Amazon.com essential video
Robert J. Flaherty, who wrote, directed, produced, shot, and edited this landmark picture, will forever be remembered as the godfather of documentary filmmaking. While this landmark 1922 production, shot on the northeastern shore of Hudson Bay, isn't a true documentary by contemporary conventions, it remains the first great nonfiction film. With the help of Nanook and his friends and family, Flaherty undertook the mission of re-creating an Eskimo culture that no longer existed in a series of staged scenes. Nanook ice fishes, harpoons a walrus, catches a seal, traps, builds an igloo, and trades pelts at a trading post, all captured by Flaherty's inquisitive camera. Though he presents a "happy" culture bordering on primitive innocence (Nanook and his family were in reality quite westernized), his loving portrait is anything but condescending. Ultimately Flaherty shares his tremendous respect and awe for a culture that has learned to not just survive but thrive in such an inhospitable environment. On a purely visual level the film is a beautiful work of cinema, an understated drama in an austere, unblemished landscape of snow and ice. With unerring simplicity and directness, Flaherty re-creates the details and rhythms of a culture long gone and gives the world a glimpse. David Shepard's restoration, which is offered by Kino, shows a cleaner, brighter image than has ever been available on video and restores scenes missing for decades, and he has commissioned a new score by Timothy Brock, which incorporates and expands upon elements of the original score. A short interview with Flaherty's widow concludes the tape.
--Sean Axmaker
Product Description
In 1922, Robert J. Flaherty (
Man of Aran,
Louisiana Story), changed the course of filmmaking with this, the first documentary.
Nanook of the North follows the Eskimo Nanook as he braves the elements in the vast and inhospitable Arctic. Mesmerizing landscape photography illuminates the beauty and danger of life in the far north, while close-ups of Nanook, his wife, and their two small sons reveal the warmth of family life. Widely regarded as the best documentary ever made, this early masterpiece showcases Flaherty's genius at capturing the rhythms of the natural world and its inhabitants. Flaherty, who is known as the "father of the documentary," recorded a way of life that has now vanished.