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32 of 32 people found the following review helpful:
5.0 out of 5 stars
Diary of a Teenage Girl (Phoebe Gloeckner), December 11, 2002
Ever since reading 'A Child's Life,' I'd been looking forward to this book, and I was not disappointed. Phoebe Gloeckner's 15-year-old fictional alter-ego, Minnie, keeps a journal that is sharply observant, articulate, and funny, without crossing the line into the 'adult over-writing' that often plagues adults' versions of children's diaries. The setting (1970s San Francisco) makes many of the things that Minnie describes matter-of-factly seem jarring when you step back--affairs with older men, 'responsible' parental drug use, etc. Yet when you're reading the book, Minnie's world envelops you completely.Unlike many other (quite believable) teenage characters, Minnie does not even pretend to be cool or detached. She blatantly states her craving to be loved, hugged, touched. The dynamics of her affair with her mother's boyfriend, in which she tends to be the sexual instigator, are fascinating and heartbreaking at the same time. The juxtaposition of the sordid and the innocent is seamless: one minute Minnie and her best friend are swigging schnapps and passing joints on their way to a sexual encounter with a married man; the next, they're running down the street laughing, stuffing their faces with dime-store candy. Gloeckner's drawings are plush and emotional, detailing specific blocks in San Francisco and capturing facial expressions with equal care. Anyone who likes to be swept up wholly into a character's life should enjoy this unusual book.
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11 of 11 people found the following review helpful:
5.0 out of 5 stars
Brilliant, disturbing, haunting, unique, March 14, 2003
I am the first to admit I know very little about the world of underground comics. A student of mine recommended this book to me, and I ordered a copy from Amazon out of mild curiosity; I ended up reading through it in one sitting. Gloeckner's fifteen year-old protagonist, Minnie Goetze, is a superbly realized, multi-dimensional, picaresque character like few others I have encountered in adolescent-oriented American fiction. Though the frank descriptions and visual images of Minnie's often self-destructive sexual encounters may disturb some readers (and perhaps titillate others), the genius of this book lies in Gloeckner's extraordinary ability to capture the mercurial, labile emotions of this clever, troubled young diarist. As a male reviewer, I realize that it is problematic for me to write this, but from my professional and personal experience, Gloeckner's understanding of "American female fifteen year-oldness" is pitch-perfect, even if Minnie's actual life is unlike that of most (but not all) of the adolescents with whom I work. "Diary of a Teenage Girl" is also a damning indictment of the world in which Minnie grows up. The adults in the book are, for the most part irresponsible, incorrigibly self-obsessed, exploitative and ineffective. Minnie was born at the dawn of the 60s, and has come of age in the immediate aftermath of the "summer of love". The rhetoric of the age of Aquarius is on the lips of many of the adults -- but the free love of the adult world has meant nothing but exploitation and alienation for Minnie. She fantasizes that she is a powerful and independent woman; a sexual aggressor and a rival to her mother (she is sleeping with her mother's boyfriend); in reality, she is heartbreakingly naive, self-centered, frightened, childishly romantic, and above all, desperate for authentic love. I have never read the work of R. Crumb or other similar cartoonists; I might do so now. The comics sequences are stunning; they bring a pathos, a humor, and a richness to the text that would not otherwise be there. A bit harrowing, all in all, but a tremendous achievement. Brava!
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9 of 9 people found the following review helpful:
4.0 out of 5 stars
Never a false note, March 25, 2003
It was probably a decade ago when I first began seeing Phoebe Gloeckner's work in a handful of low rent independent comics. Initially it may have been the intensely rendered pornographic sequences that snared my attention, but there was something about her work that always drew me in further; a kind of downward-spiraling confessional verisimilitude one seldom encounters in any medium. She depicted familial discord and childhood cruelties with precisely the sort of raw, unflinching honesty that seemed to elude every other R. Crumb wannabe on the circuit. And her stories had a way of churning uncomfortably in my mind long after the last bitter panel, almost as though a close friend had revealed a dark secret. With "Diary of A Teenage Girl," Gloeckner revisits the same dodgy terrain of her earlier comics, with strips and illustrations now being used more as a kind of episodic punctuation to the diary-based narrative. The cumulative effect may lack some of the signature boundary-crushing sting exhibited in her 1998 collection, "A Child's Life," but readers are rewarded with an eerily convincing character portrait and a disquieting coming-of-age story that avoids cheap coming-of-age clichés. Set in San Francisco during the late 1970s, the main (presumably autobiographical) story recounts a tumultuous span in the life of Minnie Goetze, a likable, artistically precocious 15-year-old girl who has become caught up in a sexual relationship with her mother's sleazy, self-actualizing boyfriend. Longing for genuine affection and trying desperately to make sense of her situation, Minnie makes the usual self-destructive choices, finding clarity and purpose only in her slowly emerging identity as an artist. Gloeckner doesn't condescend or gloss over ugly details. And because Minnie's ordeal is never couched in easy victim rhetoric, the true depth of her victimization is shown in poignant relief against the hedonistic Bay City backdrop. All is not dark and heavy going, however. References to "Mary Hartman, Mary Hartman," and EST seminars, and first-wave Rocky Horror habitués capture the 70s zeitgeist with humor and authentic nostalgia. And some of the most memorable scenes center on Minnie's private ambitions and her guarded fascination with the nascent underground comics scene. (Her correspondence with "Bunch" alter-ego Aline Kominsky-Crumb is an especially nice touch.) But "Diary of a Teenage Girl" is a serious book, perhaps best understood as an account of childhood trust cast against adult hypocrisy. The salient motifs are familiar: there is a general aura of disaffected affluence, the breakdown of family bonds, and always the specter of absent fathers and predatory men. Above all, however, we are left with that uneasy sense that something precious has been lost. In recent years, major works by such writers as Chris Ware and Dan Clowes have led critics to begin taking graphic novels seriously. Let's hope this one doesn't get overlooked.
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