Most Helpful Customer Reviews
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13 of 13 people found the following review helpful:
5.0 out of 5 stars
One of my favourite CDs, July 1, 1999
By A Customer
"Check Your Head" is, simply, the Beastie Boys' best album. They have done nothing better (only Paul's Boutique comes close) and I find it doubtful they ever will. Although this is awesome to listen to at any time, I personally prefer putting it in my walkman and listening while I'm walking or on the bus. It just puts you in an irrepressable groove. As the Boys say "Life ain't nothin' but a good groove, a good mix tape to put you in the right mood" and that was their intention with this album, which they undoubtedly succeed at. "Pass the Mic", "So Watcha Want", and "Professor Booty" are all hip-hop perfection. They take the genre to its absolute height. All of the other hip-hop songs are excellent too. The instrumentals are better than on any other of their albums, mostly because they're the most funky. I will always love to turn the gain up on my bass amp and play the riff from "Gratitude". This album is also Money Mark's first, and he makes his presence known, ruling most of the instrumentals. I can not say enough good things about this album.
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18 of 20 people found the following review helpful:
5.0 out of 5 stars
Hey, Professor, what's another word for pirate treasure?, October 27, 2000
Well, after you have phenomenal chart success with your first album ("Licensed to Ill") that you will never see again, and you make a cut-and-paste masterpiece with your second album ("Paul's Boutique") that nobody has equaled since, what do you do for the third? Apparently, if you're the Beastie Boys, whatever you want. Ad-Rock, Mike D, and MCA actually picked up their instruments for this album and created a lot of funk and punk instrumentals, and then added some rap along the way. Of the rap songs, the high points are "So What'cha Want", "The Maestro", and "Professor Booty", and some of the non-rap songs that are really great are "Gratitude", "Funky Boss", and "Time For Livin'". Even parts of the album that would normally be filler are interesting: this is the sound of the Beastie Boys expanding their horizons even further. Second only to "Paul's Boutique" (and possibly "Hello Nasty") in the Beastie catalog.
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8 of 8 people found the following review helpful:
4.0 out of 5 stars
Get this one for sure., June 19, 2001
Since everyone in the entire world is stupid except me, and Paul's Boutique was NOT the commercial blockbuster smash that the Beastie Boys' record company had hoped, the boys went back into the studio and thought, "Well, we gotta try SOMETHING new. Otherwise we'll get dropped again and it'll be over for good." So they started playing their own instrunents, something that hadn't been done in rap EVER (at least I can't think of anything off the top of my head that sounds like this). Yes you get several awesome wonderful fuzzed-out riff rockers like "Finger Lickin' Good" and the two MTV megahits "So Whatcha Want," and "Pass The Mic." HOWEVER, you also get some lazy "dub" and "funk" instrumentals like "Lighten Up." Now I know that these instrumentals offer a nice break between the rockers, but the fact remains that there are simply too many of 'em. I also don't really like the Sly Stone cover. But it's only like two minutes long, so as soon as you get sick of it, it's gone.Coolest sample on the album: RIGHT THERE at the end of "Finger Lickin' Good" the Beastie Boys rap about something and end it with "stuff," and then Bob Dylan's voice comes out of nowhere and sings "I'm goin' back to New York City I do believe I've had enough" (from "Just Like Tom Thumb's Blues"). A great moment.
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