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~ George Frederick Handel
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~ Georg Philipp Telemann
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~ Vivaldi
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Bach: Solo & Double Violin Concertos /Manze * Podger * AAM * Manze ~ Johann Sebastian Bach |
~ Jaap ter Linden
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| 1. Sonata for violin & continuo in G minor, B. g5 ('The Devil's Trill'): No. 3, Andante-Largo-Adagio | |||
| 2. Sonata for violin & continuo, Op. 3/3 ('La Melana') | |||
| 3. Violin Concerto, for violin, strings & continuo in E flat major ('La tempesta di mare'; 'Il cimento' No. 5), Op.8/5, RV 253: I. Prest | |||
| 4. Violin Concerto, for violin, strings & continuo in E flat major ('La tempesta di mare'; 'Il cimento' No. 5), Op.8/5, RV 253: II. Larg | |||
| 5. Violin Concerto, for violin, strings & continuo in E flat major ('La tempesta di mare'; 'Il cimento' No. 5), Op.8/5, RV 253: III. Pre | |||
| 6. Sonata for violin & continuo 'detta La Laura rilucente,' Op. 4/5 | |||
| 7. Concerto Grosso in G minor, Op.6/6, HWV 324: No.3., Musette | |||
| 8. Concerto Grosso in G minor, Op.6/6, HWV 324: No.4, Allegro | |||
| 9. Sonata for violin & continuo No. 6 in B minor: No.3, Gracieusement | |||
| 10. Sonata for violin & continuo No. 6 in B minor: No.4, Viste | |||
| 11. Toccata and Fugue, for organ in D minor, BWV 565 (BC J37) | |||
| 12. Sonata for violin & keyboard No. 3 in E major, BWV 1016: No.1, Adagio | |||
| 13. Gulliver Suite, for 2 violins in D major, TWV 40:108: Intrada | |||
| 14. Sinfonia Sesto Tuono, for chamber instruments & continuo, Op. 22 | |||
| 15. Balletto Quarto Allemano, for 3-4 instruments & continuo, Op. 22/4 | |||
| 16. Sinfonia Terzo Tuono, for chamber instruments & continuo, Op. 22 | |||
| 17. Violin Sonata in A major, Op.1/3, HWV 361: No.3, Adagio | |||
| 18. Violin Sonata in A major, Op.1/3, HWV 361: No4, Allegro | |||
| 19. Concerto Grosso, for 2 violins, strings & continuo No.12 in D minor ('La Follia'; after Corelli Op. 5/12) | |||
| 20. Concerto Grosso, for 2 violins, strings & continuo No.12 in D minor ('La Follia'; after Corelli Op. 5/12) | |||
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Naturally, the most substantial pieces on the program tend to be especially impressive. Vivaldi's Concerto "La tempesta di Mare" is truly tempestuous, with extraordinarily daring harmonies and modulations. Manze's transcription and performance of a famous Bach Toccata and Fugue for organ creates the amazing illusion of an original unaccompanied violin composition. And, taken from Manze's recording with the Academy of Ancient Music, "La Follia," one of 12 Corelli Sonatas orchestrated by Geminiani as Concerti Grossi, is enormously exciting. Also noteworthy are selections by Uccellini and Marini performed with Romanesca, some movements from Bach and Handel sonatas, and part of Tartini's "La Sonata del Diavolo", better known as the "Devil's Trill Sonata," played unaccompanied with diabolical freedom and virtuosity. --Edith Eisler
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