Product Details

• Actors: Kristin Griffith, Mary Beth Hurt, Richard Jordan, Diane Keaton, E.G. Marshall
• Directors: Woody Allen
• Format: Closed-captioned, Color, NTSC
• Language: English
• Rating: PG (Parental Guidance Suggested)
• Number of tapes: 1
• Studio: MGM (Video & DVD)
• VHS Release Date: July 5, 2000
• Run Time: 92 minutes
• Average Customer Review: 4.4 out of 5 stars  See all reviews (49 customer reviews)
• ASIN: 6301969863
• Amazon.com Sales Rank: #24,324 in Video (See Bestsellers in Video)

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Editorial Reviews

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Although indisputably a film by Woody Allen, Interiors is about as far from "a Woody Allen film" as you can get--and maybe more people could have seen what a fine film it is if they hadn't been expecting what Allen himself called "one of his earlier, funnier movies." An entirely serious, rather too self-consciously Bergmanesque drama about a divorcing elderly couple and their grown daughters, it is slow, meditative, and constructed with a brilliant, painterly eye. There is no music--a simple effect that Allen uses with extraordinary power. In fact, half the film is filled with silent faces staring out of windows, yet the mood is so engaging, hypnotic even, that you never feel the director is poking you in the ribs and saying, "somber atmosphere." Diane Keaton, released for once from the goofy ditz stereotype, shines as the "successful" daughter. Some of the dialogue is stilted, and it's hard to tell whether this is a deliberate effect or simply the way repressed upscale New Yorkers talk after too many years having their self-absorption sharpened on the therapist's couch. Fanatical, almost childish self-regard is the chief subject of Allen's comedy--it's remarkable that in this film he was able to remove the comedy but leave room for us to pity and care about these rather irritating people. --Richard Farr

Customer Reviews

Most Helpful Customer Reviews

29 of 34 people found the following review helpful:

5.0 out of 5 stars A Film That Deserves A Place In Every Art Collection, February 27, 2003

By	Grady Harp (Los Angeles, CA United States) - See all my reviews (TOP 10 REVIEWER)    (REAL NAME)

This review is from: Interiors (DVD)

Revisiting INTERIORS written and directed by Woody Allen in 1978 it becomes apparent that this is one of the most important American films made. In this time of video art and digital manipulation of images, both in real time and in fixed entities, INTERIORS exemplifies the finest in what film can achieve. Without manipulation of scenery, without (gratefully) a senses-asaulting musical score, without GIMMICKRY - here is a film of brilliant writing, stunningly and beautifully subtle sets and costumes, and acting of the first degree. The angst so present in our society's family relationships is gently observed and explored and the results are a paean of understated simplicity and pain. It is difficult to single out any of the outstanding cast as 'best' and that is yet another proof of ensemble acting and directing at a zenith. Yes, it is unimaginable to leave behind the characters created by Geraldine Page, H.G. Marshall, Diane Keaton, and Maureen Stapleton, but again this is an indicator of how well and cohesive the experience provided by this movie is.

I have never been a Woody Allen fan: I find his comedies overwrought, self-absorbed, and frustratingly tedious. Seeing INTERIORS on a DVD, in the quiet of home, has altered my respect for this man. A dazzingly brilliant, thoughtful, elegy of a film.

10 of 10 people found the following review helpful:

5.0 out of 5 stars Masterpiece, November 24, 1998

By	Tony Pallone "TRPwME" (Albany, NY (USA)) - See all my reviews

Woody Allen's wonderful sense of humor is not his greatest asset: it's his storycrafting genius, and nowhere is this more obvious than in this brilliant piece of serious drama, which is not merely an homage to Allen's filmmaker idol Ingmar Bergman, but an emotionally complex, riveting story in its own right. Interiors is an examination of a family coming apart at the seams, not as a result of some outside, malevolent force, but merely due to the intricacies of human nature.

Note that in his more serious work, Allen typically paints one character as the story's conscience and emotional center, and he usually plays this role himself; there are disappointing results when anyone else tries to do it. Not so for Marybeth Hurt in her multi-faceted portrayal of Joey, the family's frustrated emotional caretaker, unable to find her own identity. Maureen Stapleton also provides both contrast and comic relief in her role as Pearl, a character unfettered by complexity--and intellect!

One of the great, exhilirating pleasures in watching films is coming across a masterpiece like this one.

16 of 19 people found the following review helpful:

5.0 out of 5 stars He knows women so well; too bad they hate him., October 13, 1999

By	Brian Parks (Carmen, San Diego) - See all my reviews

Woody Allen probably knew that Interiors would be panned by his most loyal fans, his most ardent critics (Pauline Kael), and even the always honorable motion picture industry. How he managed to ignore what might have been insurmountable difficulties for another is a feat of no small measure; how he managed to craft this dramatic gem is "an impossibility commensurate with two like snowflakes" (from Woody's Getting Even). Mary Beth Hurt shines as Joey, a passionate but ambivalent actress-photographer-copywriter, who cannot transcend her pressing responsibility as daughter to a delusional and depressed woman, Eve (Geraldine Page). She has two sisters (a theme to be further explored in Allen's later Hannah and her Sisters), one of whom is fairly irrelevant and indifferent to her life (the only underdeveloped character in the film), the TV actress Flynn. The other sister Renata (Diane Keaton) is a highly successful poet who has distanced herself from Joey while she deals with complex emotional issues stemming from an abusive, alcoholic husband (Richard Jordan) and her own artistic "paralysis." Woody weaves the stories together with dignity and grace, and Gordon Willis' superlative cinematography pays homage to Bergman's Sven Nyqvist (the beachwalking scene could be Persona in color) while infusing his own creative vision into each shot. Woody's comic flair is nonpareil, and his unique cinematic concept is timeless and powerful. With Interiors, Woody indelibly makes his mark as one of the finest dramatists of the 20th century as well.