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7 of 7 people found the following review helpful:
4.0 out of 5 stars
Very trashy but still entertaining action flick, July 8, 2004
Tony Scott's THE LAST BOY SCOUT may be trash, but for an action flick it is very well-made, highly entertaining trash. Of course, you could make a very good case against this film. Though I did not find it quite as woman-hating as some of the critics said it was upon the film's release, I would recognize that there is a subtle layer of misogyny throughout the movie---particularly with the two women characters in Joe Hallenbeck's life, his uncaring, cheating wife and his bratty, verbally abusive daughter---that might make some viewers more queasy than I was. And, objectively speaking, THE LAST BOY SCOUT is basically a retread of writer Shane Black's superior LETHAL WEAPON---a more foul-mouthed, ultra-violent retread with a lot of corny humor. This is an all-out testosterone-fest if I've ever seen one. If you've got a problem with people, just punch 'em in the "head or gut"---if anything else, that's the message of this movie. Really, Shane Black, where did your taste go since LETHAL WEAPON and LETHAL WEAPON 2? Despite all that, though, this movie still delivers what matters most in this genre: thrills and exciting action scenes. Having seen this movie only recently, I must say that it is probably one of the most exciting action pictures I've seen in a long while, perhaps enjoyable because of its excesses. Tony Scott definitely knows how to film action scenes well (the climactic action scenes in the football stadium is a good example of his skill here), and of course he brings his customary slick style to the material. And its plot, involving a ruthless attempt to legalize gambling in pro football, takes some kinda intriguing twists and turns along the way. (It's like a hardcore action-film version of one of those hardboiled detective films of the '40s.) In short, THE LAST BOY SCOUT is very trashy but still entertaining action movie that can be quite fun to watch, depending on whether you can overlook lapses of character logic (why on Earth is Shelly Marcone giving away his plan of framing Hallenbeck for Senator Baynad's murder just so Hallenbeck can outsmart 'em all?) as well as the more objectionable misogynistic aspects of the film. Personally, I felt a little guilty about enjoying it so much...but not guilty enough not to admit it. Marginally recommended.
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