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The D Stands for Diesel
 
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The D Stands for Diesel

Karl Denson
4.7 out of 5 stars  See all reviews (3 customer reviews) More about this product

List Price: $15.98
Price: $15.98 + $53.14 sourcing fee
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Music

Image of album by Karl Denson

Biography

Karl Denson met Lenny Kravitz during a recording session in 1988. The following year, Kravitz called Denson and asked him to do the solo on the single "Let Love Rule" from Kravitz's album of the same name. As it turned out, Denson played on the whole album, joined the band for the supporting tour, and was invited back to play on and tour in support of the next two Kravitz albums, Mama Said and Are… Read more in Amazon's Karl Denson Store

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Product Details

  • Audio CD (May 14, 1997)
  • Original Release Date: May 14, 1997
  • Number of Discs: 1
  • Label: Greyboy Records
  • ASIN: B0000013DK
  • Also Available in: Vinyl
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon.com Sales Rank: #38,498 in Music (See Bestsellers in Music)

    Popular in these categories: (What's this?)

    #12 in  Music > R&B > Funk > Funk Jam Bands
    #17 in  Music > Jazz > Jazz Jam Bands
    #66 in  Music > Jazz > Acid Jazz

 
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Editorial Reviews

Amazon.com

Karl Denson's brand of postbop jazz considers 1960s-era hard bop a mere launch-off. The D Stands for Diesel has the tenor saxophonist fronting a band similar in makeup to the vaunted Greyboy Allstars. Here, Denson also enlists vocalist Andy Bey as a soulful, mellifluous answer to early jazz's shouters. Keyboardist Robert Walter provides pinpoint accuracy when necessary and smudgy Fender Rhodes electric piano when the mood is downright shaking. Denson's got an immensely creative fix on music that addresses the hips and heart, the stuff of dancers on a club floor rather than clubgoers looking across a table of martinis. And he's got the goods on his horn. He blows with a harmonically tight focus one second and a reaching scour the next. D Stands is energetic the way Catalyst once was, with a love for unbridled jams and improvisational creativity atop precise rhythmic footing. --Andrew Bartlett

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Customer Reviews

3 Reviews
5 star:
 (2)
4 star:
 (1)
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Average Customer Review
4.7 out of 5 stars (3 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
13 of 13 people found the following review helpful:
4.0 out of 5 stars Extremely worthwhile album, a lot of fun, August 28, 1998
By C. Robinson (San Mateo, CA) - See all my reviews
(REAL NAME)   
Karl Denson, tenor sax player for the San Diego-based Greyboy All-Stars, has produced an excellent album, guaranteed to make toes tap at your next house party. To call this acid jazz misses the point somewhat, given the mediocre quality of many performers in that genre. This is groove-oriented jazz, I have no idea why Karl and the rest of his Greyboy band mates aren't signed on Blue Note & making huge waves at jazz festivals all over the world. There are not only some great chops on this album, it's got great compositions and some intricate, complex interplay unheard in trendier groups. This album won't change the world, but it is a heck of a good time.
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8 of 8 people found the following review helpful:
5.0 out of 5 stars The perfect swing, April 3, 2000
If you love jazz that's dripping with groove and soul, this is a classic. Denson's writing skills and the formula of these musicians make this a unique collection of grooves. A record that will never grow old.
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3 of 9 people found the following review helpful:
5.0 out of 5 stars For the Jazz listener...., December 3, 1999
By A Customer
If you really like traditional jazz, this is the CD for you. This guy plays the horn like they did in the old days of jazz, but with the technique of tomorrow.
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