Product Details

• Actors: Groucho Marx, Chico Marx, Harpo Marx, Allan Jones, Maureen O'Sullivan
• Directors: Sam Wood
• Writers: George Oppenheimer, George Seaton, Robert Pirosh
• Producers: Sam Wood, Irving Thalberg, Lawrence Weingarten, Max Siegel
• Format: Black & White, Closed-captioned, Color, NTSC
• Language: English
• Rating: NR (Not Rated)
• Number of tapes: 1
• Studio: Warner Home Video
• VHS Release Date: August 21, 2000
• Run Time: 111 minutes
• Average Customer Review: 4.5 out of 5 stars  See all reviews (47 customer reviews)
• ASIN: B00004WC8S
• Amazon.com Sales Rank: #26,271 in Video (See Bestsellers in Video)

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  #15 in	Video > Classics > Kids & Family - Classics - > Marx Brothers
  #20 in	Video > Classics > Classic Comedies > Slapstick
  #92 in	Video > Comedy > By Year > 1930-1939

Editorial Reviews

Amazon.com essential video

A Day at the Races is the Marx Brothers at their commercial and popular peak, working with a top Hollywood director (Sam Wood of The Pride of the Yankees), supported with a healthy screen budget paying for such extras as a blue-tinted ballet sequence, love songs from crooner Allan Jones, and decorative sets. But the brothers are also at the top of their game in terms of their own comic material and timing. The story finds Groucho, Chico, and Harpo helping out at a sanatorium, where their longtime foil in the movies, Margaret Dumont, is the leading patient. The film has some of the trio's funniest and most memorable bits and a dazzling horserace at the climax. Not quite as good as its predecessor, A Night at the Opera, this is still a highlight in the Marxian filmography. --Tom Keogh

Customer Reviews

Most Helpful Customer Reviews

7 of 7 people found the following review helpful:

4.0 out of 5 stars Ethnic Stereotypes Not Malicious, August 2, 2004

By	W. L Lord - See all my reviews (REAL NAME)

I decided to watch this film again after an absence of probably 30 years when I learned that Dorothy Dandridge had a small part and I wanted to see if I could find her in the crowd. I'm not sure if I identified her or not but unexpectedly, I was absolutely blown away by the cameo of Ivy Anderson in "All God's Chillun Got Rythym". Her timing and delivery couldn't have been better and I strongly disagree with those who find the number too long and offensively stereotypical. I speak as one whose musical tastes are probably 80% classical and I do not often find much in popular music that I am enthusiastic about. Of course, the style and mannerisms of the black actors are dated and even stereotypical in the dance number that follows. But it has energy and enthusiasm and the paticipants at least seem to be having fun. The Marx brothers are not afraid to even poke fun at race issues by smearing grease on their face. In fact there are other ethnic stereotypes in the movie such as Chico's Italian persona and the German doctor that no one seems to object to because it is all in good fun and not malicious. In fact, the black race track workers are depicted sympathetically while the villains are greedy and underhanded whites trying to fix the race and steal the sanitarium. They lose and the race track workers stage a triumphal march at the end. I think for 1937 this is actually a pretty progressive film in terms of how black people were portrayed. I think that white audiences in 1937 had a mind set which limited how sympathically black people could be portrayed and humorous situations were a general rule.

As for the rest of the movie there are some excellent and funny scenes that many have discussed before and I agree that some of the musical numbers with Alan Jones are too long and no longer that musically interesting. But there are lots of funny scenes and as usual, the brothers point their slings and arrows at the pompous and pretentious and malicious. That's why we can still appreciate them. And for those who find the "God's Chillun" number problematic, you're too politically correct. We have gone way beyond the 1930's image. Regretably, current stereotypes while sometimes striving for realism may lose empathy.

6 of 6 people found the following review helpful:

5.0 out of 5 stars "A Day At the Races" - Marxs' last great film, October 8, 2001

By	T. W. Fuller (Wheeling, IL. USA) - See all my reviews (REAL NAME)

"A Day At the Races", the Marx Bros. seventh film, released in 1937, is their last real great film in the sense of its overall humor and comic genous.

Groucho plays a horse doctor, Dr. Hackenbush, who is more interested on betting on horses than treating them.

The plot revolves around a sanatorium which is loosing money. Run by Judy Standish (Maureen O'Sullivan), she is offered five thousand dollars to sell it to a shady character, Morgan (Douglas Dumbrille). He wants the sanitorium for his race track. However, the sanitorium's leading patient, Mrs. UpJohn (Margaret Dumont) comes to the aid of Judy Standish when she offers finicial support - but only if she hires Dr. Hackenbush. Of course nobody knows he is just a horse doctor.

Harpo plays a jockey. Chico (Tony) plays the sanitarium's loyal employee. When he overhears the conversation about Hackensbush, he quickly wires him to come. He also sells ice cream and racing tips on the side. In a later scene, one of the film's highlights, he sells Groucho a library's worth of books which are intended to have the name of the horse and jockey in a particular race.

As is many Marx Bros. films, there is a love interest. This one involves Allan Jones (Gil Stewart) and Judy Standish. He spends his life's savings on a horse, Highhat, in the hopes it will win a race and enough money to bail the sanatorium out of its near bankruptcy.

Over-all, this is a fast paced comedy, expect for the songs which really have no place in the film, and seem to go on forever. However, they may be fast forwarded through.

The film's highlights include a roarous scene with the Marx Bros. and a seductress, Flo Marlowe (Esther Muir). Morgan uses her to seduce Groucho, and have Dumont come in on the act, knowing she would quickly dispense of his services, and the sanatoruim would be his. However, Hapro and Chico, through a series of hilarious events, foil the plan.

Another highlight comes when Sig Ruman, playing Dr. Leopold Steinburg, comes to examine Dumont and prove there is nothing really the matter with her. The Marx Bros. have another of their field days.

The climax comes when Highhat is entered in a race, and Morgan tries everything he can to keep him out of it. The Marx Bros. see to it that Highhat remains in the race, at any cost.

"A Day At the Races" contains enough comic humor and classic Marx Bros. material to be considered a great film, and still stands the test of time as a Marx Bros. classic.

6 of 6 people found the following review helpful:

5.0 out of 5 stars Doctor! My metabolism!, September 6, 1999

By A Customer

This review is from: A Day at the Races [VHS] (VHS Tape)

Although A Night At The Opera is the more widely celebrated, I personally find A Day At The Races the better of the two films. The plot is stronger, the romantic subplot is well integrated into the film and not intrusive, and the few musical numbers are entertaining if rather spurious.

Much the success of Marx Brothers' brand of comedy arises from their dissonance when placed in a "high society" setting peopled with formally behaved characters. This is particularly true of A Day At The Races, in which horse-doctor Groucho impersonates a society doctor to treat the formidable Margaret Dumont. Dumont's work, too often overlooked in the wake of Marx Brothers lunacy, is nothing short of brilliant in this film, and provides the perfect foil for the hysteria created by Groucho, Harpo, and Chico. The supporting cast is equally fine.

The film includes two of the funniest bits of work the Marx Brothers ever put on celluloid: the call from Florida scene, in which Groucho runs riot with the switchboard, and the examination scene, in which the brothers take a diagnoistic gander at Dumont, who is "afflicted with nothing in its most violent form."

An equal to the Marx Brothers earlier work at Paramount, A Day at the Races is pure subversive hilarity, as funny today as when it first hit the screen some seventy years ago.