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Mastering Drawing the Human Figure From Life, Memory, Imagination: with Special Section on Drapery Paperback – January 1, 2004

4.1 out of 5 stars 17 customer reviews

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Product Details

  • Paperback: 256 pages
  • Publisher: Stargarden Press; 1st edition (January 1, 2004)
  • Language: English
  • ISBN-10: 0966711300
  • ISBN-13: 978-0966711301
  • Product Dimensions: 8.5 x 0.5 x 11 inches
  • Shipping Weight: 1.8 pounds (View shipping rates and policies)
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (17 customer reviews)
  • Amazon Best Sellers Rank: #521,078 in Books (See Top 100 in Books)

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Top Customer Reviews

Format: Paperback
The title here is interesting: great choice(!). The actual contents, however, are unique yet unrefined.
I bought this based on the interesting cover & title; I hadn't actually seen its contents. When I received this in the mail, my immediate 1st impression was that this looks like someone's loose & rough notes for an *eventually* finished product. This seems like the idea for a *possible* book, not the actual book itself. Many of these drawings are exceedingly sketchy, and many are highly stylized.

Is this helpful though? That's the bottom-line, for me at least. The many pages on the planes of the figure are so incredibly complicated, it's kind of impressive & frustrating at the same time. I give the author a lot of credit in the sense that this is one of the most unique-looking drawing books I've ever seen. 5 Stars for originality! But what good is that if the actual information here isn't as good as in other currently available books? It's just too needlessly complicated & expensive for me to honestly recommend.

Maybe it's great classroom teaching, but as an individual work- it just seems like a nice try at best. If anyone's interested in drawing from memory, I highly recommend Bridgman's books. My other favorites are by Burne Hogarth, as well as The Figure: The Classic Approach to Drawing and Construction by Walt Reed.
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Format: Paperback Verified Purchase
Let me say first that I am highly predjudiced in favor of this book.Also, learning to draw is DIFFICULT for most of us!!

I had the good fortune to study with Mr. Faragasso about 20 years ago at the Art Students League. My father studied with Frank Reilly and Mr. Faragasso was one of his classmates. After so many years as a professional painter I can say that the knowledge that he gave to me has served me well. I am so grateful that all of this information has been assemled in one book for all to benefit from.It is also woderful that the information has been preserved (none of us are getting any younger!).

The planes are clearly explained. They relate to the structures which underlie them, therefore they can be a bit challenging. However, that IS our anatomy and it is what we have to learn in order to move forward and learn to really SEE and UNDERSTAND what we are seeing. This book will be a classic.
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Format: Paperback Verified Purchase
This is a very good book with a different approach than one would find in more traditional drawing books. His method is very schematic and very structured, yet compelling once one starts to understand his reasoning. There is nothing lose and conceptual about his method, everything is done according to predefined rules, planes and relationships, which is what makes it a very powerful way to present the human figure, but only once one is willing to undertake this method and make it their own.

This is not a book for beginners, this is not a book for anyone starting out without a great deal of surface and bone anatomy knowledge, this is not a book for anyone starting out in drawing.

There are minor flaws in the book, some figures have very protruding hips and not much time is spent on dynamic poses, but that wasn't his intention.

If one merely copied the figures in this book, or simply copied his method, one wouldn't get far, it's meant as a guideline.

It's one of my favorite drawing books.
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Format: Paperback
This is one of the finest book on the craft of drawing currently available, if not the finest. The book is an execellent presentation of the program developed by the late Frank J. Reilly at the Art Students League. I know this because I was one of Mr. Reilly's drawing class monitors for two years. This is a book for people who are truly serious about learning the craft of representational drawing. Short of having Mr.Reilly or Jack Faragasso pointing out the wat, this is as good as it gets in art instruction books.
Candido Rodriguez
(...)
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I have read many books on drawing the figure. This is the first book I have come across that contains the precise knowledge required to draw the human figure. The chapters on the head and drapery alone are worth the price of the book. In order to understand the book one has to read the introduction where the author recommends the course of study. It takes a while to grasp certain concepts but the information is all there for the taking if one has the patience to persevere.
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Format: Paperback
This is one of the most explanatory and helpful books about drawing the human figure that I have read
until the present: this is so because the author has a very structured and innerly coherent method
of understanding and drawing the human figure that helps you clarify your own vision and understanding-

I attempted to learn pure anatomy through anatomy
books for artists and I always found very difficult to apply what I learned about the body in my drawings from memory and imagination: the book of Faragasso gives you a powerful schematic understanding of the anatomy structure and proportion of the body that gives you the best introduction I have found to apply and deepen your knowledge of anatomy.

I have read some bad reviews of this book, and of course I respect them, as each person has his own preferences in art and art learning as in everything else: nevertheless some of the bad critics are based in the quality of the drawings shown in the book: I think these reviewers maybe are missing the fact that the majority of the drawings of the book are diagrams, sketches and what the author calls "learn drawings", not finished pieces, as the intention of the author is to show his method of constructing the human figure, not a porfolio of his fine art.
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