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38 of 42 people found the following review helpful:
5.0 out of 5 stars
Here's Looking at You, Sandra Bullock, May 6, 2000
Director Betty Thomas has achieved something rare: A modern movie that tackles a serious issue and emerges with it's tastefulness intact. "28 Days" has the plot of a drama, the soul of a comedy, the feel of a documentary and a fabulous performance by Sandra Bullock that gives each genre a place in the delicate mix of this wonderful movie. Bullock is Gwen Cummings, an alcoholic, pill popping journalist who is sentenced to spend 28 days in a rehab center she drunkenly steals a limo and crashes it into a house. Leaving behind her boozy British boyfriend Jasper (superbly played by Domonic West), Gwen soon finds the support and understanding of her eccentric and often hilarious new neighbors. There's Eddie (Viggo Mortensen), the washed up baseball player who'll sleep with anyone; Oliver (Mike O'Malley), the wisecracking Park Avenue pot addict; Andrea (Azura Skye), a young woman addicted to drugs and a preposterous soap opera called "Santa Cruz," which she eventually turns everyone on to; and Gerhardt (Alan Tudyk), the wacky German. "28 Days," unlike an "Erin Brokovich" where one star dominates, is an ensemble film that allows a variety of talents to shine. And with a cast of this caliber, sometimes that shine rivals the stars themselves in brightness. Despite many humorous moments, it's the dramatic aspects of "28 Days" that make it great. When Gwen becomes so desperate for her pills that she jumps out the window to get some she threw away earlier, the obsessiveness and despair of dependency are captured at their most vivid. Then there's her troubled relationship with her sister Lily (sensitively portrayed by Elizabeth Perkins), who can't decide whether she wants to give up on the woman who has never been there for her, or stand by her in the hope that she will reform, risking having her heart broken yet again. It's because Bullock and screenwriter Susannah Grant have made Gwen such a likable character that these situations have real bite. Sine we can't decide whether we love her or hate her, we keep watching the movie on the edge of our seats, searching for something that will proove to us once and for all what Gwen Cummings is. The movie wisely avoids giving us a straight answer to that and many other questions, allowing the viewer instead to make their own decisions and create their own relationaships with the characters and the things they encounter. "28 Days" is a triumph for all involved. There's nothing better for a cynical critic like me then proof on the screen that films moving stories with engaging characters are still being made. Perhaps the best news of all is the resurrection of Sandra Bullock's career after three flops in a row. If she continues to show such wise judgement in choosing her projects, this poor man's Julia Roberts may be topping the A-list once again.
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12 of 12 people found the following review helpful:
5.0 out of 5 stars
Sandra can play ANYTHING well, July 29, 2000
Sandra Bullock is the industry's favorite girl next door, much to her own well-reported chagrin. But there is just something about her that exudes "next-door" charm, whether or not she supports the label's overuse. Maybe it's because she's such a gem of a person, especially compared to the coldness of many of today's big stars.So when you are about to see this film you will anticipate that it be light-hearted, not serious, in other-words, totally Sandra. But the only thing light-hearted about the movie are the circumstances several of the supporting cast members get themselves into. Sandra plays this alcoholic with all of the angst she's got. And it's a heck of a lot more than anyone would have pegged her for. So is she depressing to watch like this? Yes and no. Depressing because, based on those nasty preconceptions us lazy viewers have, you're waiting for her to jump out and say "Just kidding!" throughout the movie - her usual style - and, to everyone's surprise, she really doesn't. She gives every ounce of credibility and intensity to a role that many would like to write off simply b/c it is too hard to change one's preconceptions. I am so excited when I stumble upon a performance, such as this one, that allows me to deepen my respect for an actor. Sandra has deepened everyone's respect with this role. She is a consummate professional actress: She plays every role as if it were herself and only herself on the screen. And hey, even if it IS only acting, she fooled me . . .
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15 of 17 people found the following review helpful:
5.0 out of 5 stars
"Everybody hurts everybody, it's the human condition.", March 29, 2006
Maybe you are thinking what I was thinking when I first heard about this movie. "Oh great, they are making a cute movie out of a horrible problem called addiction, and are going to sum up rehab in a darling, romanticized way." I refused to watch it for a long time because of this presumption. Relax, and give the film a try. Although cute in places and using some subtle but great humor, '28 Days' does not romanticize the problem of addiction.
What it does manage to show, much to my amazement, is how trite and cheesy 'Recovery' can seem to the addict. The scenes of chanting, serenity prayers, and singing 'Lean On Me' are not portrayed as inspiring or moving, but as irritating customs of the Center. Perhaps portions of the movie go to the far edges of each condition, drunkenness and sobriety, but it does not come across as contrived. People really do these things, and some people really recover from it, and '28 Days' follows Gwen Cummings story, who is an exceptionally "gravitational" personality, easily allowing for a larger than life story.
Gwen (Sandra Bullock) is a writer, and along with party-time boyfriend Jasper (Dominic West) show up late and manage to ruin her sister Lily's (Elizabeth Perkins) wedding. After being late, Gwen ruins the mother-in-law's dress, takes a spin on the dance floor and winds out crushing the wedding cake, then steals a limo to drive to a cake store and replace it. Careening down the road, Gwen wrecks the limo into the side of a house. Sentenced to twenty-eight days in rehab or prison, Gwen finds herself at the Serenity Glen Rehabilitation Center.
Gwen's lifestyle as a New York writer/columnist is not conductive to sobriety, but even Gwen never realized the extent of her reliance on booze and prescription drugs. Not until she breaks the rules of Serenity Glen and her counselor Cornell (played by the amazing Steve Buscemi) arranges to have her sentence continued in prison. Only when Gwen practically leaps from a third story window in an attempt to retrieve the pills from Jasper that she earlier threw away does Gwen realize something is wrong with her. She decides its time to do something for herself, and convinces Cornell to let her stay at Serenity Glen.
Gwen must face many aspects of herself that she finds intolerable while sober, while also facing visits from Jasper who doesn't see the point of leaving their old life behind for sobriety. What follows is a touching, and yes, comical romp through Gwen's rehab, but it fits well because Gwen has a tendency to use humor to deflect emotional response.
The characters in this movie are outstanding. Sandra Bullock plays Gwen to perfection. Steve Buscemi is amazing as always, Dominic West as fun-boy Jasper is perfect, and look for a ridiculously intriguing performance by Alan Tudyk as Gerhardt, the funniest character in the movie. Gerhardt is an eccentric, over-the-top, emotional, stammering geek, and steals the movie with only a few lines. ("Oh my God, look at my package!" and "I want my foreskin back, no one asked when they took it, they just took it.") Also, at the very end of the movie, check out Gerhardt's T-shirt that he's wearing. Hysterical!!
Even through the horrid cheesiness of ridiculous rehab ritual, Gwen manages to make friends. Aside from Gerhardt, there is Daniel (Reni Santoni) the doctor who used to pump his own stomach, Andrea (Azura Skye), Gwen's roommate, a seventeen year old heroin addict who is far wiser than her years, Betty (Margo Martindale) as the crotchety but not humorless receptionist, and Eddie Boone (Viggo Mortenson) a professional baseball player addicted to booze and sex.
I was surprised at how well this movie actually turned out, comparing in my opinion to the classics 'Days Of Wine And Roses' and 'Lost Weekend'. Pay special attention to Cornell's speech for the group, where he talks about using whether something happened or nothing happened. While there is good humor in this movie, and it realistically portrays the cheesiness of all those rehab clichés, it still winds out to be a good (though somewhat tragic) story about a good person. Gwen is obviously a loveable personality, both drunk and sober, which makes her choice more realistic than someone who makes a "dramatic change". There is a very funny scene where Gwen uses her talents as a writer to create an impromptu play based on Andrea's favorite soap opera, Santa Cruz. The clips of this soap opera are so over the top that you will laugh your hinder off at them.
Great acting, fantastic characterizations, good photography, a healthy dose of realism, a great script, and insightfully surreal flashbacks made this movie much better than it should have been. Oh, and it made me thirsty (he he he). Definitely a 'buy', but I always recommend rent first. Enjoy!
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