Most Helpful Customer Reviews
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20 of 20 people found the following review helpful:
4.0 out of 5 stars
Welcome, if you dare.., August 8, 2001
Primus's albums have always had the feel of an adolescent's guilty pleasure in a way. Sure you can take it seriously - the musicianship is outstanding and their melodies masterfully twist among pop, funk and grunge. But that's only part of their style; there's a silly side that's part musical humor, part Saturday morning cartoon, and a sense that there could be more quirks around any corner. I imagine that if Phish had a heavy King Crimson influence they'd sound a little like this. There's incredible bass work, subtle nuances in the guitar playing that you don't notice right away, and lyrics that suggest a strange mix of Roger Waters and Frank Zappa.If the title and cover of this album alone don't seem cartoonish enough, take a listen to the lumbering bassoon introducing the first track. Les Claypool talks and screams through "Is It Luck?" like a hopped-up WB cartoon. "Tommy the Cat" is crazy funk with Tom Waits, of all people, lending a distorted voice to the narrative. As with any Primus album there are times when they go a little too far off the edge ("Granddad's Little Ditty" comes to mind), although I probably shouldn't complain when it's compared to such later offerings as "Wynona's Big Brown Beaver." Regardless: for most Primus fans this album still stands as their strongest. For those merely curious it's the ideal one to start with. If you don't like Seas of Cheese, chances are you won't like the others.
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8 of 8 people found the following review helpful:
5.0 out of 5 stars
here they come, July 29, 2004
This is one of my favorite albums.
Not because it's weird, not because the bass-playing is good, and not because it has clay models swimming in a bowl of cheese dip on the cover... though that last one does contribute...
Nay, it is simply because the album makes me smile. Who can hold back a grin when the lyrics to Jerry Was a Race Car Driver are sung in flawless redneck dialect? And the journey you are taken on into the life of a macho cat (Tommy the Cat) is epic and unforgettable. You may even feel inspired to hike up to a lake of our own Northwest and fish when you hear Fish On.
If you are suffering the symptoms of clinical depression, please call and order Sailing the Seas of Cheese today. Seriously.
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7 of 7 people found the following review helpful:
5.0 out of 5 stars
Not a trendy new atrocity..., November 16, 2003
This CD is one of Primus's best. The album is packed from beginning to end with quirky but excellent music. The opening, Seas of Cheese, is a nice introduction, it leads you into the rest of the album. The next two tracks, "Here Come the Bastards" and "Sgt. Baker," put a real pow into the CD- both great songs that I could listen to over and over. After that comes "American Life," which adds another dimension to the album; it strays from the mood of the previous tracks, and, of course, is another outstanding song. Next comes one of the most recognizable and popular Primus songs, "Jerry Was a Racecar Driver." It's a perfect blend of music- starts out with a relatively soft bass, then builds up until they go into full-rocking out mode with heavy guitar. "Eleven," "Is It Luck?" and "Grandad's Little Diddy" are wonderful Primus songs, but I'm skipping them to save space. "Tommy the Cat" features, who else, but Tom Waits. This song takes a few listens, as do most Primus songs, but once you get into it, it becomes one of the highlights of the album. "Sathington Waltz" is like the song "Wounded Knee" from the album Pork Soda. Just seems to be randomly thrown in there just for fun. It's not bad, but I tend to skip it. Ah, "Those Damned Blue-Collar Tweekers." One of the favorites of Primus fans. It's one of the best tracks on the album, featuring a guitar solo and bass guitar solo. This one never seems to get old, you can listen to it over and over. "Fish On" is another classic on the album. And finally, "Los Bastardos" is basically just a continuation of "Here Come the Bastards" with a few extras. With Les Claypool's quirky bass licks and nasal voice, Larry Lalonde's complex and flawless guitar riffs, and Tim Alexander's thundering and almost effortless drumming, you make up an album that never gets boring. This CD is much more than its money's worth- you'll get hours and hours of enjoyment from it. This is in no way a let down. Reccommended highly.
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