New Times

Violent Femmes

Product Details

• Audio CD (May 17, 1994)
• Original Release Date: May 17, 1994
• Number of Discs: 1
• Label: Elektra / Wea
• ASIN: B000002HEG
• Also Available in: Audio Cassette  |  MP3 Download
• Average Customer Review: 3.9 out of 5 stars  See all reviews (11 customer reviews)
• Amazon.com Sales Rank: #36,193 in Music (See Bestsellers in Music)

Customer Reviews

Most Helpful Customer Reviews

7 of 7 people found the following review helpful:

4.0 out of 5 stars An album proving that first impressions can be quite wrong, April 1, 2003

By	Daniel Jolley "darkgenius" (Shelby, North Carolina USA) - See all my reviews (TOP 50 REVIEWER)    (REAL NAME)

New Times is an entirely appropriate title for this most eclectic of albums from a most eclectic band. The Violent Femmes have changed quite visibly with the exit of Victor DeLorenzo and the entrance of Guy Hoffman on drums. I'll admit it took a few listens for this CD to really start appealing to me. There is a lot of experimental stuff going on here, with individual songs sometimes going off in about three distinct directions over the course of four or five minutes. The overall sound is markedly different in several places from what the Violent Femmes had done up to this point, with drums and deep bass beats often giving rise to a substantive, weighty atmosphere of surrealism and implicit melancholia. The guys have long played around with unique musical jam sessions of high strangeness, but they really indulge themselves on New Times. A number of instruments I haven't even heard of (e.g., noseflute, tranceaphone, theremin, baglama) figure large in the music. Several songs end with extended periods of cacophonous orgies of sound, but the most unusual of all selections is the song Machine. Here, Gano recites unusual lyrics about building a machine to take over the world while something akin to electronic synthesizers pushes the song along; much more than throwaway experimentation, Machine does offer a serious message roiling around in its deep undercurrents of frustration. Agamemnon is another unusual song, ending with Gano literally shouting in the background.

There really are some great songs included on this CD. Don't Start Me on the Liquor is a typically fun Violent Femmes opening number. New Times, Breakin' Up, and 4 Seasons have a modernized yet vintage Femmes sound to them. I'm Nothin' is spectacular, foregoing everything except Gano's voice and guitar in its presentation. When Everybody's Happy reminds me to some degree of Good Feelings from the band's first album; of course, there is a melancholy aspect to this "happy" song on Gano's part. The final three tracks are the best on the album, in my opinion. I especially love Mirror Mirror (I See a Damsel), which evokes a pretty tender message, at least the way I understand it, while really putting the band through the paces. There is both a folk music and polka feel to this one, and the energy and tempo of the song steadily increase as the track speeds its way along toward a frenetic release. Jesus of Rio seems to feature at least three entirely different styles of music and rhythm, making it a quite memorable way in which to conclude this unusual yet somehow compelling album.

4 of 4 people found the following review helpful:

5.0 out of 5 stars Violent Femmes go industrial., October 20, 2001

By	Maggie the Lizard Tamer (NY, NY) - See all my reviews

Oftentimes coupled with the CD single "Machine", New Times is a Violent Femmes album offering a more industrial approach to folk punk rock. At the same time, none of the original VF flavor is lost - more industrial songs such as "Agamemnon" and "Machine" are countered with classic Femmes such as "Don't Start Me On The Liquor" and "Mirror Mirror (I See a Damsel)".

This is one of the first CDs of the "new", more 90's-like VF. Such transition must not go unnoticed and, therefore, I recommend it to any VF fan out there.

3 of 3 people found the following review helpful:

4.0 out of 5 stars The sound of something new, January 17, 2007

By	Zen Station "http://www.rateyourmusic.com/~so... (The Graceful Swans of Never) - See all my reviews

Technically, the Femmes' sixth studio album is no longer new in time, as it's reaching 13 years since its release. However, the SOUND is nothing like what you'll expect to hear. Think of the diversity of "Hallowed Ground" put with tunes that are ten times as bizarre. It's also a little bit less dark than that one. This is the result of guys who are trying something different and do well at it. My favorite track is "Amegmnon." I didn't find this record to be at all disappointing. It is interesting to hear the band use different tempos, styles, etc. There's also "Machine" which attempts a techno-industrial sound and with humorous results, "Mirror Mirror (I See a Damsel)" with completely un-contemporary arrangement. You may not like this record, but you won't find it boring. Unless you think that the artist should have distorted bass all the time, but why would you be here in the first place.

I feel like this record does show the true Femmes as much as stuff like "Why Do Birds Sing?" The difference here is that they are highlighting their quirkiness, and I thought that was part of the charm of the first two albums. And they bring it back on here.