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Nashville Skyline
 
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Nashville Skyline

Bob Dylan
4.2 out of 5 stars  See all reviews (65 customer reviews) More about this product

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Bob Dylan (born Robert Allen Zimmerman) is one of the most important singer-songwriters of the era of recorded, commercially available music. His lyrics are a yardstick against which aspiring young singer-songwriters measure themselves. He broke seemingly unbreakable rules, and he did so with stalwart passion and uncompromising honesty. He incorporated musical traditions from a diverse range of… Read more in Amazon's Bob Dylan Store

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Product Details

  • Audio CD (October 25, 1990)
  • Original Release Date: April 9, 1969
  • Number of Discs: 1
  • Label: Sony
  • ASIN: B0000024UM
  • Also Available in: Audio Cassette
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (65 customer reviews)
  • Amazon.com Sales Rank: #96,994 in Music (See Bestsellers in Music)

 
1. Girl from the North Country - Johnny Cash, Bob Dylan
2. Nashville Skyline Rag
3. To Be Alone with You
4. I Threw It All Away
5. Peggy Day
6. Lay Lady Lay
7. One More Night
8. Tell Me That It Isn't True
9. Country Pie
10. Tonight I'll Be Staying Here with You

Editorial Reviews

Amazon.com

While Dylan is one of the prime creators of "country rock," Nashville Skyline is as close to a real country album as any he's ever made. Unfortunately, Dylan's decision to sing it in an un-nasal, un-Dylanesque style leaves one of rock's greatest singers seriously handicapped, as if Ali had to box one-handed. As a result, this set can never be any better than its songs. When they're throw-aways ("Country Pie"), even all the great Nashville pickers on board can't help. But when they're good ("I Threw It All Away," "Lay Lady Lay"), they're unforgettable. --David Cantwell

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Customer Reviews

65 Reviews
5 star:
 (32)
4 star:
 (20)
3 star:
 (8)
2 star:
 (3)
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 (2)
 
 
 
 
 
Average Customer Review
4.2 out of 5 stars (65 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
19 of 19 people found the following review helpful:
5.0 out of 5 stars Country Rock's Seminal Masterpiece, July 29, 1998
By A Customer
Along with The Byrds' "Sweetheart Of The Rodeo", Dylan's "Nashville Skyline" is the beginning point of the greatest inroads country music ever made, into rock music. Dylan was criticized in the mid-60's for abandoning acoustic folk and then in 1969 for abandoning the artsy rock of "Highway 61 Revisited" and "Blonde On Blonde". But herein lies the essence of Dylan's greatness. His uncanny sensibility and his profound ability to fully grasp a genre and make it his own. The songs on this album are deceptively simple and straight to the point. Bob abandoned all socio-political ranting to make an album of pure joy that celebrates the highs and lows of love. Aside from the classic "Lay Lady Lay" we have the underappreciated "I Threw It All Away", "Tell Me That It Isn't True" and "Tonight I'll Be Staying Here With You" as well as the uptempo feelgood shuffle of "Country Pie" and the instrumental "Nashville Skyline Rag". Even Dylan's humorously out of tune and badly timed duet with Johnny Cash on "Girl From The North Country" seems to work perfectly here. The only criticism I have of this great album is that it's too short, running less than 30 minutes. By the end, you want the music to just keep going. Dylan chose to close out his work of the tumultuous 1960s with a serene, easygoing and non-combative work of art. Excellent!
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18 of 19 people found the following review helpful:
4.0 out of 5 stars Bona Fide Bob, August 7, 2003
Country, Folk, and Rock are really very related music forms, but you wouldn't know it from the opinions of fans. A lot of rock stars began with country or folk (Buddy Holly, and to an extent Elvis Presely) because Rock hadn't yet been fully defined. By the time Dylan released "Nashville Skyline" the borders were firm as mortar.

All of the warning signs were there: Dylan abandons the protest folk music scene only to take up arms with their ultimate enemy, the pop/rock scene. Pete Seeger, Phil Ochs, and many others were furious and felt betrayed. Dylan then became the coolest rocker out there, and he made some incredible music. Then, just like before, he runs head first into enemy territory: country music. Anyone who thought that Dylan would permanently nest up with the rock/pop scene probably wasn't paying attention. Just like "Bringing it All Back Home" was the transitional album between folk and rock, and "Highway 61 Revisited" was the full blown rock thing, "John Wesley Harding" was the transition between rock and country and "Nashville Skyline" was the full blown country thing. Both "Highway 61 Revisited" and "Nashville Skyline" show mastery of their respective genres.

"Nashville Skyline" is a country album. It's not country rock, nor "Bob Country" - it's a full blown down home bona fide country album. The music and the lyrics reflect this. To almost drive this point home there's even a rag called "Nashville Skyline Rag"; you don't get much more country than that.

There is steel guitar, strongly picked acoustic musicals that almost sound right out of Bob Wills, "clop clop" horse trot rhythms, and of course Johnny Cash (a side note: "Girl From The North Country" is a traditional folk song that has been covered by numerous people, so I'm confused why the song writing credits don't say "Traditional" as they should).

There are great songs on this album, the most obvious of which is "Lay Lady Lay." I've never heard steel guitar used like a string section in this way before. "I Threw it all Away" is a great country ballad with some of Dylan's most humorously suggestive lyrics: "Once I had mountains in the palms of my hands..." "Tonight I'll be Staying Here With You" is also a great country ballad that probably any country singer would like to have written. It's probably fair to say that Dylan's country music powers shine brightest on the ballads ("Tell Me That it Isn't True" is more evidence of this). The faster numbers are the weakest on the album: "Peggy Day" and "Country Pie", though they're a lot of fun and have this tendency to strap onto your neurons for good.

The album may take a little getting used to if your head is full of "Like A Rolling Stone" or "Blowin' in The Wind". However, it will likely grow on you and become a standard by which you can judge other country albums. This was the album that opened up country music to me. There's good stuff out there, and you can find it if you follow Dylan's example and don't allow yourself to get fenced into listening to only one musical style.

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7 of 7 people found the following review helpful:
5.0 out of 5 stars a dylan milestone: great album, April 5, 2006
By dylover (Newcastle Australia) - See all my reviews
I grew up listening to this album and it was essential listening on long car journeys. It is a piece of genius crossover by Dylan and was a hallmark of its time that lead to other artists, essentially bands such as the Byrds and Buffalo Springfield, following in Dylan's direction that lead to the start of Country Rock. The highlights of this album are the opening track with Johnny Cash, Girl From The North Country, and I Threw It All Away, a great song about love and loss. The musicianship is excellent with Nashville's finest session muso's on display and Bob Johnston's usual production finesse.Don't take any notice of ignorant opinion saying Dylan sounds weird on this production. [...] This is an excellent piece of music.
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Most Recent Customer Reviews

4.0 out of 5 stars Dylan's Nashville Skyline
I'm sure this CD contains the same songs as it did when it was originally released on vinyl. The item is a gift and I hope it is appreciated as much as I appreciated giving it.
Published 8 months ago by Tavya Morrow

5.0 out of 5 stars C & W Combined with Bob Dylan, What a Match!
This is a young, well by today's standards, Bob Dylan crooning love songs. It must have been quite a shock to those fans of his who were used to him singing songs like, "Blowin'... Read more
Published on September 3, 2006 by Shalaila

5.0 out of 5 stars Oh Me, Oh My!
Dylan goes country and he does it well. This is a record far too short. Good songs here, but not enough of them. Read more
Published on April 2, 2006 by Ophella Paige

5.0 out of 5 stars Dylan Goes Country and it's Fun
This is a nice record, good to put on when you want to relax with a glass of wine and a good book. I know that's not the usual way one would listen to a Dylan record, but this is... Read more
Published on April 2, 2006 by Danielle Lane

5.0 out of 5 stars A Pure Joy to Listen to
I love the guitar work on this record, especially on "Nashville Skyline Rag" and "Country Pie." I love the country flavor, but then I've always been a fan of country music. Read more
Published on April 2, 2006 by Sara Hackett

5.0 out of 5 stars What a Shocker
Wow, what a shocker this record must have been when it came out. The opening song, a reworking of the lovely "Girl from the North Country" is nothing like the original. Read more
Published on April 1, 2006 by Tiffany Ann

4.0 out of 5 stars Good country music (No, that's not an oxymoron!)
John Wesley Harding, Skyline's predecessor, hinted at the switch to country-rock, but this takes it head-on, with surprisingly good results. Read more
Published on November 12, 2005 by finulanu

1.0 out of 5 stars ...still lousy after all these years....
My god this is crap! I bought the LP in 1969 and hated it then...after eight great albums (not including "Greatest Hits"). Read more
Published on October 5, 2005 by a Beethoven fanatic

4.0 out of 5 stars A Contrarian's View of Dylan
Apparently Bob's balladeering, acoustic trio phase only lasted the one album, John Wesley Harding, and once again it's off to something new. Read more
Published on November 5, 2004 by Scot P. Livingston

5.0 out of 5 stars Downweed Dylan
Length - 27:18

Shunning his folky protesetations for a laid-back country album not only highlights Bob's all encompassing talent, but also offers some of the best work he has... Read more

Published on March 10, 2004 by A. Bubul

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