Product Description
I Am Because We Are is the companion volume to the acclaimed forthcoming documentary film directed by Nathan Rissman and written and produced by Madonna. This book of images by award-winning photojournalist Kristen Ashburn--culled from her own work in Malawi and Africa over the past seven years as well as from her specially commissioned photographs for the film--provides an intimate look at the lives of eight Malawian children featured in the film and reveals the harsh reality of the AIDS pandemic throughout southern Africa.
The title is derived from the concept of "Ubuntu," an idea in African spirituality that states that all of humanity is connected, that we cannot be ourselves without community, that an individual's well-being is dependent upon the well-being of others.
These heart-wrenching stories are a call to action. In Malawi, a country of 13 million people, over one million are orphans. Looking into the hearts and minds of children who have suffered more than one can imagine, the book provides an unflinching view of life at the center of the global AIDS crisis. This is not just a story about orphans in Malawi, but about global responsibility and human interconnectedness.
I Am Because We Are includes a foreword by Madonna, an afterword by Ashburn, excerpts from interviews with Malawian children, their biographies, and extended captions. Author proceeds from the sale of the book will be donated to the charitable organization Raising Malawi for their extensive work with orphans throughout Malawi.
From the Author
While preparing this book, I looked through thousands of images. Each brought back a memory.
I will never forget the first family I met who asked me if I could provide them with arvs -- the life-saving AIDS drugs. I was sitting in the living room of Wendy and her son, Valentine. They were both HIV positive.
Wendy looked me straight in the eye. As she talked, she labored to breathe: "Is it true that in your country people no longer die of this hiv?"
It was a question I would be asked over and over. People had heard that the drugs existed, and wanted to know how they could get them. With so many in need, I was completely overwhelmed. I convinced myself that I was only there as a journalist and that I could help the most by documenting the crisis. Now, looking back, I could have found a way to provide the drugs. And I should have. I could have helped to save one person. I could have saved Valentine.
Always eager to help, Valentine tagged along as I conducted interviews in the neighborhood. Once, trying to brighten his day and mine, we ate fast food and saw the movie Teenage Mutant Ninja Turtles. Afterwards he practiced his karate kicks and talked about what he would do when he got better.
Valentine died a year later. He was ten years old.
AIDS drugs are now cheaper and more accessible then ever. We've run out of excuses. Valentine's death was preventable, and so are the deaths of millions of hiv-positive people in sub-Saharan Africa. This is not just about medicine, though. It's about involvement. It's about elevating people out of poverty, and addressing the unjust distribution of resources.
These images span my journey through Botswana, Zimbabwe, South Africa, and Malawi -- all countries heavily affected by the virus. Much of what I experienced I can never convey in words. Each person in this book allowed me into their lives and shared their most difficult times so that we could bear witness to their suffering. Their hope, and mine, is that their stories will help us understand the heartbreaking reality of the pandemic and just how much is at stake.