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Brahms: Ein Deutsches Requiem

4.6 out of 5 stars 44 customer reviews

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MP3 Music, September 1, 1984
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Audio CD, July 9, 2006
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$8.89 & FREE Shipping on orders over $49. Details Temporarily out of stock. Order now and we'll deliver when available. We'll e-mail you with an estimated delivery date as soon as we have more information. Your account will only be charged when we ship the item. Ships from and sold by Amazon.com. Gift-wrap available.

Frequently Bought Together

  • Brahms: Ein Deutsches Requiem
  • +
  • Faure: Requiem, Op. 48 / Durufle: Requiem, Op. 9
  • +
  • Choral Masterpieces
Total price: $32.37
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Track Listings

Disc: 1

  1. Selig Sind, Die Da Leid Tragen
  2. Denn Alles Fleisch
  3. Herr, Lehre Doch Mich
  4. Wie Lieblich Sind Deine Wohnungen
  5. Ihr Habt Nun Traurigkeit
  6. Denn Wir Haben Hie
  7. Selig Sind Die Toten


Product Details

  • Performer: Arleen Auger, Richard Stilwell
  • Orchestra: Atlanta Symphony Orchestra & Chorus
  • Conductor: Robert Shaw
  • Composer: Johannes Brahms
  • Audio CD (July 9, 2006)
  • SPARS Code: DDD
  • Number of Discs: 1
  • Label: Telarc
  • ASIN: B000003CT6
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (44 customer reviews)
  • Amazon Best Sellers Rank: #17,644 in Music (See Top 100 in Music)

Customer Reviews

Top Customer Reviews

Format: Audio CD
There are many recordings of the German Requiem of Brahms, and I have seven of them in my library. Robert Shaw's recording on Telarc is no longer one of them. Amazon states up front that this is the recording people "ultimately" buy. Maybe so, but I wouldn't click on "Buy Now" until I had heard samplings of some other recordings. Yes, Shaw and his musicians are amazing in their dedication to the work. It is a great performance. I have always found it necessary to boost the treble and perhaps reduce the bass to get a clear sound with this recording.

Other recordings I rank at a slightly higher level than this one and recommend with greater enthusiasm:

1. Herreweghe and the Orchestre des Champs Elysees on Harmonia Mundi. This recordng ranks among the finest and is unique in the clarity of voices, whether solo, choral, or orchestral. The woodwinds and brass are never covered by the strings, yet the string sections sound full and play with precision. The soloists are not over-miked and their voices seem to come from the midst of the greater ensemble. Especially impressive and touching is the singing of Gerald Finley (although his command of German has greatly improved since this recording).

2. James Levine and the Chicago Symphony and Chorus with Battle and Hagegard on RCA/BMG, a 1983 studio recording recently re-released on Universal at a low budget price. Levine and the Chicago deliver a big, heart-on-sleeve sound yet pay loving attention to details and the soloists sing exquisitely.

3. Rafael Kubelik with the Bavarian Radio Symphony and Chorus with Edith Mathis and Wolfgang Brendel on Audite.
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Format: Audio CD
Most of the recordings or the performances of the German Requiem are orchestral performances with a chorus attached. They lack the passion of the text that is inherint in the Brahms score. In addition, they are recordings or performances of the Requiem that are taken on because it is a seminal orchestral/choral work. Shaw did not allow this to happen. The German Requiem was an intensly personal work for him, one that he used to teach workshops with at Carnegie Hall. And it shows on this recording. Shaw UNDERSTOOD Brahms (which I feel is very difficult to do!) And this recording is a CHORAL recording with the orchestra supporting it. You hear every subtle nuance of text and harmony in here, and the German diction (despite one reviewer's opinion) is quite good. But more than anything this recording brings the very essence of Brahms out: the tension that exists in all of Brahms' music; the beauty that can change with a simple line leading to ugliness; and the ability of Shaw and his formidable forces mastering the emotional waves that are in the score. This was a CD made to highlight the masterwork itself, with the performers doing that - performing. And his soloists serve that end as well. Arleen Auger's clean lyrical soprano, and the rich voice of Mr. Stillwell. If I had to get rid of ALL my CD's save one, it would be this one. Cannot be without it!
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Format: Audio CD
I have owned this recording since it's release and find it a wonderful piece. Robert Shaw has sought to convey a deeper understanding of Brahms thoughts and emotions brought to life in music. There are precious few conductors who take on this work because they know this work is more than a symphony, it requires the study and emersion of the conductor into the mind of Brahms and the trajedy that spawned this work. I am very grateful that Shaw took on the challenge and delivered an excellent interpretation.

With that said, I must say that although I do love this recording, there is one that I think is even better and is in my opinion the absolute best recording of this piece - Chicago Symphony, James Levine, Kathleen Battle, Hakan Hagegard.

For comparison -

Recording clarity - Hands down the Chicago recording is much clearer and much richer in the full spectrum of sounds from the crispness of the high woodwinds to the powerful bass of the bass viola's.

Interpretation - While Shaws recording is deliberate and steady, Levines is slower, more emotional and closer to the passion that Brahms intended to convey.

Choral - Without a doubt Kathleen Battle's voice in this piece is bordering on angelic. Nothing I have ever heard can compare to the perfection she displays in this piece. Hands down, she draws you totally into the work with a mesmorizing performance.

With technology progressing at such a fast pace, I eagerly await the arrival of a newer performance of this work, but am skeptical that anything can top what Levine has done.

Emery Rudolph
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Format: Audio CD Verified Purchase
For a long time I had difficulty with Robert Shaw and the Atlanta SO. I even once sold my copy of the Verdi Requiem with Shaw at a disc trade shop in Tel Aviv.
Times Change, and people change.
I have since rebought the Verdi with Shaw and I recently aquired this recording as well. While there are performances where the orchestra is more domineering, there is no performance where the vocal music both from the soloists and from the choir are so outstanding. The second movement is often played much more energetically -- but in this performance it is played correctly. The 3rd movement is breathtaking the fugue at the end is uplifting. The 6th movement with the solo by Auger is just the best 6th movement in any performance of this Requiem to date. She puts so much into it,and the interpretation by Shaw is the best I have heard. The last movement with its deep orchestral basses and rich choral harmony is played perfectly here.
I own many recordings of this work: Masur and the NYPO, Leinsdorf and the Boston Symphony, Sinopoli and the Czech Philharmonic, and the famous Klemperer with the Philharmonia. Some of these recordings are considered "the" recordings, however, THIS will be the recording that I will take with me when I travel, THIS will be the recording that I will listen to over and over again because this recording really touches me and really moves me in a way that other recordings just did not do.
If you like this requiem, then you need to hear this performance to get a new and fresh interpretation. If you don't like this requiem, then please listen to this performance. You now might just change your mind.
Don't hesitate to purchase this performance. When you hear it you will only wish you were there to see it live.
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