Product Details

• Actors: Yun-Fat Chow, Michelle Yeoh, Ziyi Zhang, Chen Chang, Sihung Lung
• Directors: Ang Lee
• Writers: Du Lu Wang, Hui-Ling Wang, James Schamus, Kuo Jung Tsai
• Producers: Ang Lee, David Linde, Er-Dong Liu
• Format: Color, Dolby, Subtitled, NTSC
• Language: Cantonese
• Subtitles: English
• Rating: PG-13 (Parental Guidance Suggested)
• Number of tapes: 1
• Studio: Sony Pictures
• VHS Release Date: October 2, 2001
• Run Time: 120 minutes
• Average Customer Review: 4.0 out of 5 stars  See all reviews (1,026 customer reviews)
• ASIN: B00003CXR3
• Amazon.com Sales Rank: #19,293 in Video (See Bestsellers in Video)

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  #5 in	Video > Art House & International > Asian Cinema > Taiwan
  #7 in	Video > Action & Adventure > Action Stars > Michelle Yeoh

Editorial Reviews

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Hong Kong wuxia films, or martial arts fantasies, traditionally squeeze poor acting, slapstick humor, and silly story lines between elaborate fight scenes in which characters can literally fly. Crouching Tiger, Hidden Dragon has no shortage of breathtaking battles, but it also has the dramatic soul of a Greek tragedy and the sweep of an epic romance. This is the work of director Ang Lee, who fell in love with movies while watching wuxia films as a youngster and made Crouching Tiger as a tribute to the form. To elevate the genre above its B-movie roots and broaden its appeal, Lee did two important things. First, he assembled an all-star lineup of talent, joining the famous Asian actors Chow Yun-fat and Michelle Yeoh with the striking, charismatic newcomer Zhang Ziyi. Behind the scenes, Lee called upon cinematographer Peter Pau (The Killer, The Bride with White Hair) and legendary fight choreographer Yuen Wo-ping, best known outside Asia for his work on The Matrix. Second, in adapting the story from a Chinese pulp-fiction novel written by Wang Du Lu, Lee focused not on the pursuit of a legendary sword known as "The Green Destiny," but instead on the struggles of his female leads against social obligation. In his hands, the requisite fight scenes become another means of expressing the individual spirits of his characters and their conflicts with society and each other.

The filming required an immense effort from all involved. Chow and Yeoh had to learn to speak Mandarin, which Lee insisted on using instead of Cantonese to achieve a more classic, lyrical feel. The astonishing battles between Jen (Zhang) and Yu Shu Lien (Yeoh) on the rooftops and Jen and Li Mu Bai (Chow) atop the branches of bamboo trees required weeks of excruciating wire and harness work (which in turn required meticulous "digital wire removal"). But the result is a seamless blend of action, romance, and social commentary in a populist film that, like its young star Zhang, soars with balletic grace and dignity. --Eugene Wei

Product Description

An epic set against the breathtaking landscapes of ancient China, Crouching Tiger, Hidden Dragon, combines the exhilarating martial arts choreography by Yuen Wo-Pind (The Matrix) with the sensitivity and classical storytelling of an Ang Lee film. The result is something truly unexpected: romantic, emotionally powerful entertainment.

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Customer Reviews

Most Helpful Customer Reviews

231 of 259 people found the following review helpful:

5.0 out of 5 stars A Masterpiece, February 12, 2001

By	Allen D Sabio (Jacksonville, Florida United States) - See all my reviews

Crouching Tiger, Hidden Dragon is simply a masterpiece. A brilliant film with great performances by its stars, Michelle Yeoh, Chow yun fat, and especially Zhang Ziyi. Director Ang Lee along with his choreographer tell this epic story in a stunning and creative visual way that makes this film one of the greatest ever made. The action scenes in this film are jaw dropping, and are unmatched by any action film ever made. Along with the action, is a great story and great characters that reflect influences from Lord of the Rings, and parallel the Jedi of the Star Wars trilogy, but remain consistent with the eastern culture and philosophy which permeates throughout the story. In fact, the main characters, especially Jen, portrayed by the talented Zhang Ziyi , seem to question that philosophy and culture throughout the film, almost rebelling against it. This is foreshadowed in the beginning of the film when Yun-fat's character describes how his meditation leads him to a place of sorrow instead of enlightenment. In a later scene, Yeoh 's character questions the buddhist teaching of Fat's character in relation to their suppressed love, pointing out the touch of her hand is real,not an illusion, even though it is of this world. However it is also the discipline of this eastern spirituality that gives these knights their power. the main character Jen, abuses this power, along with the power given to her when she posesses the Green Destiny, a magical and powerful sword, owned by the wizard -like, or jedi- like, character portrayed by Chow Yun-Fat. The Green Destiny, much like the ring of power in lord of the rings, or the force in Star Wars, becomes a power that threatens to consume Jen. Throughout the film , Jen rebels against the traditions of the easten culture and philosophy. Even during the action scenes, as Chow Yun-Fat's character scolds her, she responds by telling him to stop talking like a monk and fight. Her rebellion is also reflected in her love for a barbarian that lives in the desert. Jen's rebellion is an extreme one, however, that leads to such deep despair, that it leaves the viewer to question if even the true love she found in the desert can save her. This movie has everything one wants in an epic, great story, acting, cinematography, directing, score. This film should win an Oscar for Best Picture... Crouching Tiger Hidden Dragon is truly a great film.

63 of 69 people found the following review helpful:

5.0 out of 5 stars I hate to jump on the bandwagon, but..., January 11, 2001

By	Lawrence Santoro (Chicago, IL) - See all my reviews

There's a telling moment near the beginning of Ang Lee's "Crouching Tiger, Hidden Dragon."

In closeup, we see the rough-hewn, heavy wooden wheels of a peasant cart. They nestle in deep ruts worn into the stone paving blocks of a roadway entering a gated city. The cart rumbles on, its wheels fitting perfectly into the grooves worn by unspoken centuries of just such passing wagons...in one image we see how tradition creates its own paths, how contemporary reality is fabricated to fit such traditions... The camera rises, we see an almost impossible panorama of Peking, the Forbidden City spreading out before us like an Oz extending to the horizon.

What a film this is. While it may not be the most wondrous thing ever...it is a superb action adventure romance with terrific acting and a much-welcome heart at the core of all that technical superiority. The action sequences are the kind that take the breath away and inspire a sense of awe, rather than the sort that leave you white-knuckled and sweaty.

"Crouching Tiger...", I am told, is representative of a specific literary/cinematic genre in China: Wu Xia...the wizard/warrior piece...magic and martial arts blended. I'm not familiar with the form, but the world portrayed here is a breathtakingly fantastical one. The story is putatively set in 19th century China, but it could be anywhere, anywhen. It is a place of high honor and deep feelings, a place where people are bound by traditions and held captive by their forms. It is also a place of wild and mythic landscapes...from stark desert (thought nowhere do we get that featureless, wide-screen linear horizon seen in David Lean's "Lawrence of Arabia!") to magic misty green mountains with deep dark lakes and steeply cascading streams that come braiding, tumbling down the rockslide heights. High, reedy bamboo forests wave, wondrous, in sighing winds.

In this world people may do amazing things. The flying in this movie -- properly called "wire work" in film terms -- is fantastic. This technique, of course, was not invented by the Wachowski's, but the choreographer of "Crouching Tiger...", Woo-ping Yuen, also staged the wire-fights of "Matrix." Here, the ability of our warrior heros and villains to climb walls, to leap to the rooftops and soar from building to building -- not to mention engaging each other in aerial combat that soars from the peak of a mountain top to the rocks of a mountain stream in a single take -- or to duel on the very tips of dipping, waving bamboo trees -- looks almost plausible, just over the border of the possible, at least. The whole packed-in audience at the big theater at the advanced screening at Pipers Alley in Chicago burst into spontaneous applause several times throughout...

At other moments, I found myself in weepy transport. As I think of the fight in the treetops, right now, I become drippy -- tingly of eye and sinus.

Apart from all else, this is grand storytelling! It has passion, love, revenge...it expresses deep need and longing.

Pant, pant, pant...

And, yes, the woman are the action hearts of the film! Michelle Yeoh is wonderful...but I've been in love with her for years. Here, she is more mature, quieter, wiser than in any role I've seen her in. Her performance is strong and moving, her face registering, magically, a range of conflicting emotions, hidden secrets, crouching angers, all at once. In acting training we were always told you can't do that. She does it.

Chow Yun Fat, too...I've been a fan of his since I first discovered John Woo's Hong Kong crime thrillers...is the best I've ever seen, as well...magnificent in his silences. Strength without cruelty.

The center of the film...remarkably...is a girl who looks to be about 15! Ziyi Zhang whose date of birth is given as 1979. Zhang is from Beijing, China, and has only one other film credit. I say that she is remarkable because her story is the binding element of the film. And she holds the film together! Holding her own with Yeoh and Chow in both the dramatic material and in the balletic martial pas de deus (okay...did I spell that right?) that frame the conflicts between them. She is the "Luke Skywalker" of the piece, if you will...though "Crouching Tiger..." has everything the "Star Wars" saga had: excitement, thrills and magic, but here, it is wrapped in those things Lukasfilm wanted to give, but succeeded in delivering in only the most self-conscious way: heart and deep-placed spirit.

By the way: this is an action film, almost uniquely without violence...or, rather, the violence is so stylized, so removed into some mystical realm, that it almost disappears into dance. There is, I believe, only one small splash of blood onscreen. Typically, I don't like that -- figuring that if you're going to do a film where violence is part of it all, where action advances plot, let's have it full-bore, the "Full Peckinpaw," if you will. Here, however, this stylization works beautifully!

While there are those who might grumble that Jackie Chan (another favorite of mine) does it all for real, without wires and trick photography...okay...true enough... But here that exuberance of motion is put in service of a grand story and strong characters who carry worthwhile burdens of emotions!

So there. Enough? Just go see it.

I can't wait for the DVD! I'll probably see it again, maybe see it twice again, before it hits the home-market.

94 of 106 people found the following review helpful:

5.0 out of 5 stars Crouching Tiger, Hidden Treasure, February 22, 2001

By	Daniel McInnis (Toledo, OH United States) - See all my reviews

Being as I'm Irish and extremely stubborn, I hate to admit when I'm wrong but in two prior reviews I referred to American Psycho as "the best movie of the early 21st century," and of Gladiator's Oscar hopes I proclaimed it would be "a more than worthy recipient." As it turns out I must recant both of these statements because as of the date they were written I had yet to see the Ang Lee masterpiece Crouching Tiger, Hidden Dragon. It's a film so exquisite that to compare it to even the best of our American movies would be downright insulting.

Chow Yun-Fat stars as a legendary warrior preparing for retirement, presumably to settle down and start a family with the sister of his slain master Shu Lien (Michelle Yoeh). And though their love for eachother is obvious from on the onset, they can't quite summon the courage to speak of their hidden passion. So Lu Mu Bai (Yun-Fat), unalbe to express himself to Lien, entrusts her with a sacred sword that's to be passed on to a friend, symbolic of his retirement from rouge life. She willingly obliges only to have the sword stolen that very night by a masked intruder. It's then that we're treated to our first of many fight sequences, so breathtakingly fluent in their beauty that they are literally awe inspiring.

Our masked intruder is later revealed to us as being the daughter to the governor, Jen, whose martial arts training has been repressed by her family because of her sex. Despite this she finds training from Jade Fox, a corrupt disciple of Bai's master whose death he's sworn to avenge, as is customary in their culture. So the battle lines are drawn, from which the story unfolds, but Lee doesn't bother labeling his characters as "good guys" and "bad guys." It's almost insulting to even suggest, given how multifaceted they all are.

Even Jade Fox has her reasons for being as she is. The daughter of a sexist society, she was denied training, as was Jen. So she in turn taught herself, secretly observing until her skills were such that she enabled herself to take the life of Bai's master. To her it seemed a fitting demise to a man who saw women as inferior to himself, and all men for that matter.

As the story continues to unfold we come to discover that Jen had an affair with a theif whom she'd met while he and his gang were robbing her. Being as she's such a great warrior, she gives chase to the gang but their leader, Lo, wants her to himself. He leads her out into the desert to spar, and it's through their fighting that they're able to express themselves. As they trade blows their relationship materializes into love, their quarreling an unspoken courtship.

Romance, honor, self-respect, female empowerment. These are universal themes, the power of which can be felt even without subtitles. The actors faces, which are so expressive, combined with the movies score tells the story as well as any of it's dialogue. This is important because the rhythmic flow of their exchanges are so absorbing that I'd catch myself getting lost in the moment and forgetting to read the subtext. But that doesn't diminish my appreciation for a film so engrossing that it seemingly transports you to a time and a place the likes of which you've likely never experienced before.

What I find most amazing about this movie is the fact that it's adapted from an obscure Chinese novel. To think that their heritage is so rich that one of the greatest love stories in the history of literature can nearly be lost forever is simply mind boggling.

It's been a humbling task for me to attempt and write a review to a movie which there are no words to describe, at least none that would do it proper justice. All I can say is that I consider myself lucky to have seen a movie as intensely satisfying as Crouching Tiger come along in my lifetime. Go see this movie!