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The only real problem with
Stir of Echoes has nothing to do with the movie itself, but with unlucky coincidence. Adapted from a Richard Matheson novel, this film arrived around the same time as
The Sixth Sense, and surface similarities made it suffer by cursory comparison and the competing film's phenomenal success. It's a pity, because this one features one of Kevin Bacon's best performances, in a psychological thriller that makes a lot more right moves than wrong ones. Bacon plays a blue-collar guy who laments his ordinary life, only to learn, when his sister-in-law (Ileanna Douglas) hypnotizes him, that he is a "receiver" capable of seeing spirits and split-second glimpses of past and future events. It's a torturous gift to have--especially since his friendly Chicago neighborhood possesses a dark secret--and Bacon plays the role with an appropriate mixture of obsession and internalized torment.
Similarity to
The Sixth Sense applies only to the basic premise and the character of Bacon's young son. Otherwise, this is more of a hard-edged journey of self-discovery, marital crisis, and recovery, with Bacon's wife (played by the highly underrated Kathryn Erbe) involved in an underdeveloped subplot about a group of people who share Bacon's gift as paranormal "receivers." Furthering his career as a writer-director of intelligent thrillers, David Koepp makes a few missteps in pacing and thematic overkill, but overall
Stir of Echoes is a sharp, sensitive thriller that unfolds to reveal a dramatically satisfying solution to its mystery.
--Jeff Shannon
The obvious "Sixth Sense" parallel aside-another kid with the power to communicate with the dead-director David Koepp's adaptation of Richard Matheson's novel borrows elements of "The Exorcist," "Close Encounters," "Poltergeist," and "Wait Until Dark," but the result is a pretty dull mess. Kevin Bacon stars as Tom (the kid's father), a working-class Chicago guy who never wanted to be famous, just not so ordinary. Welcome to extra-ordinary, pal. A doubter, he dares his sister-in-law Lisa (Illeana Douglas, in a smart-ass mode that wears thin) to hypnotize him, and-bang!-special-effects doors open up that give Tom the sight his son already possesses. The ensuing ghost story is short on dread, and the murder mystery unfolds without much suspense. -Ken Marks
Copyright © 2006
The New Yorker