Product Details

• Actors: Catherine Deneuve, Vincent Perez, Linh Dan Pham, Jean Yanne, Dominique Blanc
• Directors: Régis Wargnier
• Writers: Régis Wargnier, Alain Le Henry, Catherine Cohen, Erik Orsenna, Louis Gardel
• Producers: Alain Belmondo, Alain Vannier
• Format: Anamorphic, Closed-captioned, Color, Dolby, DVD, Subtitled, Widescreen, NTSC
• Language: French (Dolby Digital 2.0 Surround)
• Subtitles: English, Spanish, French
• Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  
• Aspect Ratio: 1.85:1
• Number of discs: 1
• Rating: PG-13 (Parental Guidance Suggested)
• Studio: Sony Pictures
• DVD Release Date: March 21, 2000
• Run Time: 159 minutes
• Average Customer Review: 4.5 out of 5 stars  See all reviews (87 customer reviews)
• ASIN: 6305730997
• Amazon.com Sales Rank: #14,169 in Movies & TV (See Bestsellers in Movies & TV)

  Popular in these categories: (What's this?)

  #36 in	Movies & TV > Military & War > International
  #70 in	Movies & TV > Art House & International > European Cinema > France > Drama

• For more information about "Indochine" visit the Internet Movie Database (IMDb)

Editorial Reviews

Amazon.com

Régis Wargnier's 1992 Oscar winner for Best Foreign Film is a bit like watching paint dry, despite its exotic locale and lead performance by the legendary Catherine Deneuve (Belle de Jour, The Umbrellas of Cherbourg). Deneuve plays a wealthy French landowner, born and raised in Indochina, from 1930 until 1955, the year of a Communist takeover. The brewing political changes bound to upset her fortune and destiny find an even more personal parallel in her relationship with an adopted daughter (Linh Dan Pham), who grows up and becomes independent. The outline of this scenario sounds pretty good, but the film is flat and unworthy of its star. --Tom Keogh

Product Description

A love triangle set in the days just before the communist uprising in Indochina. A plantation owner finds that her adopted daughter has fallen in love with the owner's secret lover.
Genre: Foreign Film - French
Rating: UN
Release Date: 21-MAR-2000
Media Type: DVD

Customer Reviews

Most Helpful Customer Reviews

46 of 46 people found the following review helpful:

5.0 out of 5 stars Beauty and Sorrow, June 29, 2005

By	Bobby Underwood "starlighthotel" (Bakersfield, California United States) - See all my reviews (TOP 100 REVIEWER)    (REAL NAME)

Amazon Verified Purchase

This deeply felt and emotionally rich portrait of a country about to change forever is one of the most beautiful films ever made. It is elegant and opulent in its visual presentation and subtle in its human tale of heartbreak. This film has the majesty of morning sunlight on water we dare not shield our eyes from for fear we will miss one moment of its glory.

Director Reigis Wargnier has created a masterpiece of epic beauty, showing us the country of Vietnam when it existed as the French colony Indochine. He shows how and why the communist uprising was so popular and the way of life it threatened. It does not make judgements but shows the human drama and the heartbreak caused by a way of life that existed and the one that was coming to change it.

Wargnier accomplishes all this in a slow and visually stunning portrait of one family in Indochine. The story is centered around the magnificent performance of Catherine Deneuve as French rubber plantation owner Eliane Deveries, and the equally terrific Linh Dan Phan as her adopted Indochine daughter Camille. The contrasts of Eliane's cool elegance and Camille's young and sensual beauty is like a mirror for the country itself as Wargner shows the difference between the French and those that serve them.

Eliane runs her rubber plantation with the help of her 'coolies' and it appears to be her entire life except for her daughter Camille. But Eliane's cool outward elegance only masks the repressed emotions she hides from others. Her affairs have been casual and she believes indifference is the secret to surviving love. But that indifference changes dramatically as she finally falls hard for young French Naval Officer Vincent Perez (Jean-Baptiste Le Guen). She throws herself at him as he draws away and discovers she is not enough for Vincent.

There is much unrest at the class distinctions of Indochine. Eliane's Indochine is one of elegance and self-indulgence. It is a world of Fitzgerald and Gatsby. The world of the Indochene people is more severe. This film takes its time showing us all that is beautiful about the country and slowly begins to show the darkness underneath that beauty when Camille falls in love with Vincent also. Eliane is stunned beyond words but not actions as she uses her clout to have him transferred to the farthest outpost so Camille can go through with an arranged marriage to Tanh (Eric Nguyen).

But Eliane has underestimated her daughter's love for Vincent and she runs away to find him. Vincent has learned about the slave trade which provides Eliane and others like her with their workers in this remote French outpost and sees firsthand its brutality. When Camille finds him it is during the picking of these workers and a tragedy forces both to flee to a place hidden and supposedly cursed, where their love will bloom and a legend will start. There are some tender and moving moments and some true heartbreak involving a baby.

As the communist revolution grows stronger and Camille is imprisoned, Vincent will meet Eliane once more. It is only when Camille is imprisoned that she is even sure she is alive. Her long time aquaintance Guy (Jean Yanne) has been searching for years as the legend of this young beauty has grown so that everyone in the country knows the story. Once released she will be the one to help change the country forever, but not before a heartbreaking meeting with her mother and a sacrifice of love.

This film may indeed be slow but it is emotionally rich and the visual beauty of the country itself is magnificently captured. Deneuve's cool elegance is perfect for the part and her Oscar nomination was well deserved. Linh Dan Phan is wonderful as Camille as she goes from the innocence of dancing with her mother to a symbol for her entire country. There are no judgements made here. This is a human film and not a political one. This film is what a Renoir painting would be if it could leave the canvas and find our hearts. It is an impression of a country and a time rather than a clear photograph.

Those who watch this film and stay with it will be richly rewarded. Few films can make the claim to be art, but this is one. Its quiet beauty and sorrow you will not soon forget. You must see, and own, this magnificent film.

79 of 90 people found the following review helpful:

5.0 out of 5 stars Haunting film...., June 8, 2000

By	Dianne Foster "Di" (USA) - See all my reviews (TOP 100 REVIEWER)

Sometimes I don't think the critics watch the films they review. I was stunned by this film. The cinematography is brilliant--the colors, the pagentry, the filth, the blood, the dreamy quality of a boat with two lovers drifting through those thousands of little vertical islands that lie off the coast of Asia so faithfully depicted in Chinese brush paintings and Blue Willow porcelein.

Catherine Deneuve is gorgeous. If any criticism can be leveled at the film it is that she is so beautiful, and her clothing so stunning it can be distracting at times. Her young lieutenant lover whose name excapes me (Queen Margot's lover) is smoldering. Her adopted (Vietnamese) daughter is a China doll.

The story takes place in what was French Indochina before WWII, and later became the countries of Viet Nam, Cambodia, and Thailand. The story centers on a rubber plantation owner (Deneuve) and her relationship with her adopted daughter. Deneuve raises the girl to have the European values. The daughter falls in love with a young French Lieutenant who has been until then the mother's lover. The mother does not want her daughter to be involved with this man for a variety of reasons. The daughter runs away and links up with the Lieutenant. On her journey, she sees first hand the plight of her native people. She becomes pregnant by the Lieutenant. Events lead her to become involved with the revolution against the French. If this film had been shown to American audiences back in the 1960's it would have been inflammatory. Might have started a peace movement.

32 of 34 people found the following review helpful:

5.0 out of 5 stars Love and History, November 21, 2001

By A Customer

From the opening sequence of a royal funeral to the last shot of Deneuve in Switzerland, this movie had me enthralled. It has everything that makes a movie exceptional: strong acting from its leads, beautiful cinematography, a romantic and emotionally wrenching love story, a tense historical backdrop, beautiful actors and a well-plotted storyline. This movie draws you in, pulling you into that beautiful and passionate world of 1930's Indochina. (Indochina was the collective name of Vietnam, Cambodia and Laos when they were still under French control)

The story revolves around a powerful French, plantation owner Eliane (Deneuve), her adopted Indochinese daughter Camille (Pham) and the French naval officer who romances these two women, Jean Baptiste (Perez). The movie starts off with Eliane having an illicit affair with the young Jean-Baptiste, only to have her heart broken when the officer starts feeling claustrophobic in their relationship. Unfazed, Eliane carries on with her life, running a lucrative business and raising the lovely Camille into the ways of the French. But things go awry when Camille and Jean-Baptiste accidentally meet. Believing that Jean-Baptiste saved her life, Camille falls head over heels in love with her mother's former lover. Thinking it in her daughter's best interest, Eliane uses her influence on the government to have Jean-Baptiste sanctioned to some remote outpost of Indochina. But a strong-willed Camille defies family and society and ventures into the countryside, alone, to join Jean-Baptiste. Along the way, Camille discovers first-hand the sufferings of her people under the French. When the two young lovers reunite, it is under circumstances that forces them to flee and hide from the authorities. To make things more complicated, the communist movement is gaining momentum, embroiling Camille and Jean-Baptiste in a situation that is beyond their (even Eliane's) control.

I've seen this movie more times than I can count, and everytime, it never fails to move me. Deneuve is gorgeous as ever and her acting is superb. She plays the scorned lover, worried mother and stern manager with amazing elegance and restraint, without making her character look stiff. She definitely deserved that Best Actress nomination. Vincent Perez is perfectly cast as the passionate Jean-Baptiste. With his dark, good-looks and amazing acting talent, he easily conveys all the ambiguities, and later on, the passions of Jean-Baptiste. But the real discovery here is Linh Dam Pham. She is stunningly beautiful as Camille and does so much with so little. Her role is underwritten, but with her sincerity and talent, Camille comes off alive and full of passion. A mere glance here and there and you see everything that Camille is feeling. Her Camille is an unforgettable heroine.

There is also amazing chemistry between the actors. Deneuve and Perez sizzle in their scenes. It is easy to see the passion that drove these two into their affair. But the most unforgettable and emotionally-charged scenes are those between Perez and Pham. Simple gestures and exchanged looks convey a deep and abiding love between the two characters. Their scenes in Halong bay can melt any cynic's bitter-shell.

Apart from being a romantic epic, Indochine is a rare honest look at the events that led to Vietnam's independence from France. The bloodshed, the filth, the oppression...it's all there. Nothing is glossed over. Kudos to the French for their honesty and reflection.

This movie should definitely be in any person's video library. When the end credits start rolling, the images will continue to haunt you. By then, you'll be glad you own the DVD. You can play it over and over again to your heart's content.

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