Most Helpful Customer Reviews
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9 of 9 people found the following review helpful:
4.0 out of 5 stars
Surprisingly solid, September 3, 1999
By the time this album was recorded, in mid-1972, reality had hit the Beatles. George's initial splash with ALL THINGS MUST PASS had faded, Ringo had yet to release a "real" album, and John had just been pummelled by backlash against SOME TIME IN NEW YORK CITY. Add to this Paul's fall from grace with WILD LIFE, and the Beatles looked very, very human. For that reason, I definitely expected this album to suck. Badly. Prior to listening, I had only heard "My Love" and thought it one of Paul's worst. Fortunately, it's far and away the worst song on the album. RRS begins with "Big Barn Bed" a stomping romp that sounds simply exquisite on headphones. Skipping the trite and poorly placed "My Love" (which should really be squeezed onto the second side), you have the fun "Get on the Right Thing," the simple melody "One More Kiss," and the chef d'oeuvre "Little Lamb Dragonfly" -- this song is a real gem and potentially one of his all-time best, with "Maybe I'm Amazed" and "Band on the Run." "LLD" is followed by another simple melody "Single Pigeon," then the singalong waltz "When the Night," with the haunting instrumental "Loup" coming next. A nice seque into the Medley, of which "Lazy Dynamite" stands out as exemplary. Throw in the bonus tracks, especially "The Mess," and you have a splendid work that really foreshadows the success the Beatles would have in 1973: MIND GAMES, LIVING IN A MATERIAL WORLD, RINGO, and of course, BAND ON THE RUN.
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7 of 7 people found the following review helpful:
4.0 out of 5 stars
One of McCartney's Best, May 23, 2001
The recent promotion of Wingspan the CD and TV special have prompted me to go back and revisit Paul McCartney & Wings' back catalog. Red Rose Speed--now close to thirty years old--is one of my favorites."Big Barn Bed": A terrific rocker. A great track to kick off the album. "My Love": The first of McCartney's solo 'silly love songs' released as a single. And it's a great one. It spent four weeks at No. 1. "Get on the Right Thing": Another great rocker. "One More Kiss": This lovely ballad has a country feel to it. "Little Lamb Dragonfly": A pleasant ballad, nice acoustic guitar playing. "Single Pigeon": Mostly Paul at the piano with some nice harmonies. At under two minutes it seems unfinished, though. "When the Night": A rather pedestrian mid-tempo song. "Loup (1st Indian on the Moon)": A somewhat interesting instrumental. Some clever effects here and there--McCartney's attempt at Pink Floyd? "Medley: Hold Me Tight/Lazy Dynamite/Hands of Love/Power Cut": Maybe it's just me, but this pastiche of unfinished songs is my favorite track. Reminiscent of side two of Abbey Road. Bonus Tracks (These non-album songs were originally released as the b-sides to "Live and Let Die," "Helen Wheels" and "My Love," the three singles McCartney released in 1973, the year Red Rose Speedway was released.) "I Lie Around": Lyrically this is not one of McCartney's best efforts, but it's a fun song celebrating country life. "Country Dreamer": Another ditty extolling the joys of country living. Very upbeat and very country sounding. "The Mess": This is a live recording and shows that when they wanted to, Wings could be a tough rock 'n' roll band. While critics have drubbed this release almost as mercilessly as 1971's Wild Life, this album is fun from start to finish and the bonus tracks (none of which made it onto the Wingspan anthology) make this an essential purchase for die-hard fans. RECOMMENDED
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5 of 5 people found the following review helpful:
4.0 out of 5 stars
Land Like Air..., January 14, 2006
The only reason why a mellow, pot-smoking hippie wouldn't dig this album to death is because of the MOR cheese that is "My Love." Frankly, the song bears no indication as to how experimental, melodic and cool RED ROSE SPEEDWAY is throughout.
Side one moves at a hit-or-miss pace, with most of the misses still coming off as funky DIY anthems, as Wings sport big, layered vocals ("Big Barn Bed," "Get on the Right Thing"). "One More Kiss" is the first sign of some WHITE ALBUM-esque inspiration (with side two's "Single Pigeon" taking it back to 1968 with a vengeance). But "Little Lamb Dragonfly" is where we start to get a sense that McCartney's talent and flair for melody hasn't lost an ounce since his Beatle days. The song is delivered from such a simple and gentle place.
"Single Pigeon" opens side two as sort of an intro piece (with lonesome lyrics akin to the classic "Yellow Bird"), before Wings launch into the chronic vibes of "When the Night," featuring head lyrics about the night being beautiful and mellow... the light being marvelous and yellow, and "the light of the night, fell on me" (!!!!) If the lyrics aren't hazy enough for ya, perhaps the Donovan-esque rhythm will take you there. Not to be outdone by the instrumental, "Loup (First Indian on the Moon)," a tribal psychedelic experience about, well... what the first Indian on the moon might experience. Its mysterious opening chords and gutteral harmonies launch into a mystical pastiche of sound waves from beyond, as Loup re-enters a world (the moon) where land is again like air. For the Indian it's preposterous to think that a human being could "own" land (just as absurd to think that you could own air or water). With heart content, Loup then launches into a funky tribal dance around the burning coals, before the whole affair slides back into the opening chords to fade.
RED ROSE SPEEDWAY ends with an ABBEY ROAD-like suite (in four parts), starting out with the catchy, light-hearted ditty "Hold Me Tight." This seques into "Lazy Dynamite," not only the strongest melody on the whole LP (and one that shows, again, McCartney's utter melodic genius), but a dynamic message about taking this special spark inside and drawing it out from its sleep.
In all, RED ROSE SPEEDWAY was the McCartney album that finally got critics and fans to take his solo career seriously. While it was a 50-50% shot as to whether heavies and hippies bought it in 1973, there would be no doubt on the next album, BAND ON THE RUN. Every household had a copy.
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