Product Details

• Actors: Eric Blore, William Demarest, Byron Foulger, Robert Greig, Porter Hall
• Format: Black & White, HiFi Sound, NTSC
• Language: English
• Rating: NR (Not Rated)
• Number of tapes: 1
• Studio: Universal Studios
• VHS Release Date: March 1, 1992
• Run Time: 90 minutes
• Average Customer Review: 4.5 out of 5 stars  See all reviews (71 customer reviews)
• ASIN: 6301232291
• Amazon.com Sales Rank: #14,527 in Video (See Bestsellers in Video)

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Editorial Reviews

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Writer-director Preston Sturges's third feature, 1941's Sullivan's Travels, remains the antic auteur's most ambitious screen effort. Having added the producer's stripe to his duties, Sturges combines breezy romantic comedy, arch Hollywood satire, and social essay into a single, screwball story line.

The titular pilgrim is John L. Sullivan (Joel McCrea), an Ivy League grad who's enjoyed a meteoric rise as the director behind escapist movies like Ants in Your Pants of 1938, but is now determined to raise his sights toward more exalted, serious-minded cinematic art. His proposed breakthrough, portentously titled O Brother, Where Art Thou?, elicits a studio response closer to "Oh, brother," given the director's utter lack of first-hand experience on the wrong side of the tracks.

Instead of capitulating, Sullivan sets off disguised as a tramp, ready to meet life's crueler lessons face-to-face--albeit followed at a discreet distance by a motor home filled with studio handlers and reporters. His ludicrous odyssey may give the boy director no real insight, but it gives Sturges the chance to inject some reliably fine gags and a romantic subplot featuring the luminous Veronica Lake. It's at this juncture that Sturges the writer's darker objective throws a jolting shift in tone. Suffice it to say that just when a comic, upbeat denouement seems imminent, Sullivan travels instead from the sunlit California of the comedy's early reels toward a darker, relentlessly downbeat world influenced more by the social realism of the movies the hero desperately wants to make. By the final reel, Sturges has flirted with real tragedy, turning his conclusion into a meditation on his own seemingly carefree, dizzily comic art. --Sam Sutherland

Customer Reviews

Most Helpful Customer Reviews

15 of 15 people found the following review helpful:

5.0 out of 5 stars Sturges' Travels well worth the journey, March 26, 2005

By	Wayne Klein "If at first the idea is not absu... (My Little Blue Window, USA) - See all my reviews (TOP 50 REVIEWER)

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This review is from: Sullivan's Travels - Criterion Collection (DVD)

Any Preston Sturges film even the lesser ones are worth watching for their snappy dialogue and comedic sequences alone. With "Sullivan's Travels" we catch Sturges at the top of his game. Joel McCrea the everyman of the 40's turns in a terrific performance as the bright but lightweight director John Sullivan (Sully to his friends). Sully wants to make serious pictures after a career of churning out lightweight comedies. His next project "O Brother Where Art Thou" (wittily referenced in the Cohen brothers film of the same name nearly six decades later)will be a socially conscious look at the suffering of the common man. The only problem is that Sully knows absolutely nothing about suffering or hardship. Sully decides to rough it as a hobo and discovers much more than he wanted to about suffering. He meets "The Girl" (Veronica Lake lovely as ever)and discovers more about the world than he ever imagined.

Sturges fell into drama when he became ill and read about creating dramas while recooperating. His first major play "Strictly Dishonorable" became a huge Broadway hit in the 30's. As a child Sturges' mother became "friends" with Isadora Duncan and Sturges was dragged around with the two of them and had a very unconvetional upbringing nicely profiled in the original PBS Emmy winning documentary "Preston Sturges: The Rise and Fall of an American Dreamer". "The Power and the Glory" Sturges first written screenplay earned him over $17,000 in the 30's against the profits of the film by producer Jesse Lasky. Sturges already had made enemies in Hollywood by becoming wildly successful as an independent writer and later director. Featuring interviews with friends and Sturges' last widow, vintage footage, stills & footage from his productions and home movies of Sturges, Kenneth Bowser's excellent documentary provides insight into Sturges' career as a writer and film director.

There's also storyboards, blueprints for the sets, original publicity materials, the original theatrical trailer, a Hedda Hopper interview with Struges, recordings of Struges' original song "My Love" and poem "If I Were King", this is one of the best Criterion releases out there. The image quality on the disc in this new digital transfer is beautiful looking. While the price is a bit steep, this terrific DVD is well worth it

13 of 13 people found the following review helpful:

4.0 out of 5 stars VERONICA LAKE'S BIG BREAK A TREAT ON DVD, April 22, 2003

By	Nix Pix (Windsor, Ontario, Canada) - See all my reviews (TOP 500 REVIEWER)

This review is from: Sullivan's Travels - Criterion Collection (DVD)

After a string of B-movies, legendary cool babe, Veronica Lake graduated to the big time in this screwball message picture by director, Preston Sturges. Actor, Joel McCrea is John L. Sullivan, a director of frothy film comedies who desires to make a truly gritty motion picture about the "suffering of humanity". One problem - he doesn't know the first thing about suffrage, having been born with a silver spoon and thrust into a lucrative career with money to burn. So what's a desperate rich guy to do? He decides to impersonate a hobo and ride the rails in search of 'real' life. He finds Veronica Lake and a heap of trouble instead.
For once - a Criterion disc I can actually recommend on every level. First, the DVD quality of this classic film is bar none the most outstanding effort from Criterion thus far. The gray scale is superbly balanced. Blacks are black. Contrast and shadow levels are amazing. Fine details are well represented. There is some minor edge enhancement and aliasing, but it is so slight and infrequent that I really shouldn't be mentioning it at all. There's barely any digital or film grain for a smooth, thoroughly captivating visual presentation. The audio is mono but cleaned up in such a way that one hardly notices its dated shortcomings.
AT LAST - as an extra, Criterion gives us "Preston Sturges: A Life" a thoroughly engrossing, in-depth, full fledged documentary on the man, the making of this movie, as well as a time line documenting Sturges' many other films with a multitude of background material and snippets from each of the movies in Sturges' canon. The documentary is so good, you'll want to watch it twice. Yes, there's also an audio commentary and the usual Lux Radio junket that accompanies most Criterion classic titles. But the documentary is what counts here.
BOTTOM LINE: A MUST HAVE DISC FOR ANY FILM BUFF!

15 of 16 people found the following review helpful:

5.0 out of 5 stars Wonderful Criterion Transfer of a Classic, July 30, 2004

By	Ricky Hunter (New York City, NY United States) - See all my reviews (TOP 500 REVIEWER)    (REAL NAME)

This review is from: Sullivan's Travels - Criterion Collection (DVD)

Sullivan's Travels is one of a group of comedy classics created by Preston Sturges during the early to mid-forties, each and every one a gem. Everyone will have a favourite (my personal weak spot is The Lady Eve) but Sullivan's Travels grows in my affections with every viewing. It is always remarkable to witness how influential the movie is, particularly, but not exclusively, in the works of the Coen brothers. Joel McRae is playing the director who goes looking for the underbelly of America and along the way he finds Veronica Lake. She could not be equaled, from the first moment her famous look is seen in the film until her laughter at the end. She looked like a smoldering noir femme fatale and spoke and acted like a screwball comedienne. It was a style not suited for many pictures but it was a perfect match for Preston Sturges in this one and she does very well by him and vice versa. The change in the movie from comedy to pathos, troubing and too abrupt for some viewers, is beautifully handled and the church sequence with the prisoners and the black parishioners is astonishing and handled with great cinematic skill. Criterion must also be congratulated, again, for the wonderful extras, particularly the documentary on Sturges.