baptism, a wedding, and a saint's day festival - tell the life stories of a dozen or so musicians & family, and recount the broad history of the Roma in the Mediterranean as well as presenting a more focused account of their sojourn in Greek Macedonia. Blau's photographs range from intimate portraits, to dancers in full party whirl, through street scenes jumbled or measured, to serene landscapes. Some of his shots are so strikingly composed - the cover image, for example - that the effect is both subjective (Blau's aesthetic) and objective (we're looking at things, out there, in the world). Steven Feld's soundscapes give us the living flow of sound. Not only do we hear the twin zurnas flying through drum rhythms, but dancing feet, shouts of joy and exertion, motors churning, sheep braying, and Stevie Wonder piped in through a tinny sound system.
Bright Balkan Morning is a milestone. See it, hear it, read it. Take pleasure in it.
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5.0 out of 5 starsBig Fat Roma Music Book
By Jeremy Hull on February 17, 2003
Format: Paperback
This book responds to my interest in the social context of folk music and dance. The focus was on the lives of the people who make the music, in this case the Roma of Jumaya (Iriklia) in Greek Macedonia. The writers give you quite a rounded view, describing how the music is performed, at what kinds of events, how people relate to the music and each other, how the musicians see themselves and their occupation and how making a living as a Roma musician fits into Greek society. There is also a strong sense of history and how things have changed over time in many ways - the history of Roma in Greece and other Balkan countries, the specific history of Roma in Jumaya, and the stories of individual musicians and their families. The consistently positive way that the writers approach their subject is also refreshing - they describe how Roma have used music to survive and, in some cases, prosper, and how in doing so they have contributed to the multi-layered fabric of Greek-Macedonian ethnic identities.
What is especially interesting to me is the authors' view of how multi-ethnic society works in Greek Macedonia as compared to Bulgaria or Former Yugoslavia, and how the strategy of Roma musicians is different in these different countries. In Greek Macedonia the musicians play the music of all ethnic groups in order to maximize their flexibility and income. During multi-ethnic celebrations the musicians follow a strict policy of playing everyone's requests in the order requested, so that no one feels that they have priority. There is a fascinating description of an ethnically mixed wedding where the families have to adjust their various wedding traditions to accommodate each other, making it up as they go along to some extent.Read more ›
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5.0 out of 5 starsTHEY'LL STEAL YOUR HEART, TOO
By R. M. Ryan on January 10, 2003
Format: Paperback
In the rich and wonderful BRIGHT BALKAN MORNING: Romani Lives and the Power of Music in Greek Macedonia (Wesleyan University Press. Includes a CD), Charles and Angeliki Vellou Keil write of how, since the earliest days of Byzantium, commentators have remarked, sometimes positively and sometimes negatively, on the power of the Romani people to "steal your heart." With its stunning photographs by Dick Blau and its evocative CD produced by Steven Feld, this book is just one more instance of stolen hearts. The Romani, who are sometimes called gypsies, have stolen the authors' hearts and are well on their way to stealing my heart as well.
I urge you to buy this book. I say so as someone who almost never reads anything published by an academic press. I am definitely not an anthropologist or a social scientist of any kind. What I know about the raw and the cooked doesn't get very far beyond my kitchen, but I couldn't put BRIGHT BALKAN MORNING down. This book ought to be that rare thing: an academic book with popular appeal.
The easiest way into the riches of BRIGHT BALKAN MORNING are Blau's black-and-white photographs of the Romani playing their instruments for weddings, wrestling matches, and the little parades that apparently form wherever they go. When the dances started up, I have a feeling that Blau joined in, for these pictures just pulled me along. I could smell the perfume in the grandmother's handkerchief as she held it out to Blau and, through him, to me, as we all danced together. I could see the textures of the road when I took my place in the wedding parade; I could almost hear the sound of the zurna (a kind of outdoor oboe) being played in my ear.
Of course Steven Feld's CD brings the actual sounds to life.Read more ›
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