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Puccini: Madama Butterfly Box set

4.4 out of 5 stars 12 customer reviews

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Audio CD, Box set, January 17, 1989
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Product Details

  • Performer: Mirella Freni, José Carreras, Teresa Berganza, Juan Pons, Anthony Laciura, et al.
  • Orchestra: Philharmonia Orchestra
  • Conductor: Giuseppe Sinopoli
  • Composer: Giacomo Puccini
  • Audio CD (January 17, 1989)
  • SPARS Code: DDD
  • Number of Discs: 3
  • Format: Box set
  • Note on Boxed Sets: During shipping, discs in boxed sets occasionally become dislodged without damage. Please examine and play these discs. If you are not completely satisfied, we'll refund or replace your purchase.
  • Label: Deutsche Grammophon
  • ASIN: B000001G9A
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (12 customer reviews)
  • Amazon Best Sellers Rank: #86,558 in Music (See Top 100 in Music)

Customer Reviews

Top Customer Reviews

By M. Mclain on July 23, 2004
Format: Audio CD
I have the equally impressive Karajan recording and only listened to this one to try and get a feeling for Sinopoli's conducting. I was expecting to be disappointed, but I had quite the opposite experience. I am a little confused about the comments about this recording, since I am not familiar with Sinopoli's controversial reputation; this seems as orthodox recording as one could expect (and no where near as heavy handed as Karajan (the only serious rival)). The tempos are very expressive, especially in the first act when there are dramatic and sudden shifts that are handled masterfully. He masters the subtleties quite well, managing to restrain the passion and yet exploding at the right moments, always with a tremendous amount of control. I was blown away by the sheer beauty and total lack of sentimentality. It's definitely a very Italian recording, with a much more restrained and tempered orchestral sound than the Wagner-like Karajan recording. Carreras sounds beautiful, quite a different sound than Pavoratti (on the Karajan). Really both are suited very well for the different conductors, and since both recordings star Freni (odd coincidence? of course not, she's the Puccini soprano of our lifetimes) you can rest assured that the incredibly difficult task of Cio Cio San will be handled. The most glaring advantage over the Karajan recording is the better balance between orchestra and vocalists. Sinopoli's style is very clear and balanced, fairly opaque but very sensitive. Imagine James Levine, but instead of playing every note robotically, playing with the same quality sound in a very passionate and fiery but restrained way. I think it is a very beautiful and sensitive recording; it's also such a perfect effort that many may miss just how astounding it is. I have a hard time believing that this will disappoint anyone, although the price will be a definite limit to less adventurous buyers.
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Format: Audio CD
This recording is a very intense and beautiful experience. Freni has discussed in interviews how amazed she was at Sinopoli's ability to wring out the emotion and psychological states (he was a trained doctor)of characters. He makes the most of the claustrophobic setting of this work and it is a rather harrowing and heart breaking experience hearing Butterfly inexorably heading towards disaster. Some of the scenes where this has the greatest impact are the letter scene with Sharpless and of course the final scenes.

One cannot deny that Freni sounds very mature but if you are going to let that stop you form enjoying opera you won't get much pleasure (Do we complain about Nilsson's Salome or Sutherland's Violetta?). She portays Butterfly's emotional anguish to perfection and the power and beauty of her tone in the climaxes are extraordinary. She is helped by a superb, rich recording with the voices captured closely, so there is none of the loss of impact as there is on the Manon Lescaut recording.

Carreras was in vocal decline when this recording was made and there is an obvious cut and paste in the tape where they had to patch things together to get a usable version. But I find him in good form here, more preferable than in his recording's of La Forza del Destino or Andrea Chenier from around the same time. What is undeniable is the intensity of his performance. His singing in the love duet makes you understand why Butterfly would wait three years for his return. (Listen for the lines "vieni, vieni" towards the end. Who wouldn't have dropped their kimono?).

Pons and Berganza are perect in their roles.
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Format: Audio CD
This is one of the greatest recordings of this opera we are lucky enough to have. The entire cast is excellent, providing rich tone, beauty and characterization. Freni in particular owns this role as she did in the 1970's, with a bit more insight and maturity brought to bear on the performance. Similarly, despite the age of her voice, I found her later interpretation of Manon Lescaut with Levine to be superior to her performance with Sinopoli. Even though her high notes were obviously less steady and the voice sounded older, nevertheless it is an intense and passionate performance. Similarly, here the age is not a detraction and the subtly is very rewarding.

Despite many people's reservations of Carreras's later performances post-cancer, which are in many cases justified, his performance here is heart-felt and beautiful, and the unstable and strained high notes that invaded his singing in so many other performances of the late 80's and 90's are not as noticeable here.

From her first entrance it is clear that Berganza's contribution as Suzuki is peerless, offering beautiful legato and definitely adopting the "there are no small roles" approach. The payoff is clearly evident in the flower duet. Juan Pons also performs admirably and beautifully, although in my humble opinion I have never heard a better performance of Sharpless than Rolando Panerai's on the Barbirolli set, and I sometimes listen to that recording just for his performance.

Having grown up with the Karajan recording as my staple recording, I am already used to hearing this opera with somewhat measured and extreme tempos, which as elsewhere stated are handled masterfully by Sinopoli.
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