Product Details

• Actors: Jamie Bell, Julie Walters, Jean Heywood, Jamie Draven, Gary Lewis
• Directors: Stephen Daldry
• Writers: Lee Hall
• Producers: Charles Brand, David M. Thompson, Greg Brenman, Jonathan Finn, Natascha Wharton
• Format: Closed-captioned, Color, NTSC
• Language: English
• Rating: R (Restricted)
• Number of tapes: 1
• Studio: Universal Home Video
• VHS Release Date: April 20, 2001
• Run Time: 110 minutes
• Average Customer Review: 4.5 out of 5 stars  See all reviews (270 customer reviews)
• ASIN: B00003CXPC
• Amazon.com Sales Rank: #31,852 in Video (See Bestsellers in Video)

Editorial Reviews

Amazon.com

Foursquare in the gritty-but-heartwarming tradition of Brassed Off and The Full Monty comes Billy Elliot, the first film from noted British theatrical director Stephen Daldry. The setting is County Durham in 1984, and things "up north" are even grimmer than usual: the miners' strike is in full rancorous swing, and 11-year-old Billy's dad and older brother, miners both, are on the picket lines. Billy's got problems of his own. His dad has scraped together the fees to send him to boxing lessons, but Billy has discovered a different aptitude: a genius for ballet dancing. Since admitting to such an activity is tantamount, in this fiercely macho culture, to holding up a sign reading "I Am Gay," Billy keeps it quiet. But his teacher, Mrs. Wilkinson (Julie Walters, wearily undaunted), thinks he should audition for ballet school in London. Family ructions are inevitable.

Daldry's film sidesteps some of the politics, both sexual and otherwise, but scores with its laconic dialogue (credit to screenwriter Lee Hall) and a cracking performance from newcomer Jamie Bell as Billy. His powerhouse dance routines, more Gene Kelly than Nureyev, carry an irresistible sense of exhilaration and self-discovery. Among a flawless supporting cast, Stuart Wells stands out as Billy's sweet gay friend Michael. And if the miners' strike serves largely as background color, the brief episode when visored and truncheon-wielding cops rampage through neat little terraced houses captures one of the most spiteful episodes in recent British history. --Philip Kemp

From The New Yorker

The British director Stephen Daldry has previously concentrated on theatre; now, as if to prove that he's a man for all art forms, he's made a film about ballet. Billy Elliot (Jamie Bell) is a slim, pugnacious boy who doesn't enjoy his boxing lessons but casts a jealous glance at the dance class that rehearses nearby. He joins in, prospers, gets some private tuition from his careworn teacher (Julie Walters), and ends up auditioning for the Royal Ballet. Will he make it? Can you guess? Although the film is set during the miners' strike of 1984 (the most grievous strife in Britain's recent history), it slowly sheds its anger and abrasive comedy in favor of something softer. Billy's father (Gary Lewis) stops looking like a human pressure cooker and starts giving the boy encouraging hugs-a development we could do without. The best thing on show is Bell, whose ratty, unsentimental demeanor just about sees the story though. With music by T. Rex, the Jam, and other ethereal favorites of the classical stage. -Anthony Lane
Copyright © 2006 The New Yorker

Customer Reviews

Most Helpful Customer Reviews

59 of 60 people found the following review helpful:

5.0 out of 5 stars It's all about being able to express yourself., December 2, 2000

By	Chris Lund "World Traveler" (Atlanta, GA USA) - See all my reviews (REAL NAME)

Beginning with an exuberant title sequence, this charming, offbeat, coming-of-age story revolves around Billy Elliot (Jamie Bell), the younger of two sons of a widower coal miner (Gary Lewis) near Newcastle in Northern England. It's 1984, and the National Union of Mine Workers is engaged in a long, bitter strike, marked by street battles with riot police and protests against the busloads of scabs crossing the picket lines.

Following the family tradition, Billy is expected to learn boxing at the Everington Boys Club where, instead, the 11 year-old becomes enthralled by the girls' dancing class, led by a chain-smoking teacher (Julie Walters) who soon recognizes his raw talent. He loves watching Fred Astaire in old movies and is instantly drawn towards the ballet class, but when his macho father and rabble-rousing brother (Jamie Draven) discover he's taking ballet classes, they ridicule Billy - "Lads do boxing and football and wrestling, not friggin' ballet!" - forcing him to hide his slippers under the mattress and sneak off to class. Then come the auditions for the Royal Ballet School and Billy's defiantly joyful, foot-stompin' "I Want to Boogie" sequence.

What makes this heartfelt English import such a gem is the collaboration of screenwriter Lee Hall, cinematographer Brian Tufano ("Trainspotting") and former stage director Stephen Daldry ("An Inspector Calls"), who - despite the simplistic predictability of the plot - create eccentric, lovable characters and evocative imagery. One haunting sequences focuses on a little neighborhood girl dragging a stick along a brick wall, which dissolves into a phalanx of plastic police shields. Another involves the father grimly chopping up Billy's mother's beloved piano for needed firewood. While some of the authentic, heavily accented dialogue may be indecipherable to some, the musical soundtrack, combining classical and pop, is terrific.

In the title role, newcomer Jamie Bell embodies awkward determination, juggling grim reality with a surreal fantasy world, explaining, "Just because I like ballet doesn't mean I'm a pouf!" As Billy's father, Gary Lewis ("My Name is Joe") is tough-yet-tender, and Julie Walters ("Educating Rita") scores as Billy's crusty yet compassionate teacher. ("I feel like a sissy," Billy tells her. "Well, don't act like one," she retorts.) Jamie Draven and Stuart Wells lend strong support. Jean Heywood is touching as Billy's senile grandmother, whom he tenderly cares for and who repeatedly recalls, "I could have been a professional dancer."

While the bleak setting, in the 1984 miners' strike in northeastern England, is reminiscent of "The Full Monty," the energetic mood evokes "Flashdance" - and it was a bit hit at both the Toronto and Cannes Film Festivals. On the `Lund Movie Scale' of 1 to 10, "Billy Elliot" is an exhilarating 9. Combining comedy and poignancy, it's all about being able to express yourself.

37 of 38 people found the following review helpful:

5.0 out of 5 stars SENTIMENTAL DELIGHT, October 30, 2000

By	R. Penola (NYC, NY United States) - See all my reviews (TOP 1000 REVIEWER)    (REAL NAME)

If you love intimate, moving character films like Cinema Paradiso, you will love love love Billy Elliot. A small, rousing British film with cleverly written characters, this movie is both sentimental and expertly crafted. The performances, particularly from Julie Walters as the dance instructor, and that winsome, melancholy but excpetionally gifted boy as Billy, will truly steal your heart. The simple premise is instantly grabbing -- an artistic boy, only 11, is unfortunately the most forgotten element in a fractured, sad little family, which includes a pre-Alzheimer's grandmother, an angry older brother and a defeated, sad and tense father. While Dad and bro are on strike, money is tight - the year is 1984 at the height of British strike/tensions. Billy is sent to boxing lessons, where, by happenstance, he discovers a true vent for his budding creativity -- and especially his joy in dancing. Filled with infectiously appealing pop and light-classical music, this film is part Rocky, part Hollywood musical, part Flashdance and part Cinema Paradiso. The chance that these disparate, unlikely approaches might actually add up to something compelling are unlikely, but you must experience this movie to understand how exciting, moving and intensely gratifying it can be. Painted in bold, creative colors and shot with a springy exuberance, Billy Elliot is terrific.

23 of 23 people found the following review helpful:

5.0 out of 5 stars A Terrific Tale of Redemption and the Father-Son Dynamic, April 26, 2002

By	Jose R. Perez "Jose" (Yonkers, NY USA) - See all my reviews (REAL NAME)

This review is from: Billy Elliot (DVD)

Jamie Bell is pure magic in this wonderful coming-0f-age film that tells the story of a working class English lad who takes up ballet as a way to hone his boxing skills. In the process, he discovers himself, learnes some valuable life lessons, and fills a deep void left by the death of his beloved mum. Despite his family's strong objections (and financial straits) Billy ends up studying dance from a local teacher (the effervescent Julie Walters, who won an Oscar nomination for her work here). Her lessons - both technical and moral - serve as the basis for a devastatingly real connection between Billy and his disgusted macho father. What ensues is a dramatic comedy that inspires us at every turn without condescension or pity. The heartening interaction that develops between father and son is truly evocative, especially so for anyone who ever followed (or didn't) their dreams despite their family's objections. Not only does Billy "Dance!!" for his supper...he befriends the local outcast gay teenager and copes with questions about his own sexual orientation - heady topics for a movie about a dancing teen. All of this is handled in a mature, thoughtful manner, which makes the film a visceral, haunting experience. You can take or leave it's many messages, but theere is no denying its emotional core.

It's rare for a movie to challenge social mores and values by focusing on the dominant male principals. But "Billy Elliot" succeeds on more levels than other underdog-come-from-behind flicks. First, its based on a true story and resonates with truth, integrity and spirit. And, Bell's brash, authentic portrayal is pure magic. His feet literally take over his soul...he dances in the street, mimmicking Gene Kelly, and in the process taps his way into your heart. The performance is so accomplished it's a wonder Bell didn't receive an Oscar nomination. Even Russell Crowe - who won the 2000 BAFTA and Oscar for "Gladiator" - admitted Bell deserved the BAFTA Prize instead. Having resisted "Billy Elliot" at the movies, I finally caught it recently on HBO and was taken in immediately. This is a film your entire family can and should enjoy...if they don't, perhaps a little side trip to an English coal-mining town will help them appreciate this wonderful heartwarming film. Seriously, in this day and age, every one of us could use more Billy Elliots and fewer Scorpion Kings. A keeper!