Basil Wolverton created the most famous MAD magazine cover, the May 1954 “Beautiful Girl of the Month—Reads ‘MAD.’” Ludicrously grotesque, it’s typical of the humorous cartooning that was Wolverton’s principal livelihood. Humor wasn’t the self-taught artist’s only mode, however. From 1952 to 1974, he illustrated the Bible for publications of the Radio (later Worldwide) Church of God, a broadcast-based ministry whose eccentric beliefs crop up in the drawings. His son Monte prepared this complete collection of his church-related work, including some typically funny stuff done for the student publications of the church’s Bible schools. Wolverton used a lot of contrasting pattern work to compensate for his essentially stiff, flat, untutored style, meticulously filling in fields of dots, lines, and, after he upgraded his pens, hatchwork. Wolverton’s faces have only a handful of types and expressions, and he couldn’t do foreshortening. His Book of Revelation drawings, full of grotesque horror, are more impressive than the others; but altogether his religious art demonstrates that he was kind of the Douanier Rousseau, the Grandma Moses, of comics. --Ray Olson
The Wolverton Bible is a collection of drawings that Basil Wolverton did for Herbert Armstrong's Worldwide Church of God. I've been hoping for a collection of these drawings for ages... What a great collection. The drawings are nicely printed, very black, on nice white paper... The book is sturdy and feels good... This is a windfall. It's a wonderful addition to any art collection. (Garth Danielson -
Primitive Screwheads )
A fascinating testimony to the peculiar vision of the life of an original artist and a somewhat unorthodox view of the 'holy book' by a faithful believer. (
Iconoctlan )
By the end of the book, pages after pages of doom and destruction, you realize that Wolverton is maybe the only person to illustrate the The Old Testament and the Book of Revelation—the most 'savage' books of the bible. (
Are You a Serious Comic Book Reader? )
I just discovered that underground grotesque comics virtuoso Basil Wolverton had produced a series of biblical illustrations… stories that went beyond the whitewashed, cheerful kids’ books of the day, to show the Old Testament for what it is: a book full of blood, thunder and revenge. Accordingly, Wolverton’s illustrations, done in the same unmistakable, stippled style that characterized his grotesqueries, show off the grim, the violent and the destructive in the Old Testament, putting the blood and guts in the spotlight…it is perfectly him, humorous, grisly, mad and wonderful. (Cory Doctorow -
BoingBoing )
I love that Wolverton’s Adam and Eve look like Cary Grant and Rita Hayworth, and that the images of Noah’s Ark have the beautifully clean look of a wood carving. Dramatic scenes such as Abraham’s sacrifice of Isaac, the devastation brought by locusts, and Samson’s blinding, showcase the artist’s talent for visceral, visual storytelling. (Leigh Stein -
The New Yorker )
This book is a tremendous boon as it shows a genius illustrator at the pinnacle of his ability... Basil Wolverton is one of the legends of comic art. (Tim Jamson -
Mania )
Underneath the screaming and plagues, the giddy joy that [Wolverton] seems to take in his art radiates off the page, just like it does in his secular work.... His creatures from sci-fi and horror, his fascination with grotesque bodily exaggeration, his devout Christian faith—here it all comes together into an operatic and apocalyptic peak....
The Wolverton Bible might seem like a paradox to its religious audience and its alt-comics fans—even if Wolverton himself never saw the contradiction. (Martyn Pedler -
Bookslut )
Wolverton’s pen presents disaster rather than combat; ruin is highlighted, not heroism…Wolverton illustrated a blind man given sight, a child playing near a viper’s nest, a young boy petting a lion and a wolf. These are images of the heavenly promise, or paradise, but from a pen so tilted toward threat and terror they, too, are frightening to behold…Whether believers or potential converts found themselves plagued by nightmares of the child and viper we may never know, but certainly this volume, assembling as it does a visual representation of a disturbing religious dream, will help readers better understand the fearful allure of end-time theology. (Spencer Drew -
Rain Taxi )
Wolverton’s unsparing depiction of nightmarish prophecies are relentlessly grim but absorbingly so. There are hints of Goya’s crazed, melancholic Saturn and prediction of Charles Burns’s brooding mutant teens…Such humanity is everywhere is Wolverton’s art—as much in the laughably goony portraits as in fire-and-brimstone ferocity. (Nicole Rudick -
Artforum )
[W]ith their crashing planes, erupting volcanoes, boil-stricken sufferers, and monstrous whirlwinds[,] Wolverton’s literalist depictions of Revelation are powerful, shocking, and above all grotesquely beautiful. ... Though Wolverton’s approach to [the Old Testament] stories was somewhat more matter-of-fact than his apocalyptic panoramas, there is still a passion for the bizarre evident in the Bible Story illustrations. ... Wolverton’s Bible illustrations sit on the border between sacred and profane, and that unique placement is what gives them such power. (Gabriel Mckee -
Religion Dispatches )