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Kurt Weill - On Stage: From Berlin to Broadway Paperback – July 1, 2004

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Product Details

  • Paperback: 416 pages
  • Publisher: Limelight Editions; New edition edition (July 1, 2004)
  • Language: English
  • ISBN-10: 0879109904
  • ISBN-13: 978-0879109905
  • Product Dimensions: 6.2 x 1 x 9.2 inches
  • Shipping Weight: 1.3 pounds (View shipping rates and policies)
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #2,297,354 in Books (See Top 100 in Books)

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Format: Hardcover
Kurt Weill On Stage, a scholarly study published in 2002 by Foster Hirsch, is an outstanding overview of the theatrical career of one of the most talented and ambitious composers writing for the stage in the 20th century. Hirsch has access to the excellent materials of the Weill-Lenya Research Center and the support of the Kurt Weill Foundation for Music; he supplements the vast array of correspondence and interviews available to him with interviews and accounts of the creation of the works from participants and spectators. He writes compellingly about Weill's gifts as musical dramatist and collaborator. The book is utterly inspiring to anyone (like me) who has ambitions to write for the musical stage.
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Format: Hardcover
Too often, scholarly work on Kurt Weill focuses mainly on his German career in the 1920s-- "The Threepenny Opera," "Mahagonny"-- but Weill had a career that extended well into the 1940s as a Broadway composer, and Hirsch's book explores both aspects, although it is clear he's a fan of Weill's later American work.
I would recommend this book as a suppliment to Ronald Sanders' biography "The Days Grow Short," the standard of Weill biographies. However, Hirsch has access to different primary sources that Sanders did not have in the 1970s, and therefore can provide a different perspective. There is also a great deal of text devoted to Lotte Lenya, Weill's wife.
It has been criticzed that Hirsch's book deemphasizes musical analysis, which is true, but that is not the purpose. Analyse the music yourself or find the writings of Kim Kowalke for musical analysis.
I found this book enjoyable and a good supplient to many other Weill biographies on the shelves
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Format: Paperback
Kurt Weill's career has been hotly debated for more than 60 years. The questions began while he was still alive: Did he sell out his German artistry for the crass commercialism of Broadway? Or did he only really come into his own when he was freed from European snobbery? The answer is that both opinions are somewhat true and somewhat false. Rather than treat Weill's work as two separate careers, a European one and an American one as most commentators seem to do, Foster Hirsch treats Weill's career as a single entity. Hirsch's KURT WEILL ON STAGE is a superb chronological overview of Kurt Weill's work for the theatre, showing the logical evolution of his work. Weill became a world famous celebrity by age 30 as a result of his sensational THREEPENNY OPERA and MAHAGONNY. With the rise of Hitler and the Nazis, Weill wisely fled Germany, ending up in America after a period in Paris. But could he succeed in a new country and a new culture? Many distinguished European artist-refugees of that period simply could not adapt and faded into obscurity. Weill determined that he could succeed by writing in an American idiom. He made the transition quite smoothly, creating a string of popular Broadway shows that spawned hit songs like "September Song" and "Speak Low" before dying of a heart attack at age 50. At the time of his death he seems to have been just another Broadway composer, but with the passage of time, Weill's reputation has grown and he is now recognized as one of the 20th Century's great composers. In Hirsch's book, Weill's American shows are revealed to be a continuation of the innovative thrust of THREEPENNY OPERA.Read more ›
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