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23 of 23 people found the following review helpful:
5.0 out of 5 stars
Summer Camp Horror...With A Twist!, April 22, 2000
Sleepaway Camp is first and foremost, another summer camp slasher film. A very popular slasher subgenre originated with the 1980 classic Friday the 13th. Angela and Ricky are young teenagers off to camp Arawak for the summer, Ricky the likable popular type, and Angela, the quiet and 'different' type. When all kinds of scuzzy camp regulars begin to give Angela a hard time, they start dying rather brutally...much to the dismay of the camp's burnt out owner Mel (Mike Kellin). Sleepaway Camp is a slasher film, however, it goes a bit deeper than that, what gives Sleepaway Camp its distinction, is the bizarre homosexual themes running throughout the film. Why they are there are anybody's guess,but from the strange transvestite (?) Aunt Martha, to Angela's gay father, the truly shocking and disturbing final shot and more, Sleepaway Camp is sick, grisily, twisted, yet always fascinating. Of course, its not always great, many scenes in this film are just laughable, like the melodramatic boating accident at the film's start, or the character that wears a shirt with her name on it, and even the scenes with Chef Artie, the local camp sleazeball. Sleepaway Camp however, always manages to be charming, despite its warped themes and lurid subject matter, this one certainly isn't for everybody, but those with a taste for something not quite the norm will find much to savor here with Sleepaway Camp, a truly strange film that stands in a tired subgenre, but stands out as a unique achievement-even if partially a fluke.
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14 of 14 people found the following review helpful:
5.0 out of 5 stars
Retrospective [SPOILER], June 10, 2000
It was released on November 18 1983 opening the same week as the movie Yentl starring Barbara Streisand. Ironically, both movies shared a common thread. Gender role reversal. Yentl had Barbara Streisand portraying a woman posing as a man while Sleepaway Camp had Felissa Rose portraying a boy posing as a girl. Newspaper ads claimed persons with weak stomachs or women carrying unborn children shouldn't see Sleepaway Camp. These tactics used to lure audiences into seeing horror films didn't help make Sleepaway Camp a success. Only when it was released on video did the low budget production make a name for itself. Sleepaway Camp could only be considered successful if you count how many fans it has instead of how many dollars it made.
Sleepaway Camp was originally a thesis Robert Hiltzik had written for college. Eventually it evolved into a screenplay. Most of the film's funds were from an insurance settlement resulting in the unfortunate death of Hiltzik's mother, who was killed in a gas explosion. Hiltzik's own camp experiences inspired him to write a horror story which takes place at the fictional Camp Arawak. However, the filming location for Sleepaway Camp was anything but fictitious. Camp Algonquin, located in Argyle, New York, had been an actual Boy Scout camp. Coincidently, it was also where Hiltzik had attended camp as a boy. Shooting for Sleepaway Camp had begun soon after the camp closed down and just as the leaves started to change color.
While analyzing the psychological and sexual aspects of the film, one often wonder's what happened to Robert Hiltzik as a child to make him create such a seedy piece of work. Homosexuality, pedophilia, rape, and child abuse are just some of the themes you will find in Sleepaway Camp. There is even a scene which suggests necrophilia. Not only are these "taboos" shamelessly presented with no remorse or redeeming qualities, each and every one involves children. In fact, most of the film's cast are children. What makes the case of Sleepaway Camp even more bizarre is that it is dedicated to the film makers mother.
Some of the characters are just as deviant as the story itself. There's Aunt Martha, an obviously mentally ill woman who is a psychiatrist no less; Artie, the head chef, who openly admits to his pedophilia and is teased by his fellow employees; Mel, the profit conscious owner of Camp Arawak, who cares more about publicity than the well being of the children he is repsonsible for; and of course, the children, all of whom fit one stereotype or another. The murders range from cliche to anything but. Victims are drowned, stabbed in the shower, attacked with wasps, shot with arrows, hatcheted, and decapitated. One death inparticular was so disturbing that actress Jane Krakowski passed the role of Judy over to Karen Fields. Even then, the scene had to be toned down for the actress to feel comfortable. It has become the most infamous death scene in the horror genre. A young girl is on her bed curling her hair with an iron. She is approached by the killer, punched and then as a pillow is held over her face, she is raped with the curling iron to her death.
What really saves Sleepaway Camp is the films climax. Although it's an idea which has been used before in film (see 1978's A REFLECTION OF FEAR), this probably presents it in the most shocking way imaginable. The killer, believed to be a young girl, is seen sitting naked on the waterfront holding the head of another camper in her lap. A flashback ensues and once over, the girl stands up, the campers head rolls off her lap, and we see a naked boy standing, mouth open in a frozen state of shock and terror. Much like the one most people wear when they watch Sleepaway Camp for the first time.
By all accounts, Sleepaway Camp should have been left on the shelf, never to be seen by the public. Perhaps if it had been released in another time, it might have been banned. Then again, maybe not. It may be just another low budget horror movie, but it acheived cult status and has gained a fan following. Spawning three sequels, two which were filmed back to back, and one unfinished, it has become one of the most popular and saught after horror series amongst fans.
It raises questions, provokes theories, and makes us laugh. It has held it's own for twenty years and has never been forgotten among the masses of horror fans. Whether people love it or hate it, they sure as hell remember it. Sleepaway Camp has a reputation. How many movies can you say that about?
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7 of 7 people found the following review helpful:
4.0 out of 5 stars
If you're not going to Camp Crystal Lake, why not give Camp Arawak a stab?, August 15, 2008
Who knew that there was a good 80's slasher film that I somehow over looked. I really do miss that genre of movies, and I was ecstatic to see in all the pile of mixed baggage there was one that came out on top. Even though this had a lot of the same qualities as all of the other slasher films ( Friday The 13th in particular) Sleepaway Camp still brings you enough originality and twists to make it an instant classic.
After surviving a horrific accident 8 years prior Angela is forced to live with her crazy Aunt Martha and cousin Ricki. Ricki and Angela are persuaded by Angelas aunt to go on a vacation at camp Arawak. Angela is a very quiet girl that makes all of the other teenagers at the camp uncomfortable, which in return makes her the object of everyones taunting. Ricki tries to stick up for his cousin, but it seems he is always too late to do anything helpful. After a few people end up dying the individuals at Camp Arawak are all suspects and victims at the same time.
Never did the film become dull nor was it over the top exciting edge of your seat thrills. The film is not overly gory, but does not take away from the greatness. There is some descent acting, and if you are familiar with slasher movies you will understand the rareness of good acting in that genre. I know there are a lot of other reviewers that have raved about the very twisted ending, I agree with all of them. I will admit that the finale is one of the very top finales in a horror movie ever. It had me sleeping with my lights on that evening, and like I stated in a another review, I am a very hard person to scare. The last image of this cinematic adventure will be forever implanted in my brain. If you go into this film blind you will be nothing less of blown away, just by the ending alone.
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