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9 of 9 people found the following review helpful:
5.0 out of 5 stars
Best of Britpop, August 30, 2003
The Longpigs first came to prominence in the U.K. in 1995, and this, their debut album showcases their incredible talents. This album does not have a single bad track. In between the opening chords of the first track and the closing drone of the hidden bonus song the Longpigs sketch out a landscape of distorted guitars, off-beat rhythms, gloriously impenetrable lyrics and impossibly high vocal lines that is uniquely their own. The first four tracks were released as singles and charted respectably in the U.K., and the rest of the ablum extends their vision and scope further while never straying too far from the Longpigs sound. The classic Longpigs sound is showcased on "She said". It builds and builds, it breaks down, it restarts, Crispin screeches lines like "As a matter of fact, i don't like to be scented so i'd like to smell myself instead", the guitars crunch and it's all over. Perfect 3 minute pop songs have never been this weird or crammed full of this many hooks. Other album highlighs include the plaintive sort-of-love song, "On and On", the crazy time signatures and speed changes on "Elvis" and the revivial of the quiet/loud dynamic on "All Hype".The record still sounds fresh today, and if you like intelligent rock music, and if you agree that "The Bends" is the only Radiohead album worth worrying about, you'll love this. Sadly the Longpigs were dealt a cruel hand by fate. The Britpop bubble burst in 1997, moving on to the po-faced mournings of the Verve and later Radiohead, and the Longpigs changed to a more sober, synth-laced sound, showcased on their second album, "Mobile Home"(1999). Gone were the 3 minute pop songs, gone were the hooks, gone was the off-kilter weirdness, and sadly gone were the tunes. It bombed. "The Sun is often out" is a poignant legacy to what might have been, but also a beautiful celebration of what was.
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