Cecilia Bartoli - If You Love Me (Se tu m'ami ), 18th-Century Italian Songs

Alessandro Scarlatti (Artist), Antonio Caldara (Artist), Antonio Lotti (Artist), Antonio Cesti (Artist), Giovanni Paisiello (Artist), Anonymous (Artist), Benedetto Marcello (Artist), Giuseppe Giordani (Artist), Giulio Caccini (Artist), Alessandro Parisotti (Artist), Pietro Francesco Cavalli (Artist), Antonio Vivaldi (Artist), Giacomo Carissimi (Artist), Cecilia Bartoli (Artist), György Fischer (Artist)

Product Details

• Audio CD (October 13, 1992)
• SPARS Code: DDD
• Number of Discs: 1
• Label: Decca
• ASIN: B00000420F
• In-Print Editions: MP3 Download
• Average Customer Review: 4.8 out of 5 stars  See all reviews (37 customer reviews)
• Amazon.com Sales Rank: #7,427 in Music (See Bestsellers in Music)

  Popular in these categories: (What's this?)

  #1 in	Music > Classical > Featured Composers, A-Z > ( S ) > Scarlatti, Alessandro
  #1 in	Music > Classical > Featured Composers, A-Z > ( C ) > Caldara, Antonio
  #1 in	Music > Classical > Featured Performers, A-Z > ( B ) > Bartoli, Cecilia

Editorial Reviews

Amazon.com

The 17th-century Italian art song repertory traditionally reserved for novice singers is given new life via Bartoli's artistry. With impeccable diction and evocative phrasing, she captures every innuendo of these simple, but passionate, pieces. No two repetitive phrases are alike; she chisels every line into a landscape of interpretive magnificence. Scarlatti's simple "O Cessate di Piagarmi" becomes a testament of innocent pain and plaintiveness. Giordano's "Caro Mio Ben" is transformed into a tender cry for love. All embellishments are imaginative and well executed. Accompaniment by György Fischer is equally appealing, sensitive and precise. Every singer questing for the art of singing should study these. --Barbara Eisner Bayer

Customer Reviews

Most Helpful Customer Reviews

29 of 30 people found the following review helpful:

5.0 out of 5 stars Magical Cecilia, November 22, 2002

By	stardustraven "stardustraven" (Europe) - See all my reviews

I have always appreciated the lower voice ranges infinitely more than the higher ones. Mezzo-soprano Cecilia Bartoli is one of the most interesting talents to have come along during the past years in that department. This album is comprised of the so-called 'Arie Antiche', and of all her recordings, it is this album which is the most dear to me. Here she presents to the listener a programme of Baroque composers, with the exception of the Parisotti aria (19th century), which has for long been attributed to Pergolesi. The featured composers are: Scarlatti, Giordani, Lotti, Cesti, Paisiello, Marcello, Caldara, Caccini, Parisotti, Cavalli, Vivaldi and Carissimi. The 'Arie Antiche' are often dreaded by singers and may well serve as a test case of their vocal abilities. Cecilia Bartoli pulls it off beautifully, and this is the kind of repertoire which I love best. She imbues her performances with such warmth and intelligence! Bringing out every colour and nuance of these songs which deal with love, loss and heartbreak. Her rendition lends the 'Arie Antiche' a freshness as if the composers had just written these for her. Since respect for the composers and musical integrity are always central to her approach of music and song. Gyorgy Fischer lends her a fine, sparkling and attentive support on piano. The accompanying booklet contains information on the 'Arie Antiche', the Italian texts and English translations.

Some favourites are; 'Gia sole del Gange', 'Caro mio ben', 'Pur dicesti, o bocca bella', 'Amarilli' or 'Vittoria, Vittoria'. In my opinion, an indispensable album for admirers of Cecilia Bartoli and the Baroque period.

by stardustraven

22 of 22 people found the following review helpful:

5.0 out of 5 stars Once tired songs made beautiful again!, March 12, 2002

By	Leonard Gladden (Imperial, MO United States) - See all my reviews

As an accompanist for the past 20+ years, I'd come to believe these songs - many contained within the (in)famous "24 Italian Songs and Arias" were stricly for the high school/early college vocalist to butcher while learning the basics of good singing and Italian.
Boy was I wrong!
Cecilia Bartoli takes these songs and makes you ache, rejoice, and desire right along with her. I never thought I'd be moved by ANY performance of "Caro mio ben" and yet I nearly wrecked my car the first time I heard her on this recording. Magnificent! As is each and every track on this disc. It's inspired me to be a better accompanist and coach, as well as an ardent admirer of all things Bartoli. Many of my choral/vocal music teacher friends have received this disc or bought it after hearing mine. BUY THIS RECORDING!
The only downer is that I may never feel complete if I don't get to accompany this lady on the title track before I die. Oh, well - I guess you can't have it all!

14 of 14 people found the following review helpful:

5.0 out of 5 stars Incredible, touching ability., September 10, 2002

By	Bron Barnacle (Turkey) - See all my reviews

Hello !
I have rather ecclectic tastes and this is one of my all time favourite albums.

I understood it is a classic sampler of songs (about ? 2/3 are on the album) collected centuries ago to cover all required singing technique & is used as exercises.

I can relate to the comments of the previous reviewers.

I am NOT an "opera buff" and find some of Cecelia's albums a bit tedious - but not this one.
When I first heard it, I went straight out and bought it.

Why ?

Enjoyment - most of the songs are very pleasant and easy to "hum / la,la,la along to".
But mostly because of her astonishing technique.
If this was an exam, I'm sure she'd get a perfect score.

Her breathing is incredible. As an untrained singer, I KNOW how good she is, believe me !
I was, and still am, completely flabberghasted at her ability to vary volume - especially "without breathing".I have, on occasion, asked friends who actively dislike classical singing to hear certain examples only to consider her ability and in every case they have been very impressed.

I also find some of her renditions extremely touching - even devastating: her "expression"is very skilled & genuine.

My father (opera buff & amateur singer) was astonished at her age when she recorded it - I think approx. 26 or 7 - he felt she sounded far more "mature" than that on this recording.

The accompanying piano is the only instrument and is sensitively and well - played.
The overall impression is of calm with a few lively bursts to break it up. And all the while, excellence.

If you are NOT into complete operas or grand, orchestral performances BUT appreciate & enjoy classical music and singing, you should give this a listen.