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Literature Against Itself: Literary Ideas in Modern Society Paperback – August 1, 1995

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Product Details

  • Paperback: 276 pages
  • Publisher: Ivan R. Dee (August 1, 1995)
  • Language: English
  • ISBN-10: 1566630975
  • ISBN-13: 978-1566630979
  • Product Dimensions: 5.8 x 0.7 x 8.4 inches
  • Shipping Weight: 12 ounces (View shipping rates and policies)
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #3,156,876 in Books (See Top 100 in Books)

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By Martin Asiner on May 19, 2012
Format: Paperback Verified Purchase
In LITERATURE AGAINST ITSELF, Gerald Graff sees literature in a war against itself. This "war" is far from a new one. How the reader sees a book is largely a matter of how a reader sees himself. The war occurs when competing ideologies attempt to claim the book as one of their own. The New Critics, Graff notes, tended to view texts as autotelic independent bodies that had a "core" of meaning--more or less. This core was what the deconstructionists would later term as a logocentric 'metaphysics of presence,' that would function as a totalizing grounding that anchors text to culture. The leading deconstructionist of modern times Jacques Derrida absolutely opposed any such grounding and in 1966 gave a speech at John Hopkins University that upset the rather neat anchored world that the New Critics had created a few decades earlier. Graff's contribution to this conflict is less an explication of competing theories of literary discourse than engaging in a meandering walkabout covering such disparate fields as the then current status of English education in America's colleges and universities and some trenchant comments on "How Not to Talk about Fiction" and on "How Not to Save the Humanities." (Graff's last two chapter titles)

What I find refreshing is Graff's openness concerning his ideological stance. He is an unabashed leftist, one who is deeply suspicious of all matters both literary and non-literary related to conservatism and the autotelic philosophy of the New Critics. He writes in his revised Preface to the 1995 edition that though some readers praised and assailed him "as a conservative, more alert readers saw clearly enough where my political sympathies lay.
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Format: Paperback
This is an outstanding book about literary theory and the academy. A professor of mine recommended it to me as an undergraduate, along with Terry Eagleton's Literary Theory: An Introduction, and I found this one to be the more interesting, the more original, of the two. It is at once a history and a critique and has much to offer students and scholars alike. Unfortunately, Graff seems to have fallen prey in his later work to some of the sophistries that he criticized in this early work.
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Format: Paperback
In his early books, Literature Against Itself: Literary Ideas in Modern Society (1979) and Professing Literature: An Institutional History, Twentieth Anniversary Edition (1987), Graff took as his main subjects literary theory and the institutional history of departments of English and literature, respectively. LITERATURE AGAINST ITSELF continues to be of interest and value for its discussion and analysis of competing schools of literary theory; and the historical narrative of the history of the post-secondary teaching of English that informs PROFESSING LITERATURE continues to enlighten anyone interested in curriculum design and canon-making. But perhaps these two early books can also be appreciated for their having afforded Graff the opportunity to work out the foundational arguments and historical perspectives that enabled him in his later books -- Beyond the Culture Wars: How Teaching the Conflicts Can Revitalize American Education (1992) and Clueless in Academe: How Schooling Obscures the Life of the Mind (2003) -- to effectively argue and explain why students across the curriculum would benefit from a more critical style of pedagogy.Read more ›
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