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Relaxin' with the Miles Davis Quintet
 
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Relaxin' with the Miles Davis Quintet

Miles Davis, Miles Davis Quintet
4.8 out of 5 stars  See all reviews (18 customer reviews) More about this product

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Product Details

  • Audio CD (July 1, 1991)
  • Original Release Date: 1957
  • Number of Discs: 1
  • Label: Ojc
  • ASIN: B000000YAL
  • Also Available in: Audio CD  |  Audio Cassette  |  Vinyl  |  MP3 Download
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (18 customer reviews)
  • Amazon.com Sales Rank: #69,945 in Music (See Bestsellers in Music)

Editorial Reviews

Amazon.com

This CD comes from the marathon 1956 Prestige sessions with the first of Miles Davis's great quintets: John Coltrane on tenor, Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums. The group recorded four LPs for Prestige, contemporaneous with the early Columbia material recently celebrated on the Davis-Coltrane Complete Columbia Studio Sessions. Relaxin' emphasizes Davis's concentrated ballad style, with his middle-register trumpet played through a Harmon mute very close to the microphone. What might be a mere buzz in lesser hands becomes restrained passion and detailed expression on the slow tempos of "You're My Everything" and "It Could Happen to You," while Davis conveys joy on the faster tempo of "I Could Write a Book." "If I Were a Bell," from Frank Loesser's then contemporary Guys and Dolls, is another melodic highlight.

The boppish side of the band is heard on Sonny Rollins's "Oleo," a tour de force animated by Chambers's limber walking bass, and on Dizzy Gillespie's "Woody 'n' You," the only tune with Davis playing his trumpet with an open bell. Coltrane was entering a period of sustained musical growth, still beholden to Charlie Parker and Rollins, but with flashes of the convulsive power and incendiary questing that his work would soon attain. As different as the two horns are, they reflect the band's ineffable mix of hot and cool elements, from Garland's masterful vamps to the explosive power of Philly Joe Jones. Davis and his cohort were defining the modern mainstream, providing models that are still durable today. --Stuart Broomer



Product Description

One of the strongest of Miles Davis' recordings with his first classic quintet (a group also including the young tenor saxophonist John Coltrane, pianist Red Garland, bassist Paul Chambers and drummer Philly Joe Jones), this CD reissue is highlighted by If I Were a Bell, I Could Write a Book and Sonny Rollins' Oleo. Actually all six selections are quite rewarding and helped set the standard for bands of the era. 6 tracks. From the OJC/ Prestige label.

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18 Reviews
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4.8 out of 5 stars (18 customer reviews)
 
 
 
 
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22 of 22 people found the following review helpful:
5.0 out of 5 stars superb all round effort, September 23, 2000
By Sean M. Kelly (Portland, Oregon United States) - See all my reviews
(TOP 1000 REVIEWER)    (REAL NAME)   
Along with Steamin, Workin, and Cookin, "Relaxin" offers an up close and personal look at Miles' group ca. 1955, in their transition phase between Prestige and Columbia records.

From the opening chimes of "If I were A Bell," Miles dominates the proceedings as only he can- his tone, sense of time, style, and the use of his famous Harmon Mute never better. He was definitely a man on a mission, and his leadership on his trumpet is simply astounding.

The band also cooks on saxophonist Sonny Rollins' staple "Oleo" (as in oleo margarine, for the kids out there..a simple form of clarified margarine), with Chambers' fast walking bass complimenting Philly Joe Jones' incomperable drumming, complete with his famous "Philly Licks" (playing rim shots versus the snare to keep the beat going).

"I Could Write a Book" is highlighted by great interplay between Miles, drummer Jones, and bassist Paul Chambers.

The rest of the lp comprises slower, more laid back numbers, right for, well..relaxin, I suppose.

A wonderful lp of great material, "Relaxin," like the other 3 lps of the series, showcase Miles and the group enjoying themselves greatly. The results show as much.

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14 of 14 people found the following review helpful:
5.0 out of 5 stars A very pleasant album, December 2, 2004
Relaxin' is one of the four albums released from an especially elongated recording session the Miles Davis Quintet recorded to fulfill out Miles' contract with the Prestige Label. The other albums are Cookin', Steamin' and Workin' and in my opinion, Relaxin' is the best.

Anyone who knows anything about jazz knows what a stellar rhythm section is on this album. Philly Joe Jones, one of the leading drummers of the 50's, Paul Chambers, probably the leading bassist, and Red Garland, who, although not one of my favorite pianists, is good enough that I cannot complain. With these three, almost ANY horn player would sound good. Making it even better, we have two of the best in Miles and 'Trane.

The album is a mix between ballads, light swingers, and up-tempo bebop numbers...a great mix. Miles is on muted trumpet throughout (save for the last track) and his melodic, spacious concept of soloing is finer than almost any album save Kind of Blue (and that's saying a lot,) especially on "If I were a Bell," and "If I could write a book." Coltrane, on the other hand, is still developing...not quite at the top of his "sheets of sound" phase yet. But does that matter? Of course not. His solos are every bit as exciting as Miles, and make an excellent counterweight to the trumpeter's work.

This album really is good because, while not necessarily innovative or "inspired," there are no bad measures. Every minute is just GOOD...these people knew what they were doing, and thus excell at swinging. It's an easy listen, and an extremely pleasant one, because everyone is on the same level, doing exactly what they do best. It's deffinitely one of my favorite Davis albums.

An interesting sidenote is this album contains more studio chatter than almost any other album, and has some rather funny moments, like Miles saying "I'll play it and tell you what it is later," instructing Red how to begin a tune, and 'Trane asking for the beer opener. This is jazz history, folks. Couple that with the fact that this music is sublime, and extremely "relaxin," makes me give this 5 stars and order you to buy it.
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11 of 11 people found the following review helpful:
5.0 out of 5 stars Warm & witty, the most accessible Miles album, December 30, 2003
By xx001a45 "xx001a45" (Tampa, FL USA) - See all my reviews
If you are a serious aficionado or just want one or two Miles albums to add dimension to your collection this is by far and wide the best choice for your Prestige LP and for the Columbia LP you might choose Kind of Blue or Milestones. In my humble opinion. The door opens wide as this is by far the most accessible Miles album I have heard so far. Warm notes and friendly rhythms similar to Stan Getz's Jazz Samba. Not as in-depth or cavernous as Kind of Blue tending to stay on the terrestrial plane. The members of the Qunitet are some of the most cohesive jazz has ever seen.

The trio of Paul Chambers, Philly Joe Jones, and Red Garland along with master of masters John Coletrane make each song flawless yet wholesome and bright. The album starts warm and witty then dabs in the experimental but is all and all one of the most well rounded albums in my 500+ `collection. Many opinion lists will pull you into thinking the Columbia releases are the be all of
Miles but this couldn't be further from the truth. The titles done for Prestige simply can't be
overlooked and Relaxin is proof of that. This is a solid pick and a keeper for a lifetime!

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Most Recent Customer Reviews

4.0 out of 5 stars Still tense
Although this is fairly typical fire for pointed interplay of the time, there was no denying Davis's uncanny ability to assemble the best units, producing a hot streak of bop... Read more
Published 3 months ago by IRate

5.0 out of 5 stars The Quintessential Quintet!
I love all four of these 1957 Prestige Classics - Workin', Steamin', Cookin' and my personal favorite Relaxin'. Read more
Published 20 months ago by JoeyD

5.0 out of 5 stars A must have!!
I just love this CD! It's hard to pick a favorite Miles recording after Kind of Blue but this one is right at the top along with 'Round Midnight (I really like Best of Seven Steps... Read more
Published on May 16, 2006 by Michael H. Lewis

5.0 out of 5 stars Relaxin'
This is the second of the 4 albums issued by Prestige at the end of Davis's association with the label. Read more
Published on October 16, 2005 by Bomojaz

4.0 out of 5 stars Relaxin': safe haven
Relaxin' is a great record. the performances are smooth as silk and the playing is superb. it's not quite as good as Workin'; which is my personal favorite of all these 1956 Miles... Read more
Published on September 25, 2005 by J. Holmes

4.0 out of 5 stars The best way to relax
I have been hearing Miles Davis for a quite a long time and he is the best of all. Relaxin with Miles is such an album which any jazz lovers need to hook for once. Read more
Published on August 24, 2005 by D. Biswas

5.0 out of 5 stars One of the top 5 jazz recordings...Relaxin'
When I start to 'jones' for Miles, and honestly, he is my third favorite trumpet player behind Dizzy and Byrd (in the more modern genre), this is the CD that I always reach for... Read more
Published on July 7, 2003 by Douglasnegley

5.0 out of 5 stars Cool, smooth Miles with Trane
The Miles Davis Quintet in the 1950s pushed jazz in a new and inventive direction. Young jazz musicians of the 90s and today still view this classic quintet as a major influence... Read more
Published on March 16, 2002 by kanaeda

5.0 out of 5 stars JAZZ yes this is what i think of
I first listened to this for real all the way through whilst i was hung over laying on my mattress on the floor in college at 10am. Read more
Published on January 31, 2002 by musicburgler

5.0 out of 5 stars A true classic recording by the famous Miles Davis quintet
Miles Davis, John Coltrane, Philly Joe Jones, Red Garland and Paul Chambers formed one of the truely immortal groups in jazz history. Read more
Published on December 28, 2000 by historyone

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