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9 of 9 people found the following review helpful:
5.0 out of 5 stars
Killer deals all over this crazy car lot, June 7, 2000
By A Customer
This is the first feature film directed by veteran character actor Saul Rubinek. It is a skillfully executed dark comedy about two car salesmen who lead double lives as trigger men for Kovachy Motors, a contract-murder outfit with a record of hits that dates back to the Kennedy assassination.Jerry & Tom began life as a one-act play by Rick Cleveland in Los Angeles in 1992, where Rubinek first saw it and became instantly intrigued by its possibilities as a feature film. Set in Chicago but shot mostly in Toronto, the film has a delightfully oblique Pinter-esque quality in which the characters otherwise mundane lives are superimposed onto the extraordinary violence of their secondary "careers." According to the filmmaker, their fundamental hypocrisy is intended to mirror the culture and era in which they live: the U.S. under former presidents Ronald Reagan and George Bush. Jerry & Tom is a satirical fable that mocks the eighties, during which considerable lip service was paid to the concept of "family values" against a political backdrop of international violence, intimidation and government thuggery. Tom, the veteran of the pair, is played charmingly by Mantegna, whose work as one of David Mamet's favourite actors in such films as House of Cards, Homicide and Things Change equipped him superbly for this role. He's a likable family man, the father of three children, and a slick hustler of used automobiles. Jerry, played by Sam Rockwell (Drunks, Box of Moonlight, Light Sleeper) is Tom's protégé, a literal-minded, not terribly bright punk who is beginning to enjoy his work a little too much for Tom's more refined tastes. As the movie opens, Jerry and Tom are in the process of executing another victim, a mysterious hooded figure who tells a number of jokes while waiting for the inevitable. The opening hit quickly establishes the tone and setting of the film, but then it reels back in time about 10 years to when Jerry was just a kid hanging around Kovachy Motors washing cars and answering phones. Kovachy is played with great comic brusqueness by the inimitable Maury Chaykin, and it is one of the great delights of the film that it features cameos by a number of well known and gifted actors, including Charles Durning, Ted Danson, Peter Riegert and William H. Macy. Durning is particularly excellent as Vic, an old pro who hints at his involvement in a number of very famous deaths. Danson, of Cheers fame and who also starred in the sitcom Ink (of which Rubinek was also a cast member), performed his cameo "for a box of Cuban cigars," according to the director. He plays a lovesick loser who spends his days in a darkened cinema watching and weeping over the last performance of the woman he loves, who seems to have died prematurely in a bizarre film-set accident. Made for only $3-million (U.S.), Jerry & Tom will delight audiences who enjoy the comically macabre. Although violence and mayhem are obviously a big part of the film, the director is very coy about showing too much. Rubinek is more interested in how the violence affects the characters who commit it rather than the victims. Thus, with every crude act -- whether committed with gun, piano wire or chainsaw -- the film always cuts away to a hit man's face, usually the one watching and "assisting" in the killing. Rubinek and his superb director of photography, Paul Sarossy (The Sweet Hereafter), have also chosen to use an interesting transition device to reveal the changes in seasons, locales and years so that the scenes shift almost seamlessly with very few edits. Jerry & Tom is beautifully acted by all and smartly directed. Cleveland's script is spare and syncopated with the peculiar rhythms of David Mamet's crude, street-smart argot. It is a cool, stylish and funny morality tale that audiences with a taste for the wickedly offbeat will find to be a treat.
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