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Adapted from John Grisham's novel, this does not live up to its potential; although it does come close. A fresh-faced Chris O'Donnell is the naive but insistent young attorney determined to appeal the case of Gene Hackman. The latter plays a unapologetic death-row inmate accused of killing two Jewish boys 30 years earlier. O'Donnell, we quickly learn, is the grandson of the murderous old cuss and has his own agenda for trying to save him. Meant more as a character study than a courtroom thriller, this never quite gels, as it leaves a few too many questions unanswered. However, it is well worth seeing for the performances, especially Hackman as the grizzled and nasty elderly convict.
--Rochelle O'Gorman
Just a few months after the senseless hit "A Time to Kill," another bloated John Grisham legal thriller gets the overblown, overacted Hollywood treatment. In this one, Chris O'Donnell stars as a vain young attorney determined to save his grandfather (Gene Hackman), a redneck K.K.K. murderer, from execution. While O'Donnell does his Tom Cruise best to appear serious and engaged, Hackman turns in one of his rare histrionic and unconvincing performances. James Foley's directorial style demands attention-the film flails all over the place in an attempt to appear tense and authoritative-but the plot never takes hold. This is generic made-for-TV fodder (racism is bad, it's wrong to take a life) dressed up like a smart, sassy lawyer: expensively. -Bruce Diones
Copyright © 2006
The New Yorker