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130 of 133 people found the following review helpful:
5.0 out of 5 stars
Buena Vista Social Club, December 17, 1999
I could have stayed to watch Buena Vista Social Club all day and all night. The film traces master guitarist Ry Cooder's seemingly endless search for more musical legends to play with, as he takes us to Cuba to meet the masters of "Son" music. The result is a warm, beautiful and touching portrait of the aging "Son" masters emerging from a long hiatus to show us they haven't lost their touch. Cooder has long sought out masters of "roots" music to learn from and play with. This time he found his way into a diamond mine, and the resulting three albums, "Buena Vista Social Club", "Afro-Cuban All-Stars" and "Introducing Ruben Gonzales" could all have won the 1998 Grammy award, as the former actually did. The film follows the aging Son musicians around their native Cuba as they prepare for overseas concerts in both Holland and New York City. The city of Havana shows the effects of aging itself, run down and seedy, but, as with the musicians themselves, there is a spirit of unity and inner strength that overrides the worn down facade. That spirit emerges quickly as you see how deeply the Cubans feel their music. You also see a country that preserves the old and makes it work personified in the "antique" automobiles the Cubans use to get around. Several musicians are featured in the film, but two gain the film's focus, jazz pianist Ruben Gonzales and singer Ibrahim Ferrer, the "Cuban Frank Sinatra". Gonzales no longer has a piano and plays one in a gymnasium reserved for Cuban gymnasts. Ferrer feels the public no longer appreciates his music and is shining shoes to supplement a tiny retirement. Ry Cooder and his son Joachim (sp?), a talented drummer, try to stay as far in the background as possible. Cooder's style is to sit at the feet of the masters to learn and participate. I think the director, Wim Wenders, gives him more face time than he would prefer. No matter, as he is a wonderful musician and facilitator, without whom the original project and the film would not have happened. Wenders weaves the music and the life of the musicians in a pattern that draws the audience into the lives of the musicians, especially Ferrer. I was very familiar with the music from the three albums and that made my experience with them almost personal. I was excited as I saw the rehearsals draw the musicians closer and tighter. They became young again as the music started flowing from them. The culmination of the film is the concert at Carnegie Hall. I was fully engaged by then and I had chills when the Son music was playing and when the audience responded with such enthusiasm. I had tears of pleasure as the music flowed over me. I've recommended this film to many of my friends, and they all have gone out of their way to thank me. I don't think I've seen another film in 1999 that I've liked better. I'll paraphrase what Ry Cooder says to his son in the film, "This is the kind of opportunity that comes once in a lifetime".
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DVD ~ Michel Camilo
~ Buena Vista Social Club
~ Ibrahim Ferrer
~ Buena Vista Social Club
DVD ~ Soneros de Verdad
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