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In Visible Movement: Nuyorican Poetry from the Sixties to Slam (Contemporary North American Poetry) Paperback – May 1, 2014

4 out of 5 stars 3 customer reviews

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Product Details

  • Series: Contemporary North American Poetry
  • Paperback: 230 pages
  • Publisher: University Of Iowa Press; 1 edition (May 1, 2014)
  • Language: English
  • ISBN-10: 1609382447
  • ISBN-13: 978-1609382445
  • Product Dimensions: 6 x 1.1 x 9 inches
  • Shipping Weight: 15.5 ounces (View shipping rates and policies)
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #1,654,030 in Books (See Top 100 in Books)

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Top Customer Reviews

By B. Wolinsky on August 18, 2014
Format: Paperback
I confess that despite moving to NYC in 1996 and spending my entire adult life here (including four years at NYU) I knew nothing of the Nuyorican poetry movement. It wasn’t until I saw the biopic Pinero that I heard about it. Then again, few of my Puerto Rican friends and none of my Puerto Rican students had heard of it either, so I wonder.
Urayoan Noel says in the introduction that the Nuyorican phenomena is the result of the Purto Rican diaspora, being stuck in a strange place. The East Village barrio was close to Greenwich Village and NYU, where you had all the artsy types, more so than Harlem or the Bronx. He cites Piri Thomas’ Down These Mean Streets as a start; Thomas goes from trying to escape his community to realizing that it has its merits. On a funny note, Down These Mean Streets was banned in every community where the teenage Piri Thomas had gone to escape racism.
The first chapter made me realize that the Nuyorican movement had none of the sponsorship that the Harlem Renaissance had. There was no Puerto Rican counterpart to the C.J. Walker company bankrolling Puerto Rican intellectuals, as Madam Walker did in the 1900’s. The Fords, Guggenheims, Astors, and Rockefellers weren’t sponsoring Puerto Rican artists or writers the way America’s millionaires had done with others. In the book Love Goes To Buildings On Fire, the author describes how Bruce Springsteen, a New Jersey native, had a big following among Andy Warhol’s transvestite crowd. His stubbly face, torn jeans, and rough guitar playing was surprisingly appealing to drag queens. But Miguel Pinero and other Puerto Rican poets and musicians; they were ignored by the established crowd. Perhaps the “arts” scene was little more than a clique, just with grown-ups rather than high school alpha-queens?
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This is the best book written on the subject that I have read so far. The author has done his homework and gives an objective account of the history of these poets and writers. It is strange to me, however, that these writers are placed within a literary movement, by the author and others in academia. At the time things were kind of anarchic and the process by which a lot of poetry was written could be rather unorthodox. Poems were improvised, written on napkins by candlelight. There was an energy, but not an organized movement. That is just my recollection. I guess history is separate from memory.
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Format: Paperback
I will not buy this book since the author has abused Lesbian scholars like my self and has abused his power in telling one of the only women in the book who was ignored for years that she had to answer hundreds of questions for him at no pay. The woman poet told him that what she could do was travel to PA to meet him there at a equidistant point and he refused to do it. Sandra Mari a Esteves, when she found this disdain or lack caring on us Lesbians and Bis, she told me " Why didn't Urayoan seek a grant to pay this woman in Ohio for the interviews and even bring her to NY." Noel had the nerve of contacting me to find Lorraine Sutton and he did find it through me. She was in hidding. He turned around and in a rude way told me that I could not be in touch with her because he was her "handler." He was a handler? When I put him in touch with leads on where to find a peer that fled from NYC? Keep up writing to see if you can control your anger against Lesbian Ricans who defy you and you leave out of everything including this book when I was one of these groups principal poetry slamers and pioneras.
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