Most Helpful Customer Reviews
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24 of 26 people found the following review helpful:
5.0 out of 5 stars
Reviews won't help, September 3, 2001
Many people have stories to tell about this album, about how it changed their life, helped through tough times, about how a particular song always makes them cry. I haven't experienced any of those, but it is still the most emotionally charged album I have ever heard. It is not the kind of music I usually listen to - I usually go for harder bands - but once i had listened to this album properly, absorbing every heart rending facet of Adam Duritz' moving, touching, emphatic vocals I was hooked. This album has so many classics - Round Here, Mr Jones, Anna Begins, Murder of One - that a day rarely goes by 3 months and 6 albums later that I don't listen to some of it. The truths contained within the lyrics are timeless, the emotion within the singing heartfelt - by both Adam and you. The music mostly serves to lift Adam's vocals to a new level, enhancing and augmenting it. Really, though, it is impossible to tell whether or not you like other than sitting down and listening to it properly. No amount of reviews can really help you with this CD - if I had read a description of the music (country/folk/soft rock) before hand, or the bands they are compared to, I never would have bought it. But I did, and I'm glad, as it is one of my favourite albums. Just try it. It's also worth noting that if you really want something rockier you can get Recovering the Sattelites, but this is the classic and really should be your first Counting Crows album.
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34 of 39 people found the following review helpful:
5.0 out of 5 stars
My favorite CD, period., January 1, 2000
I hate reviews because outside of factual information all you have is opnion, and if someone disagrees with your opnion they like to grab facts and start sling.... So I'll just say, yeah... On this album, you can hear REM, Van Morrison, U2, if you want to strike off marks for unoriginality then go ahead... But none of those bands have ever put togeather an album this great, with every song containing epic songwriting on a Dylan scale and simplistic deep melodies that haunt you with the lryic (Sullvan Street, Time and Time Again), never have I ever felt an artist pain more... Where REM touched on with hits like "Losing My Religon" Counting Crows almost bring the listener to tears with tracks like "Raining In Baltimore". Every track is incredible bringing imagery to live, from the opener Round Here, Adam Duritz pulls the listener in and begins talking "Step out the frontdoor like a ghost into the fog where no notices the contrast of white on white/and in between the moon and you, the angels get a better view of the cumbling differences between wrong and right" from their your drawn into Adams world and with every song you can feel his emotions....If you're just into listening to music and being happy, this one probably isn't for you, if you want to hear the work of a group of artist expressing themselfs, you won't be able to stop listening.
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18 of 19 people found the following review helpful:
5.0 out of 5 stars
Crows Fly High, December 21, 2000
August & Everything After is the amazing debut from Counting Crows. They mix the lyrical stylings of Van Morrison and the rustic sounds of The Band with a dash of U2 thrown in for good measure. But despite these obvious influences, they band has a fresh and unique sound all their own. Adam Duritz uses a sharp pen in his writing and he has one of the most soulful and expressive voices in music. He practically bleeds on songs like somber "Round Here", the condemning of suburban life of "Perfect Blue Buildings" and the gorgeous and lilting "Sullivan Street". "Anna Begins" is a sweet love song and "Rain King" has a soaring sound to it. "Murder Of One" closes the album in a U2-esque, spiritual like rocker. "Mr. Jones" was the breakout song from the album and the one that gained the band large airplay. It is an immediate classic with a memorable guitar riff and vivid lyrics. Mr. Duritz says he wants to Bob Dylan in the song and he comes damn close on the song. The album was an alternative to the alternative music that dominated the airways at the time. The album was heaped with well-deserved praise, as it is one of the ten best of the 90's.
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