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14 of 17 people found the following review helpful:
5.0 out of 5 stars
My personal favorite among the Brothers films, June 8, 2002
Not as polished as DUCK SOUP, this is nonetheless my favorite Marx Brothers film. This was their second movie; the first filmed in Hollywood, and records their final stage production. So in many ways, this is a transition film. ANIMAL CRACKERS and their first film, COCONUTS, made in 1929, also share the distinction of being perhaps the two oldest sound films that are still widely watched. The film is not perfect. There are many dead moments scattered throughout the film, though only when one of the Brothers was not onscreen. And because sound recording was still in its infancy, the sound is pretty dreadful. The voices all sound somewhat flat and thin, but Groucho, Harpo, and Chico more than make up for it. And for once, we shouldn't leave out Zeppo. Groucho and Zeppo have a great exchange where Groucho dictates a letter to be sent to his lawyer. Actually, Zeppo was very, very talented in his own right, but with the three older brothers having staked out their own forms of madness, he was left as the straight man. On Broadway, Groucho came down sick, and Zeppo put on Groucho's clothes, put on a grease paint mustache and eyebrows, grabbed a cigar, and no one knew it wasn't Groucho. ANIMAL CRACKERS is actually an outstanding showcase for all the brothers. Chico and Harpo team up for some of their best skits (including an utterly hysterical game of bridge), each has some great solo moments, and Groucho has dozens of his best and most famous lines. In fact, the movie probably contains half of the famous lines that we associate with Groucho, including the song that became his signature, "Hooray for Captain Spaulding." And Margaret Dumont is amazingly unflappable as Groucho's love (?) interest. Although is easily my favorite Marx Brother film, it is usually ranked somewhat below some of their other films. One reason for this lies in the fact that the film was not shown for several decades following its initial release because of a copyright dispute. When the Marx Brothers performed ANIMAL CRACKERS on Broadway, one night Harpo was running late when he reached the theater. Changing quickly, he inadvertently left off his knee length underwear he normally put under his tear-away tux for his first scene. At the point where the butler is supposed to take his cape, and the entire tux pulls away, Harpo was left there standing in only his jock strap. While he rushed offstage to put on the rest of his outfit, Groucho calmly adlibbed, "Come back tomorrow and he'll take the rest off."
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